Categorias:
Carrinho de compras 0

Serviço indisponível no momento.

Wes Montgomery|The Best Of Wes Montgomery

The Best Of Wes Montgomery

Wes Montgomery

Disponível em
16-Bit/44.1 kHz Estéreo

Streaming ilimitado

Escute agora este álbum em alta qualidade nos nossos aplicativos

Iniciar meu período de teste e começar a escutar este álbum

Curta este álbum nos aplicativos Qobuz com a sua assinatura

Assinar

Curta este álbum nos aplicativos Qobuz com a sua assinatura

Idioma disponível: inglês

While often admired, guitarists seldom stepped to the forefront during most of the '50s. The real innovators, after all, were the saxophonists and trumpeters, and a guitarist, like a vibraphonist, was optional. With his use of octaves and forceful soloing in the late '50s, Wes Montgomery asserted that the guitarist was fully capable of fronting his own group and, like the tenors, offer cutting edge music. The Best of Wes Montgomery draws from the guitarist's work between 1959 and 1964 for Riverside, a body of work that remains fresh and exhilarating. It isn't so much the material he chooses that captures one's attention, though certainly an original like "Four on Six" draws the listener in. Instead, it's Montgomery's unique use of octaves, ability to solo with chords, and his distinctive method of playing single-note solos. On Victor Young's "Delilah," for instance, he offers several bars of his trademark octave work at the beginning, but he refuses to stick with one approach. After a lengthy solo by vibraphonist Milt Jackson, he re-enters the fray with a chunky series of chords and finally, after another solo from pianist Wynton Kelly, Montgomery cuts loose on a bright, inspired single-note solo that'll make the listener sit up straight. As The Best of Wes Montgomery shows, it's a task he was able to pull off again and again, making this a fine introduction for new fans.

© Ronnie D. Lankford, Jr. /TiVo

Mais informações

The Best Of Wes Montgomery

Wes Montgomery

launch qobuz app Já baixei o Qobuz para Windows / MacOS Abrir

download qobuz app Ainda não baixei o Qobuz para Windows / MacOS Baixar o aplicativo Qobuz

Você está escutando amostras.

Escute mais de 100 milhões de músicas com um plano de streaming ilimitado.

Escute esta playlist e mais de 100 milhões de músicas com os nossos planos de streaming ilimitado.

A partir de 8,99€/mês

1
Lolita (Album Version)
Wes Montgomery
00:05:12

George Brown, Drums, AssociatedPerformer - Barry Harris, ComposerLyricist - Wes Montgomery, Guitar, MainArtist, AssociatedPerformer - Orrin Keepnews, Producer - Ray Fowler, Recording Engineer, StudioPersonnel - Melvin Rhyne, Organ, AssociatedPerformer

℗ 1964 Fantasy, Inc.

2
Yesterdays (Album Version)
Wes Montgomery Trio
00:03:16

Jerome Kern, ComposerLyricist - Otto Harbach, ComposerLyricist - Wes Montgomery, Guitar, AssociatedPerformer - Orrin Keepnews, Producer - Wes Montgomery Trio, MainArtist - Melvin Rhyne, Organ, AssociatedPerformer - Paul Parker, Drums, AssociatedPerformer - Jack Higgins, Recording Engineer, StudioPersonnel

℗ 1959 Fantasy, Inc.

3
Delilah (Take 4)
Wes Montgomery
00:06:09

Victor Young, ComposerLyricist - Milt Jackson, Vibraphone, MainArtist, AssociatedPerformer - Philly Joe Jones, Drums, AssociatedPerformer - Wynton Kelly, Piano, AssociatedPerformer - Sam Jones, AssociatedPerformer, Bass (Vocal) - Wes Montgomery, Guitar, MainArtist, AssociatedPerformer - Orrin Keepnews, Producer - Ray Fowler, Recording Engineer, StudioPersonnel

℗ 1962 Fantasy, Inc.

