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Swirlies|What To Do About Them

What To Do About Them

Swirlies

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Idioma disponível: inglês

What to Do About Them, the Swirlies' first mini-album, compiles some of their early work (including their split single with Kudgel) with previously unreleased material and traces the band's development from My Bloody Valentine worshipers into something more interesting. The earliest recordings on the album, like 1991's "Sarah Sitting" and "Didn't Understand," borrow the pummeling tempos and wall-of-feedback guitars from Isn't Anything-era Valentine. However, tracks like "Her Life of Artistic Freedom" and "Cousteau" veer from the shoegazing blueprint and add touches like white noise, found sounds, and clean as well as fuzzed-out guitars. "Tall Ships," in particular, exemplifies the Swirlies' sound, a mix of the dreaminess and deadpan humor, making lyrics like "Just shut the f*ck up" into a lullaby.

© Heather Phares /TiVo

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What To Do About Them

Swirlies

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1
Tall Ships
00:04:33

Swirlies, MainArtist

(C) 2006 Taang! Records (P) 2006 Taang! Records

2
Sarah Sitting
00:02:09

Swirlies, MainArtist

(C) 2006 Taang! Records (P) 2006 Taang! Records

3
Her Life Of Artistic Freedom
00:01:47

Swirlies, MainArtist

(C) 2006 Taang! Records (P) 2006 Taang! Records

4
Didn't Understand
00:03:29

Swirlies, MainArtist

(C) 2006 Taang! Records (P) 2006 Taang! Records

5
Upstairs
00:04:21

Swirlies, MainArtist

(C) 2006 Taang! Records (P) 2006 Taang! Records

6
Chris R.
00:02:35

Swirlies, MainArtist

(C) 2006 Taang! Records (P) 2006 Taang! Records

7
Cousteu
00:03:06

Swirlies, MainArtist

(C) 2006 Taang! Records (P) 2006 Taang! Records

8
Untitled
00:00:31

Swirlies, MainArtist

(C) 2006 Taang! Records (P) 2006 Taang! Records

Resenha do Álbum

What to Do About Them, the Swirlies' first mini-album, compiles some of their early work (including their split single with Kudgel) with previously unreleased material and traces the band's development from My Bloody Valentine worshipers into something more interesting. The earliest recordings on the album, like 1991's "Sarah Sitting" and "Didn't Understand," borrow the pummeling tempos and wall-of-feedback guitars from Isn't Anything-era Valentine. However, tracks like "Her Life of Artistic Freedom" and "Cousteau" veer from the shoegazing blueprint and add touches like white noise, found sounds, and clean as well as fuzzed-out guitars. "Tall Ships," in particular, exemplifies the Swirlies' sound, a mix of the dreaminess and deadpan humor, making lyrics like "Just shut the f*ck up" into a lullaby.

© Heather Phares /TiVo

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