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Raphaël Feuillâtre|Visages baroques

Visages baroques

Raphaël Feuillâtre

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Bach will always be Bach, and baroque music will always be baroque music, right? Well, not if you believe in the words of Raphaël Feuillâtre, rising star of classical music. "Baroque has so many faces," says the budding guitarist, born in Djibouti and raised in France. At just 26, he’s already a seasoned musician. He was propelled on to the international stage in 2018 when he won the prestigious Guitar Foundation of America competition in Louisville, and is now making his Deutsche Grammophon debut with Visages baroques. He’s currently the only guitarist signed to the prestigious classical music label. Like many other artists, Feuillâtre hasn’t hesitated to arrange and reinterpret great baroque works to tailor them to his instrument.


Through the sounds of his guitar, Feuillâtre uses this carefully composed programme to demonstrate, as the name suggests, the different faces of baroque music. And he does it all on an instrument that the period’s repertoire wasn’t always tailored to. According to Feuillâtre, the guitar has always been somewhat neglected, which is not to downplay the great musical depth of the instrument. In collaboration with his teachers and friends, Feuillâtre has arranged selected pieces by Bach, Royer, Rameau, Forqueray and Duphly, and gives these baroque artists a new shine. The plucked variation of "Prelude in C major" from Bach's Well-Tempered Clavier is a gentle and clear introduction, closely followed by the great composer’s Partita and Concerto. We also find a refreshing harpsichord-esque interpretation of Duphly's La Médée. The stunning technical abilities of the young guitarist are beautifully highlighted in Rameau's Les Cyclopes. Baroque certainly has many faces! © Lena Germann/Qobuz


 

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The Well-Tempered Clavier, Book 1, BWV 846-869 / Prelude & Fugue in C Major, BWV 846 (Johann Sebastian Bach)

1
I. Prelude (Transcr. for Guitar)
00:01:56

Johann Sebastian Bach, Composer - Philipp Nedel, Producer, Editor, Engineer, Recording Producer, StudioPersonnel - Martin Kistner, Mastering Engineer, StudioPersonnel - Raphaël Feuillâtre, Guitar, MainArtist, AssociatedPerformer

℗ 2023 Deutsche Grammophon GmbH, Berlin

Pièces de clavecin, Book 1 (Pancrace Royer)

2
No. 6, L'aimable (Arr. Feuillâtre for Guitar)
00:04:28

Philipp Nedel, Producer, Editor, Engineer, Recording Producer, StudioPersonnel - Pancrace Royer, Composer - Martin Kistner, Mastering Engineer, StudioPersonnel - Raphaël Feuillâtre, Arranger, Guitar, Work Arranger, MainArtist, AssociatedPerformer

℗ 2023 Deutsche Grammophon GmbH, Berlin

Concerto No. 1 in D Major, BWV 972 (After Vivaldi RV 230) (Johann Sebastian Bach)

3
I. Allegro (Arr. Perroy for Guitar)
00:02:29

Johann Sebastian Bach, Composer - Philipp Nedel, Producer, Editor, Engineer, Recording Producer, StudioPersonnel - Judicael Perroy, Arranger, Work Arranger - Martin Kistner, Mastering Engineer, StudioPersonnel - Raphaël Feuillâtre, Guitar, MainArtist, AssociatedPerformer

℗ 2023 Deutsche Grammophon GmbH, Berlin

4
II. Larghetto (Arr. Perroy for Guitar)
00:04:06

Johann Sebastian Bach, Composer - Philipp Nedel, Producer, Editor, Engineer, Recording Producer, StudioPersonnel - Judicael Perroy, Arranger, Work Arranger - Martin Kistner, Mastering Engineer, StudioPersonnel - Raphaël Feuillâtre, Guitar, MainArtist, AssociatedPerformer

℗ 2023 Deutsche Grammophon GmbH, Berlin

5
III. Allegro (Arr. Perroy for Guitar)
00:02:34

Johann Sebastian Bach, Composer - Philipp Nedel, Producer, Editor, Engineer, Recording Producer, StudioPersonnel - Judicael Perroy, Arranger, Work Arranger - Martin Kistner, Mastering Engineer, StudioPersonnel - Raphaël Feuillâtre, Guitar, MainArtist, AssociatedPerformer

