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Cécile McLorin Salvant|The Window

The Window

Cécile McLorin Salvant

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On Cécile McLorin Salvant's 2017 album, Dreams and Daggers, she paired with pianist Sullivan Fortner for a rousing and saucy live rendition of Bessie Smith's "You've Got to Give Me Some." It was one of the most delightful tracks on an album that earned the singer her second Grammy Award. Salvant and Fortner take that charming, in-the-moment chemistry even further on her fifth album, 2018's The Window. Once again shifting between studio recordings and several live performances made at New York's Village Vanguard, Salvant and Fortner commune over a deftly curated and deeply enveloping mix of standards, covers, and one Salvant original, "À Clef," sung entirely in French. There are several impressive aspects to The Window that reveal themselves as you listen. First, while there are certainly songs people will recognize here, these are lesser-performed standards like Howard Dietz and Arthur Schwartz's "By Myself" and the Nat King Cole number "Wild Is Love." They aren't unknown, but certainly not in the canon of songs you hear often. Even when Salvant and Fortner make a populist choice, as on their heartbreakingly delicate handling of "Somewhere" from West Side Story, the results are nuanced and harmonically expansive. Elsewhere, they explore even more unexpected fare, burrowing deeply into the Dori Caymmi co-write "Obsession" and bringing on board saxophonist Melissa Aldana for a haunting, impressionistic reading of vocalist Norma Winstone and pianist Jimmy Rowles' "The Peacocks." Secondly, for a singer who has drawn well-earned comparisons to the pantheon of great vocalists with names like Ella, Aretha, and Billie, Salvant has an almost magical ability to make each song her own. Her opening take on Stevie Wonder's "Visions" sounds completely unlike the soulful 1973 original, yet somehow perfect as she imbues it with her own dusky, 1950s cabaret intimacy. Of course, Fortner is due equal credit for this transformative quality. A virtuoso in his own right, he has a pristine touch and lithe improvisational skills, drawing tastefully upon classical, post-bop, and stride styles, often within the same song. That he and Salvant play with such élan, but still manage to never get in each other's way, speaks to their immense skill and creative empathy. Together, they play with an amorously creative and emotionally varied cornucopia of energies -- so much so that you almost forget it's just the two of them. Despite that virtuosic spark, The Window remains an intensely intimate listen, as if Salvant and Fortner are playing just for you.

© Matt Collar /TiVo

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The Window

Cécile McLorin Salvant

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1
Visions
00:05:11

Stevie Wonder, Composer - Cécile McLorin Salvant, Producer, MainArtist - Al Pryor, Producer - Sullivan Fortner, Producer - Black Bull Music/Jobete Music Co. Inc./EMI April Music Inc. (ASCAP), MusicPublisher

(C) 2018 Mack Avenue Records II, LLC (P) 2018 Mack Avenue Records II, LLC

2
One Step Ahead
00:02:09

Charles Singleton, Composer - EDDIE SNYDER, Composer - Cécile McLorin Salvant, Producer, MainArtist - Al Pryor, Producer - Sullivan Fortner, Producer - Screen Gems-EMI Music Inc. (BMI), MusicPublisher

(C) 2018 Mack Avenue Records II, LLC (P) 2018 Mack Avenue Records II, LLC

3
By Myself
00:02:34

Howard Dietz, Composer - Arthur Schwartz, Composer - Cécile McLorin Salvant, Producer, MainArtist - Al Pryor, Producer - Sullivan Fortner, Producer - Chappell & Co. (ASCAP), MusicPublisher - Arthur Schwartz Music Ltd./Bienstock Publishing Co. (ASCAP), MusicPublisher

(C) 2018 Mack Avenue Records II, LLC (P) 2018 Mack Avenue Records II, LLC

4
The Sweetest Sounds
00:04:55

Richard Rodgers, Composer - Cécile McLorin Salvant, Producer, MainArtist - Al Pryor, Producer - Sullivan Fortner, Producer - Williamson Music Co./A Division of Rodgers and Hammerstein (ASCAP), MusicPublisher

