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Backstreet Boys|Millennium

Millennium

Backstreet Boys

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The Backstreet Boys finally broke (and broke big) in America during 1998, as if by design. They had been Euro sensations for a couple of years, but it wasn't until Backstreet's Back was unleashed in the U.S. in 1997 that they had a presence in the States, and it was no small presence, either -- after selling over ten million copies, the album remained in the Top 40 on the eve of the release of its sequel, Millennium. And sequel is the appropriate word -- Millennium has no pretense of being anything other than an album for the moment, delivering more of everything that made Backstreet's Back a blockbuster. There's a familiar blend of ballads and dance-pop, a similar shiny production, a reliance on the Boys' charisma that brings to mind the debut. If Millennium were anything other than big, glossy mainstream pop, such calculation may be a little unseemly, but in this context, it can be rather fun. True, the album doesn't pack as much punch as its predecessor -- there's a number of good songs, but more filler than before, and the Backstreet sound isn't as fresh as it was the first time around -- but it does deliver what fans want: more of the same. And since there are singles as infectious as "I Want It That Way" and a handful of good ballads, that will be enough to satisfy anyone craving more, more, more.

© Stephen Thomas Erlewine /TiVo

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Millennium

Backstreet Boys

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1
Larger Than Life
00:03:52

Backstreet Boys, Performer - Brian T. Littrell, Composer - Brian T. Littrell, Lyricist - Kristian Lundin, Composer - Kristian Lundin, Lyricist - Kristian Lundin, Producer - Max Martin, Composer - Max Martin, Lyricist

(P) 1998 RCA Records, a division of Sony Music Entertainment

2
I Want It That Way
00:03:32

Andreas Carlsson, Composer - Andreas Carlsson, Lyricist - Backstreet Boys, Performer - Kristian Lundin, Producer - Max Martin, Composer - Max Martin, Lyricist - Max Martin, Producer

(P) 1998 Sony Music Entertainment

3
Show Me the Meaning of Being Lonely
00:03:54

Backstreet Boys, Performer - Bo Reimer, Engineer - Herbert Crichlow, Composer - Herbert Crichlow, Lyricist - Kristian Lundin, Mixing Engineer - Kristian Lundin, Producer - Max Martin, Composer - Max Martin, Lyricist - Max Martin, Mixing Engineer - Max Martin, Producer

(P) 1998 RCA Records, a division of Sony Music Entertainment

4
It's Gotta Be You
00:02:56

Backstreet Boys, Performer - Max Martin, Composer - Max Martin, Lyricist - Max Martin, Mixing Engineer - Max Martin, Producer - Rami, Mixing Engineer - Rami, Producer - Robert John "Mutt" Lange, Composer - Robert John "Mutt" Lange, Lyricist

(P) 1999 RCA Records, a division of Sony Music Entertainment

5
I Need You Tonight
00:04:22

Andrew Fromm, Composer - Andrew Fromm, Lyricist - Backstreet Boys, Performer - Robert John "Mutt" Lange, Producer

(P) 1999 RCA Records, a division of Sony Music Entertainment

6
Don't Want You Back
00:03:25

Backstreet Boys, Performer - Max Martin, Composer - Max Martin, Lyricist - Max Martin, Mixing Engineer - Max Martin, Producer - Rami, Mixing Engineer - Rami, Producer

(P) 1999 RCA Records, a division of Sony Music Entertainment

7
Don't Wanna Lose You Now
00:03:53

Backstreet Boys, Performer - Max Martin, Composer - Max Martin, Lyricist - Max Martin, Mixing Engineer - Max Martin, Producer - Rami, Mixing Engineer - Rami, Producer

(P) 1999 RCA Records, a division of Sony Music Entertainment

8
The One (Album Version)
00:03:46

Backstreet Boys, Performer - Bo Reimer, Engineer - Brian Littrell, Composer - Brian Littrell, Lyricist - Kristian Lundin, Mixing Engineer - Kristian Lundin, Producer - Kristian Lundin, Recording Engineer - Max Martin, Composer - Max Martin, Lyricist - Max Martin, Mixing Engineer - Max Martin, Producer - Max Martin, Recording Engineer

(P) 1998 RCA Records, a division of Sony Music Entertainment

9
Back to Your Heart
00:04:21

Backstreet Boys, Performer - Gary Baker, Composer - Gary Baker, Lyricist - Heff Moraes, Mixing Engineer - Jason Blume, Composer - Jason Blume, Lyricist - Kevin Richardson, Composer - Kevin Richardson, Lyricist - Stephen Lipson, Producer

(P) 2005 RCA Records, a division of Sony Music Entertainment

10
Spanish Eyes
00:03:53

Andrew Fromm, Composer - Andrew Fromm, Lyricist - Backstreet Boys, Performer - Sandy Linzer, Composer - Sandy Linzer, Lyricist - Timmy Allen, Producer

(P) 1999 RCA Records, a division of Sony Music Entertainment

11
No One Else Comes Close
00:03:42

Backstreet Boys, Performer - Chris Trevett, Mixing Engineer - Edwin "Tony" Nicholas, Producer - Gary Baker, Composer - Gary Baker, Lyricist - Joe Thomas, Composer - Joe Thomas, Lyricist - Timmy Allen, Producer - Wayne Perry, Composer - Wayne Perry, Lyricist

(P) 1999 RCA Records, a division of Sony Music Entertainment

12
The Perfect Fan
00:04:13

Backstreet Boys, Performer - Brian T. Littrell, Composer - Brian T. Littrell, Lyricist - Eric Foster White, Producer - Thomas L. Smith, Composer - Thomas L. Smith, Lyricist

(P) 1998 RCA Records, a division of Sony Music Entertainment

Album review

The Backstreet Boys finally broke (and broke big) in America during 1998, as if by design. They had been Euro sensations for a couple of years, but it wasn't until Backstreet's Back was unleashed in the U.S. in 1997 that they had a presence in the States, and it was no small presence, either -- after selling over ten million copies, the album remained in the Top 40 on the eve of the release of its sequel, Millennium. And sequel is the appropriate word -- Millennium has no pretense of being anything other than an album for the moment, delivering more of everything that made Backstreet's Back a blockbuster. There's a familiar blend of ballads and dance-pop, a similar shiny production, a reliance on the Boys' charisma that brings to mind the debut. If Millennium were anything other than big, glossy mainstream pop, such calculation may be a little unseemly, but in this context, it can be rather fun. True, the album doesn't pack as much punch as its predecessor -- there's a number of good songs, but more filler than before, and the Backstreet sound isn't as fresh as it was the first time around -- but it does deliver what fans want: more of the same. And since there are singles as infectious as "I Want It That Way" and a handful of good ballads, that will be enough to satisfy anyone craving more, more, more.

© Stephen Thomas Erlewine /TiVo

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