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Sheryl Crow was one of the key artists of the '90s, if the yardstick is capturing the sound and spirit of the time. A former backing vocalist for Michael Jackson -- an association that led to dubious tabloid headlines romantically linking her with the singer long before she was a star in her own right -- she rode the first great wave of Women in Rock hysteria of the alt-rock explosion to fame with her first album, Tuesday Night Music Club, in 1994, settling into the weary aftermath of the post-grunge years with her brilliant eponymous second album in 1996, riding out the end years of the Clinton administration with the measured, mature Globe Sessions in 1998, and then defying the gloom of the W years by soaking up the sun on 2002's C'mon C'mon. It was a body of work that defined the times without getting too much critical respect (similar to Billy Joel in that respect, even if the music is totally dissimilar), and while her albums were always good and occasionally terrific, she made her greatest mark as a singles artist on the ever-morphing world of '90s radio. Released in late 2003, The Very Best of Sheryl Crow is the first attempt to summarize those years, and it does a pretty good job of it. All of the big hits are here: the deceptively effervescent "All I Wanna Do," the defiantly effervescent "Soak Up the Sun," the sweet resignation of "My Favorite Mistake," the giddy "Everyday Is a Winding Road," the evocative "Leaving Las Vegas," the sexily exhausted "If It Makes You Happy," the soccer-mom anthem "A Change Would Do You Good," the absurd escapism of the heavily Pro Tooled "Steve McQueen," and best of all, "Picture," a superb country duet with Kid Rock previously unavailable on any of Crow's albums. If the collection seems to be missing songs, it's because it is. Like most contemporary hits collection, it chooses to highlight album tracks ("Home," "The Difficult Kind," "I Shall Believe") in lieu of minor hits -- a tactic that is highly debatable, since those album tracks may be favorites of the artist or the concert-attending audience yet those who follow an artist via the radio will find many songs absent, some more noteworthy than others. In this case, "Run Baby Run," "Can't Cry Anymore," "D'yer Mak'er," "Anything but Down," "Sweet Child O Mine," and "C'Mon C'Mon" are all missing in action, with "Can't Cry Anymore," "Anything but Down," and maybe "Run Baby Run" being truly missed (the covers of Zeppelin and Guns N' Roses being the byproduct of the '90s pop climate where major and minor artists alike had more contributions to soundtracks, benefit albums, and tribute records than could be counted; some hit the charts, as in this case, but most didn't). This is a minor quibble, since it effects the general texture and feel of the album more than the overall effect, but it's enough to keep it from being the unqualified home run that it should have been. Even so, The Very Best of Sheryl Crow does capture her biggest and best songs, adding two good new songs to the mix (a cover of Cat Stevens' "The First Cut Is the Deepest," which uses Rod Stewart's version as the starting point, and the solid new song "Light in Your Eyes"), that in turn capture the feel of the '90s by proxy.
© Stephen Thomas Erlewine /TiVo
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Kevin Gilbert, Drums, Guitar, Bass Guitar, Keyboards, AssociatedPerformer, ComposerLyricist - Sheryl Crow, Guitar, Piano, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - BILL BOTTRELL, Producer, Engineer, Guitar, Pedal Steel, AssociatedPerformer, StudioPersonnel, ComposerLyricist - Blair Lamb, Engineer, StudioPersonnel - DAVID BAERWALD, Guitar, AssociatedPerformer, ComposerLyricist - Wyn Cooper, ComposerLyricist
℗ 1993 UMG Recordings, Inc.
Jeff Trott, Producer, Acoustic Guitar, Bass Guitar, Electric Guitar, Drum Programmer, Unknown, Other, AssociatedPerformer, ComposerLyricist - Liz Phair, Vocalist, AssociatedPerformer - Tim Smith, Background Vocalist, AssociatedPerformer - Sheryl Crow, Producer, Acoustic Guitar, Keyboards, Vocalist, MainArtist, AssociatedPerformer, ComposerLyricist - Jeff Anthony, Drums, Drum Programmer, AssociatedPerformer
℗ 2002 UMG Recordings, Inc.
Jeff Trott, Guitar, AssociatedPerformer, ComposerLyricist - Wendy Melvoin, Guitar, AssociatedPerformer - Sheryl Crow, Producer, Bass Guitar, Percussion, Piano, Hammond B3, MainArtist, AssociatedPerformer, ComposerLyricist - Trina Shoemaker, Recording Engineer, StudioPersonnel - Greg Williams, Drums, AssociatedPerformer - Tchad Blake, Mixer, StudioPersonnel - S. Husky Hoskulds, Assistant Mixer, Asst. Recording Engineer, StudioPersonnel - Howard Willing, Asst. Recording Engineer, StudioPersonnel - Brant Scott, Asst. Recording Engineer, StudioPersonnel - Ryan Baesch, Asst. Recording Engineer, StudioPersonnel
℗ 1998 UMG Recordings, Inc.