℗ 2023 Deutsche Grammophon GmbH, Berlin

6
L'entretien des muses, RCT 3/6 (Arr. Grizard for Guitar)
00:05:45

Jean-Philippe Rameau, Composer - Philipp Nedel, Producer, Editor, Engineer, Recording Producer, StudioPersonnel - Martin Kistner, Mastering Engineer, StudioPersonnel - Michel Grizard, Arranger, Work Arranger - Raphaël Feuillâtre, Guitar, MainArtist, AssociatedPerformer

℗ 2023 Deutsche Grammophon GmbH, Berlin

7
Les cyclopes, RCT 3/8 (Arr. Grizard for Guitar)
00:03:48

Jean-Philippe Rameau, Composer - Philipp Nedel, Producer, Editor, Engineer, Recording Producer, StudioPersonnel - Martin Kistner, Mastering Engineer, StudioPersonnel - Michel Grizard, Arranger, Work Arranger - Raphaël Feuillâtre, Guitar, MainArtist, AssociatedPerformer

℗ 2023 Deutsche Grammophon GmbH, Berlin

Partita in B-Flat Major, BWV 825 (Johann Sebastian Bach)

8
I. Prelude (Arr. Reichenbach for Guitar)
00:02:16

Johann Sebastian Bach, Composer - Philipp Nedel, Producer, Editor, Engineer, Recording Producer, StudioPersonnel - Martin Kistner, Mastering Engineer, StudioPersonnel - Gerhard Reichenbach, Arranger, Work Arranger - Raphaël Feuillâtre, Guitar, MainArtist, AssociatedPerformer

℗ 2023 Deutsche Grammophon GmbH, Berlin

9
II. Allemande (Arr. Reichenbach for Guitar)
00:03:49

Johann Sebastian Bach, Composer - Philipp Nedel, Producer, Editor, Engineer, Recording Producer, StudioPersonnel - Martin Kistner, Mastering Engineer, StudioPersonnel - Gerhard Reichenbach, Arranger, Work Arranger - Raphaël Feuillâtre, Guitar, MainArtist, AssociatedPerformer

℗ 2023 Deutsche Grammophon GmbH, Berlin

10
III. Courante (Arr. Reichenbach for Guitar)
00:03:10

Johann Sebastian Bach, Composer - Philipp Nedel, Producer, Editor, Engineer, Recording Producer, StudioPersonnel - Martin Kistner, Mastering Engineer, StudioPersonnel - Gerhard Reichenbach, Arranger, Work Arranger - Raphaël Feuillâtre, Guitar, MainArtist, AssociatedPerformer

℗ 2023 Deutsche Grammophon GmbH, Berlin

11
IV. Sarabande (Arr. Reichenbach for Guitar)
00:05:23

Johann Sebastian Bach, Composer - Philipp Nedel, Producer, Editor, Engineer, Recording Producer, StudioPersonnel - Martin Kistner, Mastering Engineer, StudioPersonnel - Gerhard Reichenbach, Arranger, Work Arranger - Raphaël Feuillâtre, Guitar, MainArtist, AssociatedPerformer

℗ 2023 Deutsche Grammophon GmbH, Berlin

12
V. Menuet I (Arr. Reichenbach for Guitar)
00:01:41

Johann Sebastian Bach, Composer - Philipp Nedel, Producer, Editor, Engineer, Recording Producer, StudioPersonnel - Martin Kistner, Mastering Engineer, StudioPersonnel - Gerhard Reichenbach, Arranger, Work Arranger - Raphaël Feuillâtre, Guitar, MainArtist, AssociatedPerformer

℗ 2023 Deutsche Grammophon GmbH, Berlin

13
VI. Menuet II (Arr. Reichenbach for Guitar)
00:01:34

Johann Sebastian Bach, Composer - Philipp Nedel, Producer, Editor, Engineer, Recording Producer, StudioPersonnel - Martin Kistner, Mastering Engineer, StudioPersonnel - Gerhard Reichenbach, Arranger, Work Arranger - Raphaël Feuillâtre, Guitar, MainArtist, AssociatedPerformer