4
Polka Dots And Moonbeams (Album Version)
Wes Montgomery
00:04:40

Albert Heath, Drums, AssociatedPerformer - Johnny Burke, ComposerLyricist - Percy Heath, AssociatedPerformer, Bass (Vocal) - Jimmy Van Heusen, ComposerLyricist - Tommy Flanagan, Piano, AssociatedPerformer - Wes Montgomery, Guitar, MainArtist, AssociatedPerformer - Orrin Keepnews, Producer - Jack Higgins, Recording Engineer, StudioPersonnel

℗ 1960 Craft Recordings., Distributed by Concord

5
Double Deal (Album Version)
Wes Montgomery
00:03:46

Monk Montgomery, AssociatedPerformer, Bass (Vocal) - George Shearing, Piano, MainArtist, AssociatedPerformer - Wally Heider, Recording Engineer, StudioPersonnel - Wes Montgomery, Guitar, MainArtist, AssociatedPerformer, ComposerLyricist - Orrin Keepnews, Producer - Walter Perkins, Drums, AssociatedPerformer - Buddy Montgomery, Vibraphone, AssociatedPerformer

℗ 1962 Fantasy, Inc.

6
Body And Soul (Take 7)
Wes Montgomery
00:07:19

Victor Feldman, Piano, AssociatedPerformer - Edward Heyman, Composer - Frank Eyton, Composer - Robert Sour, Composer - Johnny Green, Composer - Sam Jones, AssociatedPerformer, Bass (Vocal) - Wally Heider, Recording Engineer, StudioPersonnel - Wes Montgomery, Guitar, Bass Guitar, MainArtist, AssociatedPerformer - Louis Hayes, Drums, AssociatedPerformer - James Clay, Flute, AssociatedPerformer - Orrin Keepnews, Producer

℗ 1961 Fantasy, Inc.

7
Delirium (Album Version)
The Montgomery Brothers
00:03:38

Monk Montgomery, AssociatedPerformer, Bass (Vocal) - Wes Montgomery, Guitar, AssociatedPerformer - Harold Land, ComposerLyricist - Bobby Thomas, Drums, AssociatedPerformer - Orrin Keepnews, Producer - The Montgomery Brothers, MainArtist - Buddy Montgomery, Piano, AssociatedPerformer - Ray Fowler, Recording Engineer, StudioPersonnel

℗ 1961 Fantasy, Inc.

8
Besame Mucho (Take 3)
Wes Montgomery
00:06:28

Sunny Skylar, ComposerLyricist - Wes Montgomery, Guitar, MainArtist, AssociatedPerformer - Jimmy Cobb, Drums, AssociatedPerformer - Orrin Keepnews, Producer - Torres Velasquez, ComposerLyricist - Ray Fowler, Recording Engineer, StudioPersonnel - Melvin Rhyne, Organ, AssociatedPerformer

℗ 1963 Craft Recordings., Distributed by Concord

9
One For My Baby (And One More For The Road) (Album Version)
Wes Montgomery
00:07:41

Harold Arlen, ComposerLyricist - Ron Carter, Bass Guitar, AssociatedPerformer, Bass (Vocal) - Ray Barretto, Conga, AssociatedPerformer - Hank Jones, Piano, AssociatedPerformer - Wes Montgomery, Guitar, MainArtist, AssociatedPerformer - Lex Humphries, Drums, AssociatedPerformer - Orrin Keepnews, Producer - Ray Fowler, Recording Engineer, StudioPersonnel - John H Mercer, ComposerLyricist

℗ 1961 Fantasy, Inc.

10
Tune Up (Album Version)
Wes Montgomery
00:03:11

David Nadien, Violin, AssociatedPerformer - Jimmy Jones, Recording Arranger, AssociatedPerformer - Paul Winter, Violin, AssociatedPerformer - Gene Orloff, Unknown, Other - Phil Bodner, Woodwinds, AssociatedPerformer - Milt Hinton, AssociatedPerformer, Bass (Vocal) - Osie Johnson, Drums, AssociatedPerformer - Miles Davis, Composer - Kermit Moore, Cello, AssociatedPerformer - Harry Lookofsky, Violin, AssociatedPerformer - Dick Hyman, Piano, AssociatedPerformer - Kenny Burrell, Guitar, AssociatedPerformer - Wes Montgomery, Guitar, MainArtist, AssociatedPerformer - Winston Collymore, Violin, AssociatedPerformer - Orrin Keepnews, Producer - Ray Fowler, Recording Engineer, StudioPersonnel - Margaret Rose, Harp, AssociatedPerformer - Mac Ceppos, Violin, AssociatedPerformer - Sylvan Shulman, Violin, AssociatedPerformer - Sam Rand, Violin, AssociatedPerformer - Ralph Hersh, Viola, AssociatedPerformer - Burt Fisch, Viola, AssociatedPerformer - Isadore Zir, Violin, AssociatedPerformer - Lucien Schmit, Cello, AssociatedPerformer