(C) 2018 Mack Avenue Records II, LLC (P) 2018 Mack Avenue Records II, LLC

5
Ever Since the One I Love's Been Gone
00:05:53

Buddy Johnson, Composer - Cécile McLorin Salvant, Producer, MainArtist - Al Pryor, Producer - Sullivan Fortner, Producer - Sophisticate Music (BMI), MusicPublisher

(C) 2018 Mack Avenue Records II, LLC (P) 2018 Mack Avenue Records II, LLC

6
À Clef
00:02:05

Cécile McLorin Salvant, Composer, Producer, MainArtist - Al Pryor, Producer - Sullivan Fortner, Producer - Violette and Mimi Publishing (BMI) administered by Gliding Dove Music Publishing, MusicPublisher

(C) 2018 Mack Avenue Records II, LLC (P) 2018 Mack Avenue Records II, LLC

7
Obsession
00:03:10

Tracy Mann, Composer - Gilson Peranzzetta, Composer - Dori Caymmi, Composer - Cécile McLorin Salvant, Producer, MainArtist - Al Pryor, Producer - Sullivan Fortner, Producer - Warner Music Corp. (ASCAP), MusicPublisher

(C) 2018 Mack Avenue Records II, LLC (P) 2018 Mack Avenue Records II, LLC

8
Wild is Love
00:03:21

Dorothy Wayne, Composer - Ray Rasch, Composer - Cécile McLorin Salvant, Producer, MainArtist - Al Pryor, Producer - Sullivan Fortner, Producer - Shelby Music (ASCAP), MusicPublisher - Ray Rasch Music/Songwriters Guild of America (ASCAP), MusicPublisher

(C) 2018 Mack Avenue Records II, LLC (P) 2018 Mack Avenue Records II, LLC

9
J’ai L’Cafard
00:03:00

Cécile McLorin Salvant, Producer, MainArtist - Louis Despax, Composer - Al Pryor, Producer - Sullivan Fortner, Producer - Universelles Editions/WB Music Corp. (SACEM), MusicPublisher - Jean Eugene Charles Eblinger, Composer

(C) 2018 Mack Avenue Records II, LLC (P) 2018 Mack Avenue Records II, LLC

10
Somewhere
00:07:10

Leonard Bernstein, Composer - Stephen Sondheim, Composer - Cécile McLorin Salvant, Producer, MainArtist - Al Pryor, Producer - Sullivan Fortner, Producer - Chappell & Co. (ASCAP), MusicPublisher - Leonard Bernstein Music Pub. Co/Universal-Polygram Intl Publishing (ASCAP), MusicPublisher

(C) 2018 Mack Avenue Records II, LLC (P) 2018 Mack Avenue Records II, LLC

11
The Gentleman is a Dope
00:04:29

Richard Rodgers, Composer - Oscar Hammerstein, Composer - Cécile McLorin Salvant, Producer, MainArtist - Al Pryor, Producer - Sullivan Fortner, Producer - Williamson Music Co./A Division of Rodgers and Hammerstein (ASCAP), MusicPublisher

(C) 2018 Mack Avenue Records II, LLC (P) 2018 Mack Avenue Records II, LLC

12
Trouble is a Man
00:03:47

ALEC WILDER, Composer - Cécile McLorin Salvant, Producer, MainArtist - Al Pryor, Producer - Sullivan Fortner, Producer - Ludlow Music Inc./Regent Music Corporation (BMI), MusicPublisher

(C) 2018 Mack Avenue Records II, LLC (P) 2018 Mack Avenue Records II, LLC

13
Were Thine That Special Face
00:03:19

Cole Porter, Composer - Cécile McLorin Salvant, Producer, MainArtist - Al Pryor, Producer - Sullivan Fortner, Producer - Chappell & Co. (ASCAP), MusicPublisher

(C) 2018 Mack Avenue Records II, LLC (P) 2018 Mack Avenue Records II, LLC

14
I've Got Your Number
00:05:00

CY COLEMAN, Composer - CAROLYN LEIGH, Composer - Cécile McLorin Salvant, Producer, MainArtist - Al Pryor, Producer - Sullivan Fortner, Producer - Carwin Music Inc. (ASCAP), MusicPublisher - Notable Music Co Inc./Words & Music Worldwide (ASCAP), MusicPublisher