℗ 2023 Deutsche Grammophon GmbH, Berlin

14
VII. Gigue (Arr. Reichenbach for Guitar)
00:02:28

Johann Sebastian Bach, Composer - Philipp Nedel, Producer, Editor, Engineer, Recording Producer, StudioPersonnel - Martin Kistner, Mastering Engineer, StudioPersonnel - Gerhard Reichenbach, Arranger, Work Arranger - Raphaël Feuillâtre, Guitar, MainArtist, AssociatedPerformer

℗ 2023 Deutsche Grammophon GmbH, Berlin

Suite No. 1 in D Minor (Antoine Forqueray)

15
No. 4, La Bellmont (Arr. Antoine Fougeray and Feuillâtre for Guitar)
00:03:45

Philipp Nedel, Producer, Editor, Engineer, Recording Producer, StudioPersonnel - Antoine Forqueray, Composer - Martin Kistner, Mastering Engineer, StudioPersonnel - Raphaël Feuillâtre, Arranger, Guitar, Work Arranger, MainArtist, AssociatedPerformer - Antoine Fougeray, Arranger, Work Arranger

℗ 2023 Deutsche Grammophon GmbH, Berlin

Pièces de clavecin, Book 3 (Jacques Duphly)

16
No. 4, La Forqueray (Arr. Antoine Fougeray for Guitar)
00:04:58

Jacques DUPHLY, Composer - Philipp Nedel, Producer, Editor, Engineer, Recording Producer, StudioPersonnel - Martin Kistner, Mastering Engineer, StudioPersonnel - Raphaël Feuillâtre, Guitar, MainArtist, AssociatedPerformer - Antoine Fougeray, Arranger, Work Arranger

℗ 2023 Deutsche Grammophon GmbH, Berlin

17
No. 6, Médée (Arr. Antoine Fougeray for Guitar)
00:04:38

Jacques DUPHLY, Composer - Philipp Nedel, Producer, Editor, Engineer, Recording Producer, StudioPersonnel - Martin Kistner, Mastering Engineer, StudioPersonnel - Raphaël Feuillâtre, Guitar, MainArtist, AssociatedPerformer - Antoine Fougeray, Arranger, Work Arranger

℗ 2023 Deutsche Grammophon GmbH, Berlin

Violin Partita No. 3 in E Major, BWV 1006 (Johann Sebastian Bach)

18
III. Gavotte en Rondeau (Transcr. for Guitar)
00:03:21

Johann Sebastian Bach, Composer - Philipp Nedel, Producer, Editor, Engineer, Recording Producer, StudioPersonnel - Martin Kistner, Mastering Engineer, StudioPersonnel - Raphaël Feuillâtre, Guitar, MainArtist, AssociatedPerformer

℗ 2023 Deutsche Grammophon GmbH, Berlin

Resenha do Álbum

Bach will always be Bach, and baroque music will always be baroque music, right? Well, not if you believe in the words of Raphaël Feuillâtre, rising star of classical music. "Baroque has so many faces," says the budding guitarist, born in Djibouti and raised in France. At just 26, he’s already a seasoned musician. He was propelled on to the international stage in 2018 when he won the prestigious Guitar Foundation of America competition in Louisville, and is now making his Deutsche Grammophon debut with Visages baroques. He’s currently the only guitarist signed to the prestigious classical music label. Like many other artists, Feuillâtre hasn’t hesitated to arrange and reinterpret great baroque works to tailor them to his instrument.


Through the sounds of his guitar, Feuillâtre uses this carefully composed programme to demonstrate, as the name suggests, the different faces of baroque music. And he does it all on an instrument that the period’s repertoire wasn’t always tailored to. According to Feuillâtre, the guitar has always been somewhat neglected, which is not to downplay the great musical depth of the instrument. In collaboration with his teachers and friends, Feuillâtre has arranged selected pieces by Bach, Royer, Rameau, Forqueray and Duphly, and gives these baroque artists a new shine. The plucked variation of "Prelude in C major" from Bach's Well-Tempered Clavier is a gentle and clear introduction, closely followed by the great composer’s Partita and Concerto. We also find a refreshing harpsichord-esque interpretation of Duphly's La Médée. The stunning technical abilities of the young guitarist are beautifully highlighted in Rameau's Les Cyclopes. Baroque certainly has many faces! © Lena Germann/Qobuz


 

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