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John Williams|The Terminal (The Terminal/Soundtrack Version)

The Terminal (The Terminal/Soundtrack Version)

John Williams

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Idioma disponível: inglês

Director Steven Spielberg keeps coming up with different kinds of films, and composer John Williams, with whom he has collaborated on 21 of them now, keeps finding appropriate musical settings. For The Terminal, a film about an Eastern European trapped in the international arrivals airport terminal in New York when his country erupts into civil war, Williams seems to have taken inspiration from the main character's origins and the film's lightly comic mood. His main theme for this character, "The Tale of Viktor Navorski," playfully recalls "The Third Man Theme," even if it is played on a clarinet most of the time. There is also a love theme for the bittersweet romance Navorski enters into, and that minor-key motive echoes such familiar tunes as "In the Wee Small Hours of the Morning" and even the folk ballad "Barbara Allen." The soundtrack album is presented out of sequence from the film, and it is very much oriented to listening as opposed to simply mirroring the actions on screen. This makes it a better audio experience, with Williams' themes being developed and finished. But it in some ways does not reflect the movie accurately. In particular, the big payoff of the film turns out to be Navorski's purpose in coming to America, which is to get an autograph from jazz musician Benny Golson. Onscreen, we see and hear Golson, but he is not featured on the soundtrack album, which is a shame.

© TiVo

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The Terminal (The Terminal/Soundtrack Version)

John Williams

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The Tale Of Viktor Navorski

1
John Williams: The Tale Of Viktor Navorski (The Terminal/Soundtrack Version)
00:04:12

John Williams, Composer, Conductor, Producer, MainArtist - Shawn Murphy, Mix Engineer, StudioPersonnel - Emily Bernstein, Clarinet, AssociatedPerformer - Peter Myles, Editor, StudioPersonnel

℗ 2004 Universal Classics Group, a Division of UMG Recordings Inc.

Dinner With Amelia

2
John Williams: Dinner With Amelia (The Terminal/Soundtrack Version)
00:08:02

John Williams, Composer, Conductor, Producer, MainArtist - Shawn Murphy, Mix Engineer, StudioPersonnel - Emily Bernstein, Clarinet, AssociatedPerformer - Peter Myles, Editor, StudioPersonnel

℗ 2004 Universal Classics Group, a Division of UMG Recordings Inc.

A Legend Is Born

3
John Williams: A Legend Is Born (The Terminal/Soundtrack Version)
00:03:16

John Williams, Composer, Conductor, Producer, MainArtist - Shawn Murphy, Mix Engineer, StudioPersonnel - Emily Bernstein, Clarinet, AssociatedPerformer - Peter Myles, Editor, StudioPersonnel

℗ 2004 Universal Classics Group, a Division of UMG Recordings Inc.

Viktor And His Friends

4
John Williams: Viktor And His Friends (The Terminal/Soundtrack Version)
00:04:43

John Williams, Composer, Conductor, Producer, MainArtist - Shawn Murphy, Mix Engineer, StudioPersonnel - Emily Bernstein, Clarinet, AssociatedPerformer - Peter Myles, Editor, StudioPersonnel

℗ 2004 Universal Classics Group, a Division of UMG Recordings Inc.

The Fountain Scene

5
John Williams: The Fountain Scene (The Terminal/Soundtrack Version)
00:05:33

John Williams, Composer, Conductor, Producer, MainArtist - Shawn Murphy, Mix Engineer, StudioPersonnel - Emily Bernstein, Clarinet, AssociatedPerformer - Peter Myles, Editor, StudioPersonnel

℗ 2004 Universal Classics Group, a Division of UMG Recordings Inc.

The Wedding Of Officer Torres

6
John Williams: The Wedding Of Officer Torres (The Terminal/Soundtrack Version)
00:05:01

John Williams, Composer, Conductor, Producer, MainArtist - Shawn Murphy, Mix Engineer, StudioPersonnel - Emily Bernstein, Clarinet, AssociatedPerformer - Peter Myles, Editor, StudioPersonnel

℗ 2004 Universal Classics Group, a Division of UMG Recordings Inc.

Jazz Autographs

7
John Williams: Jazz Autographs (The Terminal/Soundtrack Version)
00:03:45

Randy Kerber, Piano, AssociatedPerformer - John Williams, Composer, Conductor, Producer, MainArtist - Shawn Murphy, Mix Engineer, StudioPersonnel - Michael Valerio, Bass Guitar, AssociatedPerformer - Emily Bernstein, Clarinet, AssociatedPerformer - Peter Myles, Editor, StudioPersonnel

℗ 2004 Universal Classics Group, a Division of UMG Recordings Inc.