Joel Derouin, Unknown, Other - Jamie Muhoberac, Keyboards, AssociatedPerformer - DAVE WAY, Mixer, StudioPersonnel - Patrick Warren, String Arranger, AssociatedPerformer - John Shanks, Producer, Bass Guitar, Electric Guitar, AssociatedPerformer - Sheryl Crow, Acoustic Guitar, Vocals, Background Vocalist, MainArtist, AssociatedPerformer - Cat Stevens, ComposerLyricist - Jeff Rothschild, Recording Engineer, StudioPersonnel - Marc Desisto, Recording Engineer, StudioPersonnel - Abraham Laboriel Jr., Drums, AssociatedPerformer
℗ 2003 UMG Recordings, Inc.
Jeff Trott, ComposerLyricist - Brian MacLeod, ComposerLyricist - Sheryl Crow, Producer, MainArtist, ComposerLyricist - Tchad Blake, Mixer, StudioPersonnel
℗ 1996 UMG Recordings, Inc.
Kevin Gilbert, ComposerLyricist - Sheryl Crow, MainArtist, ComposerLyricist - BILL BOTTRELL, Producer, Engineer, StudioPersonnel, ComposerLyricist - David Ricketts, ComposerLyricist - Blair Lamb, Engineer, StudioPersonnel - DAVID BAERWALD, ComposerLyricist
℗ 1993 A&M Records
Kevin Gilbert, ComposerLyricist - Brian MacLeod, ComposerLyricist - Sheryl Crow, MainArtist, ComposerLyricist - BILL BOTTRELL, Producer, Engineer, StudioPersonnel, ComposerLyricist - David Ricketts, ComposerLyricist - Blair Lamb, Engineer, StudioPersonnel - DAVID BAERWALD, ComposerLyricist
℗ 1993 A&M Records
Jamie Muhoberac, Keyboards, AssociatedPerformer - DAVE WAY, Mixer, StudioPersonnel - John Shanks, Producer, Bass Guitar, Electric Guitar, Background Vocalist, AssociatedPerformer, ComposerLyricist - Sheryl Crow, Piano, Vocals, Background Vocalist, MainArtist, AssociatedPerformer, ComposerLyricist - Jeff Rothschild, Recording Engineer, StudioPersonnel - Marc Desisto, Recording Engineer, StudioPersonnel - Abraham Laboriel Jr., Drums, AssociatedPerformer
℗ 2003 A&M Records
Jeff Trott, ComposerLyricist - Sheryl Crow, Producer, MainArtist, ComposerLyricist - Tchad Blake, Mixer, StudioPersonnel
℗ 1996 UMG Recordings, Inc.
Sheryl Crow, MainArtist, ComposerLyricist - BILL BOTTRELL, Producer, ComposerLyricist - David Francis Baerwald, ComposerLyricist
℗ 1993 UMG Recordings, Inc.
R.J. Ritchie, ComposerLyricist - Sheryl Crow, Guitar, Bass Guitar, Vocalist, MainArtist, AssociatedPerformer, ComposerLyricist - Al Sutton, Mixer, Engineer, StudioPersonnel - Jimmie Bones, Keyboards, AssociatedPerformer - Kid Rock, Producer, Mixer, Guitar, Vocals, MainArtist, AssociatedPerformer, StudioPersonnel - Kenny Olson, Guitar, AssociatedPerformer - Misty Love, Background Vocalist, AssociatedPerformer - Shirley Hayden, Background Vocalist, AssociatedPerformer
℗ 2001 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States
Stevie Nicks, Vocalist, AssociatedPerformer - Tim Smith, Electric Guitar, AssociatedPerformer - The Corrs, FeaturedArtist - Lenny Castro, Percussion, AssociatedPerformer - Sheryl Crow, Producer, Accordion, Bass Guitar, Piano, Vocalist, MainArtist, AssociatedPerformer, ComposerLyricist - Shawn Pelton, Drums, AssociatedPerformer - Peter Stroud, Acoustic Guitar, Electric Guitar, AssociatedPerformer
℗ 2002 A&M Records
Jeff Trott, ComposerLyricist - Brian MacLeod, ComposerLyricist - Sheryl Crow, Producer, MainArtist, ComposerLyricist
℗ 1996 A&M Records
Sheryl Crow, Producer, MainArtist, ComposerLyricist - Tchad Blake, Mixer, StudioPersonnel
℗ 1996 UMG Recordings, Inc.
