Streaming ilimitado
Escute agora este álbum em alta qualidade nos nossos aplicativos
Iniciar meu período de teste e começar a escutar este álbumCurta este álbum nos aplicativos Qobuz com a sua assinatura
AssinarCurta este álbum nos aplicativos Qobuz com a sua assinatura
Idioma disponível: inglês
Come again? This crackpot title -- probably the longest ever concocted for a jazz album -- actually is a front for a not-so-dangerous, hard-swinging album in which Schifrin invents or borrows 18th-century classical themes and sets them into big band or small-combo contexts. Such is Schifrin's chameleonic mastery that his own inventions are a match for the themes of the period, and he is tasteful enough not to overload the window dressing and keep the rhythm section loosely swinging nearly all the time. Once, Lalo tries something wacky; on "Beneath a Weeping Window Shade," he has singer Rose Marie Jun intoning a madrigal-like Francis Hopkinson song against some avant-garde multiphonic flute from Jerome Richardson, ministrations from a string quintet, and Schifrin's own comments on harpsichord. There is also a stimulating pastiche "Aria" that sounds like Schifrin arguing with Heitor Villa-Lobos and Henry Purcell in 9/8 time. With the cream of New York's jazz session men of the '60s on board -- including the inimitable Grady Tate on drums, Richardson on flute and tenor, Gene Bertoncini on guitar, and J.J. Johnson and Kai Winding on trombones -- and Creed Taylor's production dictating the distinctive timbres, jazz buffs will have a fine time with this collision of the centuries, which leans heavily to the jazz side. The album was reissued on CD as part of Verve's limited Elite Editions series.
© Richard S. Ginell /TiVo
Você está escutando amostras.
Escute mais de 100 milhões de músicas com um plano de streaming ilimitado.
Escute esta playlist e mais de 100 milhões de músicas com os nossos planos de streaming ilimitado.
A partir de 8,99€/mês
Lalo Schifrin, Composer, Recording Arranger, MainArtist, AssociatedPerformer - Creed Taylor, Producer
℗ 1964 Verve Label Group, a Division of UMG Recordings, Inc.
Lalo Schifrin, Composer, Recording Arranger, MainArtist, AssociatedPerformer - Creed Taylor, Producer
℗ 1966 Verve Label Group, a Division of UMG Recordings, Inc.
Lalo Schifrin, Composer, Recording Arranger, MainArtist, AssociatedPerformer - Creed Taylor, Producer
℗ 1966 Verve Label Group, a Division of UMG Recordings, Inc.
Lalo Schifrin, Composer, Recording Arranger, MainArtist, AssociatedPerformer - Rose Marie Jun, Vocalist, AssociatedPerformer - Creed Taylor, Producer
℗ 1966 Verve Label Group, a Division of UMG Recordings, Inc.
Lalo Schifrin, Composer, Recording Arranger, MainArtist, AssociatedPerformer - Rose Marie Jun, Vocalist, AssociatedPerformer - Creed Taylor, Producer
℗ 1966 Verve Label Group, a Division of UMG Recordings, Inc.
Lalo Schifrin, Composer, Recording Arranger, MainArtist, AssociatedPerformer - Creed Taylor, Producer
℗ 1966 Verve Label Group, a Division of UMG Recordings, Inc.
Lalo Schifrin, Composer, Recording Arranger, MainArtist, AssociatedPerformer - Creed Taylor, Producer
℗ 1966 Verve Label Group, a Division of UMG Recordings, Inc.
Lalo Schifrin, Composer, MainArtist - Creed Taylor, Producer, Recording Arranger, AssociatedPerformer
℗ 1966 Verve Label Group, a Division of UMG Recordings, Inc.
Lalo Schifrin, Composer, Recording Arranger, MainArtist, AssociatedPerformer - Rose Marie Jun, Vocalist, AssociatedPerformer - Creed Taylor, Producer, Recording Arranger, AssociatedPerformer
℗ 1966 Verve Label Group, a Division of UMG Recordings, Inc.
Lalo Schifrin, Composer, MainArtist - Creed Taylor, Producer, Recording Arranger, AssociatedPerformer
℗ 1966 The Verve Music Group, a Division of UMG Recordings, Inc.
Resenha do Álbum
Come again? This crackpot title -- probably the longest ever concocted for a jazz album -- actually is a front for a not-so-dangerous, hard-swinging album in which Schifrin invents or borrows 18th-century classical themes and sets them into big band or small-combo contexts. Such is Schifrin's chameleonic mastery that his own inventions are a match for the themes of the period, and he is tasteful enough not to overload the window dressing and keep the rhythm section loosely swinging nearly all the time. Once, Lalo tries something wacky; on "Beneath a Weeping Window Shade," he has singer Rose Marie Jun intoning a madrigal-like Francis Hopkinson song against some avant-garde multiphonic flute from Jerome Richardson, ministrations from a string quintet, and Schifrin's own comments on harpsichord. There is also a stimulating pastiche "Aria" that sounds like Schifrin arguing with Heitor Villa-Lobos and Henry Purcell in 9/8 time. With the cream of New York's jazz session men of the '60s on board -- including the inimitable Grady Tate on drums, Richardson on flute and tenor, Gene Bertoncini on guitar, and J.J. Johnson and Kai Winding on trombones -- and Creed Taylor's production dictating the distinctive timbres, jazz buffs will have a fine time with this collision of the centuries, which leans heavily to the jazz side. The album was reissued on CD as part of Verve's limited Elite Editions series.
© Richard S. Ginell /TiVo
Sobre o álbum
- 1 disco(s) - 10 faixa(s)
- Duração total: 00:32:46
- Artistas principais: Lalo Schifrin
- Compositor: Lalo Schifrin
- Gravadora: Verve Reissues
- Género: Jazz
© 1966 Verve Label Group, a Division of UMG Recordings, Inc. ℗ 1966 Verve Label Group, a Division of UMG Recordings, Inc.
Melhorar as informações do álbum