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The Manhattans|The Manhattans (Expanded Version)

The Manhattans (Expanded Version)

The Manhattans

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The six-man R&B vocal combo the Manhattans deliver one of their finest efforts on this eponymously titled release from 1976. The platter is highlighted by the chart-topping crossover pop hit "Kiss and Say Goodbye," which helped push the album into the Top 20. Under the direction of Philly groove master Bobby Martin, the group utilizes its streetwise doo wop delivery on a mixed bag of sounds. These include uptempo numbers -- such as the opener "Searching for Love" and "How Can Anything So Good Be So Bad for You?" -- as well as orchestrated sides "We'll Have Forever to Love"and the poignant remake of "Hurt," which was issued as the follow-up to the infidelity anthem "Kiss and Say Goodbye." Although the disco-era rhythms certainly add a bit of nostalgia, at the center of The Manhattans is the sextet's deceptively complex -- and at times understated -- vocal blend. Examples abound, and include the bluesy and soulful "Take It or Leave It" and "La-La-La Wish Upon a Star," which is reminiscent of the Delphonics or any number of other Philadelphia International Records or Gamble & Huff productions. One of the more distinguishing features of the band is Winfred "Blue" Lovett, whose husky Barry White-esque pipes provide a sensual tether to the lighter vocal harmonies, most notably on "Wonderful World of Love" and the definitive narrative of "Kiss and Say Goodbye."

© Lindsay Planer /TiVo

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The Manhattans (Expanded Version)

The Manhattans

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1
Searching For Love (Album Version)
00:04:38

Bobby Martin, Producer - Bobby Martin, Arranger - Richard Taylor, Vocal - B. Gray, Composer - B. Gray, Lyricist - The Manhattans, Producer - The Manhattans, Performer - Winfred Lovett, Bass (Vocal) - M. FARROW, Composer - M. FARROW, Lyricist - Gerald Alston, Vocal - Edward Bivens, Tenor - Kenneth Kelly, Tenor - A. FELDER, Lyricist - A. FELDER, Composer

(P) 1976 Columbia Records, a division of Sony Music Entertainment

2
We'll Have Forever To Love (Album Version)
00:03:07

The Manhattans, Producer - The Manhattans, Performer - Kenneth Kelly, Tenor - Bobby Martin, Producer - Bobby Martin, Arranger - Edward Bivens, Tenor - Gerald Alston, Vocal - E. Bivins, Composer - E. Bivins, Lyricist - Winfred Lovett, Bass (Vocal) - Richard Taylor, Vocal

(P) 1976 Columbia Records, a division of Sony Music Entertainment

3
Take It or Leave It (Album Version)
00:03:17

Bobby Martin, Producer - Bobby Martin, Arranger - Richard Taylor, Vocal - The Manhattans, Producer - The Manhattans, Performer - Winfred Lovett, Bass (Vocal) - Gerald Alston, Vocal - R. Germinaro, Composer - R. Germinaro, Lyricist - Edward Bivens, Tenor - B. Weisman, Composer - B. Weisman, Lyricist - Kenneth Kelly, Tenor - E. Sands, Composer - E. Sands, Lyricist

(P) 1976 Columbia Records, a division of Sony Music Entertainment

4
Reasons (Album Version)
00:03:27

Richard Taylor, Vocal - Charles Stepney, Composer - Charles Stepney, Lyricist - The Manhattans, Producer - The Manhattans, Performer - Winfred Lovett, Bass (Vocal) - Gerald Alston, Vocal - Bert DeCoteaux, Producer - Edward Bivens, Tenor - Philip Bailey, Lyricist - Philip Bailey, Composer - Bert Decouteaux, Arranger - Maurice White, Composer - Maurice White, Lyricist - Kenneth Kelly, Tenor

(P) 1976 Columbia Records, a division of Sony Music Entertainment

5
How Can Anything So Good Be So Bad For You? (Album Version)
00:03:08

The Manhattans, Producer - The Manhattans, Performer - Kenneth Kelly, Tenor - Bert DeCoteaux, Arranger - Bert DeCoteaux, Producer - Edward Bivens, Tenor - W. Lovett, Composer - W. Lovett, Lyricist - Gerald Alston, Vocal - Winfred Lovett, Bass (Vocal) - Richard Taylor, Vocal

(P) 1976 Columbia Records, a division of Sony Music Entertainment

6
Hurt (Album Version)
00:03:01

Bobby Martin, Producer - Bobby Martin, Arranger - Richard Taylor, Vocal - The Manhattans, Producer - The Manhattans, Performer - Winfred Lovett, Bass (Vocal) - J. Crane, Composer - J. Crane, Lyricist - Gerald Alston, Vocal - Edward Bivens, Tenor - A. Jacobs, Composer - A. Jacobs, Lyricist - Kenneth Kelly, Tenor