Refusing To Escape

8
John Williams: Refusing To Escape (The Terminal/Soundtrack Version)
00:03:01

John Williams, Composer, Conductor, Producer, MainArtist - Shawn Murphy, Mix Engineer, StudioPersonnel - Emily Bernstein, Clarinet, AssociatedPerformer - Peter Myles, Editor, StudioPersonnel

℗ 2004 Universal Classics Group, a Division of UMG Recordings Inc.

Krakozhia National Anthem and Homesickness

9
John Williams: Krakozhia National Anthem and Homesickness (The Terminal/Soundtrack Version)
00:01:49

John Williams, Composer, Conductor, Producer, MainArtist - Shawn Murphy, Mix Engineer, StudioPersonnel - Emily Bernstein, Clarinet, AssociatedPerformer - Peter Myles, Editor, StudioPersonnel

℗ 2004 Universal Classics Group, a Division of UMG Recordings Inc.

Looking For Work

10
John Williams: Looking For Work (The Terminal/Soundtrack Version)
00:03:17

John Williams, Composer, Conductor, Producer, MainArtist - Shawn Murphy, Mix Engineer, StudioPersonnel - Emily Bernstein, Clarinet, AssociatedPerformer - Peter Myles, Editor, StudioPersonnel

℗ 2004 Universal Classics Group, a Division of UMG Recordings Inc.

Gupta's Deliverance

11
John Williams: Gupta's Deliverance (The Terminal/Soundtrack Version)
00:03:18

John Williams, Composer, Conductor, Producer, MainArtist - Shawn Murphy, Mix Engineer, StudioPersonnel - Emily Bernstein, Clarinet, AssociatedPerformer - Peter Myles, Editor, StudioPersonnel

℗ 2004 Universal Classics Group, a Division of UMG Recordings Inc.

Finding Coins and Learning To Read

12
John Williams: Finding Coins and Learning To Read (The Terminal/Soundtrack Version)
00:04:02

John Williams, Composer, Conductor, Producer, MainArtist - Shawn Murphy, Mix Engineer, StudioPersonnel - Emily Bernstein, Clarinet, AssociatedPerformer - Peter Myles, Editor, StudioPersonnel

℗ 2004 Universal Classics Group, a Division of UMG Recordings Inc.

'Destiny'... 'Canneloni'... and The Tale Of Viktor Navorski Reprise

13
John Williams: "Destiny"... "Canneloni"... and The Tale Of Viktor Navorski Reprise (The Terminal/Soundtrack Version)
00:05:05

John Williams, Composer, Conductor, Producer, MainArtist - Shawn Murphy, Mix Engineer, StudioPersonnel - Emily Bernstein, Clarinet, AssociatedPerformer - Peter Myles, Editor, StudioPersonnel

℗ 2004 Universal Classics Group, a Division of UMG Recordings Inc.

A Happy Navorski Ending!

14
John Williams: A Happy Navorski Ending! (The Terminal/Soundtrack Version)
00:02:47

John Williams, Composer, Conductor, Producer, MainArtist - Shawn Murphy, Mix Engineer, StudioPersonnel - Emily Bernstein, Clarinet, AssociatedPerformer - Peter Myles, Editor, StudioPersonnel

℗ 2004 Universal Classics Group, a Division of UMG Recordings Inc.

Resenha do Álbum

Director Steven Spielberg keeps coming up with different kinds of films, and composer John Williams, with whom he has collaborated on 21 of them now, keeps finding appropriate musical settings. For The Terminal, a film about an Eastern European trapped in the international arrivals airport terminal in New York when his country erupts into civil war, Williams seems to have taken inspiration from the main character's origins and the film's lightly comic mood. His main theme for this character, "The Tale of Viktor Navorski," playfully recalls "The Third Man Theme," even if it is played on a clarinet most of the time. There is also a love theme for the bittersweet romance Navorski enters into, and that minor-key motive echoes such familiar tunes as "In the Wee Small Hours of the Morning" and even the folk ballad "Barbara Allen." The soundtrack album is presented out of sequence from the film, and it is very much oriented to listening as opposed to simply mirroring the actions on screen. This makes it a better audio experience, with Williams' themes being developed and finished. But it in some ways does not reflect the movie accurately. In particular, the big payoff of the film turns out to be Navorski's purpose in coming to America, which is to get an autograph from jazz musician Benny Golson. Onscreen, we see and hear Golson, but he is not featured on the soundtrack album, which is a shame.

© TiVo

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