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Gunter Christmann|White Earth Streak

White Earth Streak

Gunter Christmann

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Idioma disponível: inglês

Highly abstract, and very much "of the moment," these 11 rare tracks are a good introduction to the sort of radical forays for which Günter Christmann and his colleagues are known. The first seven tracks were originally released in 1983 on the trans museq label, and tracks ten and 11 (recorded in Birmingham, Alabama, near where Smith and Williams were living at the time) were issued the same year on the same label as a 7" single, while untitled cuts eight and nine are released here for the first time. Little sounds predominate, with a prescient interaction present. The instrumentation might be best understood as trombone plus three strings (string bass, viola/ violin, and guitar/ banjo), with the trombone transformed in Christmann's characteristic way into something more (or less, depending on perspective) than the way the instrument is commonly perceived. "Song of an Aeropteryx" is a duo between LaDonna Smith and Davey Williams in which they perform on a total of eight instruments. As to be expected, there is nothing on any of the pieces resembling swing or any recognizable beat, but there is some remarkably intricate soloing that requires intense concentration and close listening by the players. Firmly in the "scratch 'n sniff" school, this recording transcends the minefields of the genre by reaching forward, never looking back, and maintaining a diversity of sound.

© Steven Loewy /TiVo

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White Earth Streak

Gunter Christmann

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1
Born for Water
00:04:58

Gunter Christmann, Primary

2002 Unheard Music Series / Atavistic Unheard Music Series / Atavistic 2002

2
The Electrical Front
00:09:14

Gunter Christmann, Primary

2002 Unheard Music Series / Atavistic Unheard Music Series / Atavistic 2002

3
White Earth Streak
00:07:45

Gunter Christmann, Primary

2002 Unheard Music Series / Atavistic Unheard Music Series / Atavistic 2002

4
Rainbow Blizzard
00:06:05

Gunter Christmann, Primary

2002 Unheard Music Series / Atavistic Unheard Music Series / Atavistic 2002

5
Giant Gator Play
00:05:28

Gunter Christmann, Primary

2002 Unheard Music Series / Atavistic Unheard Music Series / Atavistic 2002

6
What Popeye Really Meant
00:04:26

Gunter Christmann, Primary

2002 Unheard Music Series / Atavistic Unheard Music Series / Atavistic 2002

7
Static Slide Kisses
00:01:35

Gunter Christmann, Primary

2002 Unheard Music Series / Atavistic Unheard Music Series / Atavistic 2002

8
Untitled No. 1
00:00:58

Gunter Christmann, Primary

2002 Unheard Music Series / Atavistic Unheard Music Series / Atavistic 2002

9
Untitled No. 2
00:01:37

Gunter Christmann, Primary

2002 Unheard Music Series / Atavistic Unheard Music Series / Atavistic 2002

10
Song Of An Aeropteryx, Side 1
00:05:20

Gunter Christmann, Primary

2002 Unheard Music Series / Atavistic Unheard Music Series / Atavistic 2002

11
Song Of An Aeropteryx, Side 2
00:03:12

Gunter Christmann, Primary

2002 Unheard Music Series / Atavistic Unheard Music Series / Atavistic 2002

Resenha do Álbum

Highly abstract, and very much "of the moment," these 11 rare tracks are a good introduction to the sort of radical forays for which Günter Christmann and his colleagues are known. The first seven tracks were originally released in 1983 on the trans museq label, and tracks ten and 11 (recorded in Birmingham, Alabama, near where Smith and Williams were living at the time) were issued the same year on the same label as a 7" single, while untitled cuts eight and nine are released here for the first time. Little sounds predominate, with a prescient interaction present. The instrumentation might be best understood as trombone plus three strings (string bass, viola/ violin, and guitar/ banjo), with the trombone transformed in Christmann's characteristic way into something more (or less, depending on perspective) than the way the instrument is commonly perceived. "Song of an Aeropteryx" is a duo between LaDonna Smith and Davey Williams in which they perform on a total of eight instruments. As to be expected, there is nothing on any of the pieces resembling swing or any recognizable beat, but there is some remarkably intricate soloing that requires intense concentration and close listening by the players. Firmly in the "scratch 'n sniff" school, this recording transcends the minefields of the genre by reaching forward, never looking back, and maintaining a diversity of sound.

© Steven Loewy /TiVo

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