(P) 1976 Columbia Records, a division of Sony Music Entertainment

7
Wonderful World Of Love (Album Version)
00:02:46

The Manhattans, Producer - The Manhattans, Performer - Kenneth Kelly, Tenor - Bobby Martin, Producer - Bobby Martin, Arranger - Edward Bivens, Tenor - R.S. Riley Sr., Composer - R.S. Riley Sr., Lyricist - Gerald Alston, Vocal - Winfred Lovett, Bass (Vocal) - Richard Taylor, Vocal

(P) 1976 Columbia Records, a division of Sony Music Entertainment

8
If You're Ever Gonna Love Me (Album Version)
00:03:07

F. Johnson, Composer - F. Johnson, Lyricist - The Manhattans, Producer - The Manhattans, Performer - Kenneth Kelly, Tenor - Bobby Martin, Producer - Bobby Martin, Arranger - Edward Bivens, Tenor - Gerald Alston, Vocal - Winfred Lovett, Bass (Vocal) - Richard Taylor, Vocal

(P) 1976 Columbia Records, a division of Sony Music Entertainment

9
La La La Wish Upon A Star (Album Version)
00:03:24

Richard Taylor, Vocal - R. Joyce, Composer - R. Joyce, Lyricist - The Manhattans, Producer - The Manhattans, Performer - Winfred Lovett, Bass (Vocal) - Gerald Alston, Vocal - V. Pike, Composer - V. Pike, Lyricist - Bert DeCoteaux, Producer - Edward Bivens, Tenor - T. Randazzo, Composer - T. Randazzo, Lyricist - Kenneth Kelly, Tenor

(P) 1976 Columbia Records, a division of Sony Music Entertainment

10
Kiss and Say Goodbye
00:04:26

The Manhattans, Producer - The Manhattans, Performer - Kenneth Kelly, Tenor - Bobby Martin, Producer - Bobby Martin, Arranger - Edward Bivens, Tenor - W. Lovett, Composer - W. Lovett, Lyricist - Gerald Alston, Vocal - Winfred Lovett, Bass (Vocal) - Richard Taylor, Vocal

(P) 1976 Columbia Records, a division of Sony Music Entertainment

11
Take It or Leave It (Instrumental Version)
00:03:45

Bobby Martin, Producer - Bobby Martin, Arranger - Richard Taylor, Vocal - The Manhattans, Producer - The Manhattans, Performer - Winfred Lovett, Bass (Vocal) - Gerald Alston, Vocal - R. Germinaro, Composer - R. Germinaro, Lyricist - Edward Bivens, Tenor - B. Weisman, Composer - B. Weisman, Lyricist - Kenneth Kelly, Tenor - E. Sands, Composer - E. Sands, Lyricist

(P) 1976 Columbia Records, a division of Sony Music Entertainment

12
Excerpt From "An Interview Special With The Manhattans"
00:02:34

Various, Producer - Various, Speaker - The Manhattans, Performer - Spoken Word, Composer - Spoken Word, Lyricist

(P) 1980 Columbia Records, a division of Sony Music Entertainment

13
Searching For Love (Alternate Version)
00:03:51

Bobby Martin, Producer - Bobby Martin, Arranger - Richard Taylor, Vocal - B. Gray, Composer - B. Gray, Lyricist - The Manhattans, Producer - The Manhattans, Performer - Winfred Lovett, Bass (Vocal) - M. FARROW, Composer - M. FARROW, Lyricist - Gerald Alston, Vocal - Edward Bivens, Tenor - Kenneth Kelly, Tenor - A. FELDER, Lyricist - A. FELDER, Composer

(P) 1976 Columbia Records, a division of Sony Music Entertainment

Resenha do Álbum

The six-man R&B vocal combo the Manhattans deliver one of their finest efforts on this eponymously titled release from 1976. The platter is highlighted by the chart-topping crossover pop hit "Kiss and Say Goodbye," which helped push the album into the Top 20. Under the direction of Philly groove master Bobby Martin, the group utilizes its streetwise doo wop delivery on a mixed bag of sounds. These include uptempo numbers -- such as the opener "Searching for Love" and "How Can Anything So Good Be So Bad for You?" -- as well as orchestrated sides "We'll Have Forever to Love"and the poignant remake of "Hurt," which was issued as the follow-up to the infidelity anthem "Kiss and Say Goodbye." Although the disco-era rhythms certainly add a bit of nostalgia, at the center of The Manhattans is the sextet's deceptively complex -- and at times understated -- vocal blend. Examples abound, and include the bluesy and soulful "Take It or Leave It" and "La-La-La Wish Upon a Star," which is reminiscent of the Delphonics or any number of other Philadelphia International Records or Gamble & Huff productions. One of the more distinguishing features of the band is Winfred "Blue" Lovett, whose husky Barry White-esque pipes provide a sensual tether to the lighter vocal harmonies, most notably on "Wonderful World of Love" and the definitive narrative of "Kiss and Say Goodbye."

© Lindsay Planer /TiVo

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