℗ 1963 Craft Recordings., Distributed by Concord

11
Four On Six (Album Version)
Wes Montgomery
00:06:13

Percy Heath, AssociatedPerformer, Bass (Vocal) - Tommy Flanagan, Piano, AssociatedPerformer - Wes Montgomery, Guitar, MainArtist, AssociatedPerformer, ComposerLyricist - Albert "Tootie" Heath, Drums, AssociatedPerformer - Orrin Keepnews, Producer - Jack Higgins, Recording Engineer, StudioPersonnel

℗ 1960 Craft Recordings., Distributed by Concord

12
Groove Yard (Album Version)
The Montgomery Brothers
00:03:00

Monk Montgomery, AssociatedPerformer, Bass (Vocal) - Carl Perkins, ComposerLyricist - Wes Montgomery, Guitar, AssociatedPerformer - Bobby Thomas, Drums, AssociatedPerformer - Orrin Keepnews, Producer - The Montgomery Brothers, MainArtist - Buddy Montgomery, Piano, AssociatedPerformer - Ray Fowler, Recording Engineer, StudioPersonnel

℗ 1961 Fantasy, Inc.

13
Full House (Live At Tsubo, Berkeley, California, USA / 1962)
Wes Montgomery
00:09:09

Paul Chambers, AssociatedPerformer, Bass (Vocal) - Wynton Kelly, Piano, AssociatedPerformer - Johnny Griffin, Saxophone, AssociatedPerformer - Wally Heider, Recording Engineer, StudioPersonnel - Wes Montgomery, Guitar, MainArtist, AssociatedPerformer, ComposerLyricist - Jimmy Cobb, Drums, AssociatedPerformer - Orrin Keepnews, Producer

℗ 1962 Fantasy, Inc.

14
Stairway To The Stars (Take 6)
Milt Jackson
00:03:36

Mitchell Parish, ComposerLyricist - Art Blakey, Drums, AssociatedPerformer - Milt Jackson, Vibraphone, MainArtist, AssociatedPerformer - Wynton Kelly, Piano, AssociatedPerformer - Frank Signorelli, ComposerLyricist - Matt Malneck, ComposerLyricist - Percy Heath, Upright Bass, AssociatedPerformer - Wes Montgomery, Guitar, AssociatedPerformer - Orrin Keepnews, Producer, Recording Producer - Joe Tarantino, Mastering Engineer, StudioPersonnel

℗ 1980 Riverside Records, Distributed by Concord.

Resenha do Álbum

While often admired, guitarists seldom stepped to the forefront during most of the '50s. The real innovators, after all, were the saxophonists and trumpeters, and a guitarist, like a vibraphonist, was optional. With his use of octaves and forceful soloing in the late '50s, Wes Montgomery asserted that the guitarist was fully capable of fronting his own group and, like the tenors, offer cutting edge music. The Best of Wes Montgomery draws from the guitarist's work between 1959 and 1964 for Riverside, a body of work that remains fresh and exhilarating. It isn't so much the material he chooses that captures one's attention, though certainly an original like "Four on Six" draws the listener in. Instead, it's Montgomery's unique use of octaves, ability to solo with chords, and his distinctive method of playing single-note solos. On Victor Young's "Delilah," for instance, he offers several bars of his trademark octave work at the beginning, but he refuses to stick with one approach. After a lengthy solo by vibraphonist Milt Jackson, he re-enters the fray with a chunky series of chords and finally, after another solo from pianist Wynton Kelly, Montgomery cuts loose on a bright, inspired single-note solo that'll make the listener sit up straight. As The Best of Wes Montgomery shows, it's a task he was able to pull off again and again, making this a fine introduction for new fans.

© Ronnie D. Lankford, Jr. /TiVo

Sobre o álbum

Melhorar as informações do álbum