(C) 2018 Mack Avenue Records II, LLC (P) 2018 Mack Avenue Records II, LLC

15
Tell Me Why
00:03:28

Adolph Green, Composer - Betty Comden, Composer - SAUL CHAPLIN, Composer - Cécile McLorin Salvant, Producer, MainArtist - Al Pryor, Producer - Sullivan Fortner, Producer - Stratford Music Corp./Warner Chappell Music Inc. (ASCAP), MusicPublisher

(C) 2018 Mack Avenue Records II, LLC (P) 2018 Mack Avenue Records II, LLC

16
Everything I've Got Belongs to You
00:01:10

Richard Rodgers, Composer - Lorenz Hart, Composer - Cécile McLorin Salvant, Producer, MainArtist - Al Pryor, Producer - Sullivan Fortner, Producer - Chappell & Co. (ASCAP), MusicPublisher - Williamson Music Co./A Division of Rodgers and Hammerstein (ASCAP), MusicPublisher

(C) 2018 Mack Avenue Records II, LLC (P) 2018 Mack Avenue Records II, LLC

17
The Peacocks
00:09:34

Norma Winstone, Composer - Cécile McLorin Salvant, Producer, MainArtist - Al Pryor, Producer - Sullivan Fortner, Producer - James Rowles, Composer - Kudu Music Company/The Songwriters Guild of America (ASCAP), MusicPublisher

(C) 2018 Mack Avenue Records II, LLC (P) 2018 Mack Avenue Records II, LLC

Resenha do Álbum

On Cécile McLorin Salvant's 2017 album, Dreams and Daggers, she paired with pianist Sullivan Fortner for a rousing and saucy live rendition of Bessie Smith's "You've Got to Give Me Some." It was one of the most delightful tracks on an album that earned the singer her second Grammy Award. Salvant and Fortner take that charming, in-the-moment chemistry even further on her fifth album, 2018's The Window. Once again shifting between studio recordings and several live performances made at New York's Village Vanguard, Salvant and Fortner commune over a deftly curated and deeply enveloping mix of standards, covers, and one Salvant original, "À Clef," sung entirely in French. There are several impressive aspects to The Window that reveal themselves as you listen. First, while there are certainly songs people will recognize here, these are lesser-performed standards like Howard Dietz and Arthur Schwartz's "By Myself" and the Nat King Cole number "Wild Is Love." They aren't unknown, but certainly not in the canon of songs you hear often. Even when Salvant and Fortner make a populist choice, as on their heartbreakingly delicate handling of "Somewhere" from West Side Story, the results are nuanced and harmonically expansive. Elsewhere, they explore even more unexpected fare, burrowing deeply into the Dori Caymmi co-write "Obsession" and bringing on board saxophonist Melissa Aldana for a haunting, impressionistic reading of vocalist Norma Winstone and pianist Jimmy Rowles' "The Peacocks." Secondly, for a singer who has drawn well-earned comparisons to the pantheon of great vocalists with names like Ella, Aretha, and Billie, Salvant has an almost magical ability to make each song her own. Her opening take on Stevie Wonder's "Visions" sounds completely unlike the soulful 1973 original, yet somehow perfect as she imbues it with her own dusky, 1950s cabaret intimacy. Of course, Fortner is due equal credit for this transformative quality. A virtuoso in his own right, he has a pristine touch and lithe improvisational skills, drawing tastefully upon classical, post-bop, and stride styles, often within the same song. That he and Salvant play with such élan, but still manage to never get in each other's way, speaks to their immense skill and creative empathy. Together, they play with an amorously creative and emotionally varied cornucopia of energies -- so much so that you almost forget it's just the two of them. Despite that virtuosic spark, The Window remains an intensely intimate listen, as if Salvant and Fortner are playing just for you.

© Matt Collar /TiVo

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