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Photek|The Hidden Camera

The Hidden Camera

Photek

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16-Bit/44.1 kHz Estéreo

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Idioma disponível: inglês

Photek's first release for the Virgin subsidiary is a nicely packaged double-pack of tight, impeccably produced experimental drum'n'bass not too dissimilar from the material released through his own label. The opener, "KJZ," is the EP's finest track, shuffling along on a fluid layer of crash and ride cymbals and a finely detailed, rubbery acoustic bassline. A pair of mixes of the title track bridge the gap between the two twelves, and the remaining track is a brief throwaway that could've used a bit more development.

© Sean Cooper /TiVo

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The Hidden Camera

Photek

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1
KJZ
00:07:49

Photek, Producer, MainArtist - Rupert Parkes, Composer

(C) 1996 Virgin Records LtdThis label copy information is the subject of copyright protection. All rights reserved.(C) 1996 Virgin Records Ltd ℗ 1996 Virgin Records Limited

2
The Hidden Camera
00:06:49

Photek, Producer, MainArtist - Rupert Parkes, Composer

(C) 1996 Virgin Records LtdThis label copy information is the subject of copyright protection. All rights reserved.(C) 1996 Virgin Records Ltd ℗ 1996 Virgin Records Limited

3
The Hidden Camera (Static Mix)
00:06:19

Photek, Producer, MainArtist - Rupert Parkes, Composer

(C) 1996 Virgin Records LtdThis label copy information is the subject of copyright protection. All rights reserved.(C) 1996 Virgin Records Ltd ℗ 1996 Virgin Records Limited

4
Hybrid
00:05:15

Photek, Producer, MainArtist - Rupert Parkes, Composer

(C) 1996 Virgin Records LtdThis label copy information is the subject of copyright protection. All rights reserved.(C) 1996 Virgin Records Ltd ℗ 1996 Virgin Records Limited

Resenha do Álbum

Photek's first release for the Virgin subsidiary is a nicely packaged double-pack of tight, impeccably produced experimental drum'n'bass not too dissimilar from the material released through his own label. The opener, "KJZ," is the EP's finest track, shuffling along on a fluid layer of crash and ride cymbals and a finely detailed, rubbery acoustic bassline. A pair of mixes of the title track bridge the gap between the two twelves, and the remaining track is a brief throwaway that could've used a bit more development.

© Sean Cooper /TiVo

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