Jeff Trott, Guitar, AssociatedPerformer, ComposerLyricist - Tim Smith, Bass Guitar, AssociatedPerformer - Kent Smith, Trumpet, AssociatedPerformer - Michael Davis, Trombone, AssociatedPerformer - Sheryl Crow, Producer, Keyboards, Percussion, MainArtist, AssociatedPerformer, ComposerLyricist - Val McCallum, Guitar, AssociatedPerformer - ANDY WALLACE, Mixer, StudioPersonnel - Trina Shoemaker, Recording Engineer, StudioPersonnel - Steve Sisco, Assistant Mixer, StudioPersonnel - Howard Willing, Assistant Mixer, Asst. Recording Engineer, StudioPersonnel - Gregg Williams, Drums, Percussion, AssociatedPerformer - Bobby Keys, Alto Saxophone, Tenor Saxophone, Baritone Saxophone, AssociatedPerformer - Dan McCarroll, Drums, AssociatedPerformer - Brant Scott, Asst. Recording Engineer, StudioPersonnel - Ryan Baesch, Asst. Recording Engineer, StudioPersonnel - Husky Hoskolds, Assistant Mixer, Asst. Recording Engineer, StudioPersonnel
℗ 1998 UMG Recordings, Inc.
Sheryl Crow, MainArtist, ComposerLyricist - BILL BOTTRELL, Producer, ComposerLyricist
℗ 1993 A&M Records
Sheryl Crow, MainArtist, ComposerLyricist
℗ 2003 A&M Records
Descrição do álbum
Sheryl Crow was one of the key artists of the '90s, if the yardstick is capturing the sound and spirit of the time. A former backing vocalist for Michael Jackson -- an association that led to dubious tabloid headlines romantically linking her with the singer long before she was a star in her own right -- she rode the first great wave of Women in Rock hysteria of the alt-rock explosion to fame with her first album, Tuesday Night Music Club, in 1994, settling into the weary aftermath of the post-grunge years with her brilliant eponymous second album in 1996, riding out the end years of the Clinton administration with the measured, mature Globe Sessions in 1998, and then defying the gloom of the W years by soaking up the sun on 2002's C'mon C'mon. It was a body of work that defined the times without getting too much critical respect (similar to Billy Joel in that respect, even if the music is totally dissimilar), and while her albums were always good and occasionally terrific, she made her greatest mark as a singles artist on the ever-morphing world of '90s radio. Released in late 2003, The Very Best of Sheryl Crow is the first attempt to summarize those years, and it does a pretty good job of it. All of the big hits are here: the deceptively effervescent "All I Wanna Do," the defiantly effervescent "Soak Up the Sun," the sweet resignation of "My Favorite Mistake," the giddy "Everyday Is a Winding Road," the evocative "Leaving Las Vegas," the sexily exhausted "If It Makes You Happy," the soccer-mom anthem "A Change Would Do You Good," the absurd escapism of the heavily Pro Tooled "Steve McQueen," and best of all, "Picture," a superb country duet with Kid Rock previously unavailable on any of Crow's albums. If the collection seems to be missing songs, it's because it is. Like most contemporary hits collection, it chooses to highlight album tracks ("Home," "The Difficult Kind," "I Shall Believe") in lieu of minor hits -- a tactic that is highly debatable, since those album tracks may be favorites of the artist or the concert-attending audience yet those who follow an artist via the radio will find many songs absent, some more noteworthy than others. In this case, "Run Baby Run," "Can't Cry Anymore," "D'yer Mak'er," "Anything but Down," "Sweet Child O Mine," and "C'Mon C'Mon" are all missing in action, with "Can't Cry Anymore," "Anything but Down," and maybe "Run Baby Run" being truly missed (the covers of Zeppelin and Guns N' Roses being the byproduct of the '90s pop climate where major and minor artists alike had more contributions to soundtracks, benefit albums, and tribute records than could be counted; some hit the charts, as in this case, but most didn't). This is a minor quibble, since it effects the general texture and feel of the album more than the overall effect, but it's enough to keep it from being the unqualified home run that it should have been. Even so, The Very Best of Sheryl Crow does capture her biggest and best songs, adding two good new songs to the mix (a cover of Cat Stevens' "The First Cut Is the Deepest," which uses Rod Stewart's version as the starting point, and the solid new song "Light in Your Eyes"), that in turn capture the feel of the '90s by proxy.
© Stephen Thomas Erlewine /TiVo
Sobre o álbum
- 1 disco(s) - 17 faixa(s)
- Duração total: 01:17:18
- Artistas principais: Sheryl Crow
- Compositor: Various Composers
- Gravadora: Polydor Associated Labels
- Género: Pop
-
Qualidade de CD de 16 bits 44.1 kHz - Stereo
© 2003 A&M Records Inc. This Compilation ℗ 2003 A&M Records Inc.
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