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Måns Wieslander|Yet

Yet

Måns Wieslander

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Måns Wieslander's third album (his first U.S. release), 2002's Yet is a stripped-down but not barebones affair. Most of the songs sound like they were recorded by Wieslander on his own, but there are just enough outside touches, like the churning cello and machine-gun noise guitar on the dramatic ballad "Unsound," to keep the album from sounding too much like a bedroom four-track production. The problem is that while there are several outstanding tracks here (the aforementioned "Unsound," the lovely "I Don't Think She's Airborne," which marries a Go-Betweens-like acoustic pop tune with appealingly rinky-dink electronic drums and whooshing synths that sound like they came from one of New Order's earliest electronic forays, and the hazy, almost psychedelic "Roadkill" in particular), almost all of them use the same basic template of midtempo melodies and strummy acoustic guitars, making the songs sound a little more alike than they really are. The songs that break away from this style, like the almost peppy "Dizzy Normal," which has the album's most memorable chorus, sound even better in comparison, but just a little more variety would make this good album a great one.

© Stewart Mason /TiVo

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Yet

Måns Wieslander

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1
Idiot Sunshine
00:04:38

Måns Wieslander, Composer, MainArtist - Parasol Records, MusicPublisher

2002 Parasol Records 2002 Parasol Records

2
Rhinos
00:02:56

Måns Wieslander, Composer, MainArtist - Parasol Records, MusicPublisher

2002 Parasol Records 2002 Parasol Records

3
Speedbump
00:02:57

Måns Wieslander, Composer, MainArtist - Parasol Records, MusicPublisher

2002 Parasol Records 2002 Parasol Records

4
Unsound
00:04:09

Måns Wieslander, Composer, MainArtist - Parasol Records, MusicPublisher

2002 Parasol Records 2002 Parasol Records

5
October Quarterly
00:03:54

Måns Wieslander, Composer, MainArtist - Parasol Records, MusicPublisher

2002 Parasol Records 2002 Parasol Records

6
Freezer Burn
00:04:58

Måns Wieslander, Composer, MainArtist - Parasol Records, MusicPublisher

2002 Parasol Records 2002 Parasol Records

7
I Don't Think She's Airborne
00:02:58

Måns Wieslander, Composer, MainArtist - Parasol Records, MusicPublisher

2002 Parasol Records 2002 Parasol Records

8
Roadkill
00:04:25

Måns Wieslander, Composer, MainArtist - Parasol Records, MusicPublisher

2002 Parasol Records 2002 Parasol Records

9
Coward Missing
00:03:53

Måns Wieslander, Composer, MainArtist - Parasol Records, MusicPublisher

2002 Parasol Records 2002 Parasol Records

10
Dizzy Normal
00:03:02

Måns Wieslander, Composer, MainArtist - Parasol Records, MusicPublisher

2002 Parasol Records 2002 Parasol Records

11
Evil Eye
00:04:19

Måns Wieslander, Composer, MainArtist - Parasol Records, MusicPublisher

2002 Parasol Records 2002 Parasol Records

12
Burn Burn Burn
00:03:41

Måns Wieslander, Composer, MainArtist - Parasol Records, MusicPublisher

2002 Parasol Records 2002 Parasol Records

13
Low Fungus
00:03:16

Måns Wieslander, Composer, MainArtist - Parasol Records, MusicPublisher

2002 Parasol Records 2002 Parasol Records

14
Obedience
00:04:13

Måns Wieslander, Composer, MainArtist - Parasol Records, MusicPublisher

2002 Parasol Records 2002 Parasol Records

Resenha do Álbum

Måns Wieslander's third album (his first U.S. release), 2002's Yet is a stripped-down but not barebones affair. Most of the songs sound like they were recorded by Wieslander on his own, but there are just enough outside touches, like the churning cello and machine-gun noise guitar on the dramatic ballad "Unsound," to keep the album from sounding too much like a bedroom four-track production. The problem is that while there are several outstanding tracks here (the aforementioned "Unsound," the lovely "I Don't Think She's Airborne," which marries a Go-Betweens-like acoustic pop tune with appealingly rinky-dink electronic drums and whooshing synths that sound like they came from one of New Order's earliest electronic forays, and the hazy, almost psychedelic "Roadkill" in particular), almost all of them use the same basic template of midtempo melodies and strummy acoustic guitars, making the songs sound a little more alike than they really are. The songs that break away from this style, like the almost peppy "Dizzy Normal," which has the album's most memorable chorus, sound even better in comparison, but just a little more variety would make this good album a great one.

© Stewart Mason /TiVo

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