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This 1976 album by the late saxophonist Stan Getz is a reunion of sorts with Joao Gilberto, the great Brazilian guitarist and singer, and the music of Antonio Carlos Jobim (or Tom Jobim), along with the stylish and nonintrusive arrangements of Oscar Carlos Neves. The trio changed the world in the early 1960s with its Getz/Gilberto albums. With Neves, they almost did it again, but with all of the crap falling down around them in the musical climate of the mid-'70s -- fusion, disco, overblown rock, and the serious decline of jazz -- this disc was criminally overlooked at the time. Joining these four men in their realization of modern bossa and samba are drummers Billy Hart and Grady Tate, percussionists Airto, Ray Armando, and Ruben Bassini, bassist Steve Swallow, pianist Albert Dailey, and Heliosoa Buarque de Hollanda singing the English vocals as a fill-in for Astrud Gilberto -- who was not invited to join this session and would have declined if she were. The most beautiful thing about this recording is that Jobim -- whose song forms had reached such a degree of sophistication that he was untouchable -- chose to write all of his lyrics in English (songwriter Gene Lees also wrote many in English). This is something that did not come naturally or effortlessly to Jobim, but sounds as if it did. Jobim's poetry on tracks such as "Waters of March," accompanied by Getz's lushly romantic saxophones and Gilberto's crooning nylon-string guitar, are so sensuous they radiate heat and humidity. Elsewhere, on the Lees/Jobim co-write "Double Rainbow," Gilberto's singing carries the soft bossa into the middle of American jazz phraseology and builds a bridge so airy and flexible it can never be undone. There is also a barn-burning samba in "Falsa Bahiana," which slips and shimmies along the 6/8 line and sweeps itself up in couplets in the solos. In all, this is as fine a bossa album as Getz ever recorded, standing among his finest works, and without a doubt equals his earlier collaborations with Jobim and Gilberto.
© Thom Jurek /TiVo
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Stan Getz, Associated Performer, Main Artist, Producer, Tenor Saxophone - João Gilberto, Associated Performer, Featured Artist - Stan Getz feat. Joao Gilberto, Associated Performer - A. C. Jobim, Composer, Lyricist - João Gilberto, Guitar, Percussion - Gene Lees, Composer, Lyricist - Teo Macero, Producer - Heloisa Buarque de Hollanda "Miucha" - Oscar Castro-neves, Guitar - Airto, Percussion - Ruben Bassini, Percussion - Ray Armando, Percussion - Sonny Carr, Percussion - Grady Tate, Drums - Albert Dailey, Piano - Steve Swallow, Bass
(P) 1976 Columbia Records, a division of Sony Music Entertainment
Stan Getz, Associated Performer, Main Artist, Producer, Tenor Saxophone - João Gilberto, Associated Performer, Featured Artist, Guitar, Percussion - Stan Getz feat. Joao Gilberto, Associated Performer - Antonio Carlos Jobim, Composer, Lyricist - Heloisa Buarque de Hollanda "Miucha" - Oscar Castro-neves, Guitar - Airto, Percussion - Ruben Bassini, Percussion - Ray Armando, Percussion - Sonny Carr, Percussion - Billy Hart, Drums - Albert Dailey, Piano - Steve Swallow, Bass
(P) 1976 Columbia Records, a division of Sony Music Entertainment
Stan Getz, Associated Performer, Main Artist, Producer, Tenor Saxophone - João Gilberto, Associated Performer, Featured Artist - Stan Getz feat. Joao Gilberto, Associated Performer - João Gilberto, Guitar, Percussion - A. C. Jobim, Composer, Lyricist - Oscar Castro-neves, Guitar - Airto, Percussion - Ruben Bassini, Percussion - Ray Armando, Percussion - Sonny Carr, Percussion - Billy Hart, Drums - Albert Dailey, Piano - Steve Swallow, Bass
(P) 1976 Columbia Records, a division of Sony Music Entertainment
Stan Getz, Associated Performer, Main Artist, Producer, Tenor Saxophone - João Gilberto, Guitar, Percussion - G. Pereira, Composer, Lyricist - Teo Macero, Producer - Heloisa Buarque de Hollanda "Miucha" - João Gilberto, Guitar - Oscar Castro-neves, Guitar - Airto, Percussion - Ruben Bassini, Percussion - Ray Armando, Percussion - Sonny Carr, Percussion - Billy Hart, Drums - Albert Dailey, Piano - Steve Swallow, Bass
(P) 1976 Columbia Records, a division of Sony Music Entertainment
Stan Getz, Associated Performer, Main Artist, Producer, Tenor Saxophone - João Gilberto, Guitar - C.Buarque, Composer, Lyricist - Teo Macero, Producer - A. C. Jobim, Composer, Lyricist
(P) 1976 Sony Music Entertainment Inc.
Stan Getz, Associated Performer, Main Artist, Producer - João Gilberto, Guitar, Percussion - H. Martins, Composer, Lyricist - Heloisa Buarque de Hollanda "Miucha" - R. Roberti, Composer, Lyricist - Oscar Castro-neves, Guitar - Airto, Percussion - Ruben Bassini, Percussion - Ray Armando, Percussion - Sonny Carr, Percussion - Billy Hart, Drums - Albert Dailey, Piano - Steve Swallow, Bass
(P) 1976 Columbia Records, a division of Sony Music Entertainment
Stan Getz, Associated Performer, Main Artist, Producer - G. Gil, Composer, Lyricist - João Gilberto, Guitar, Percussion - Heloisa Buarque de Hollanda "Miucha" - Oscar Castro-neves, Guitar - Airto, Percussion - Ruben Bassini, Percussion - Ray Armando, Percussion - Sonny Carr, Percussion - Billy Hart, Drums - Albert Dailey, Piano - Steve Swallow, Bass
(P) 1976 Columbia Records, a division of Sony Music Entertainment
Stan Getz, Associated Performer, Main Artist, Producer - João Gilberto, Guitar, Percussion - J. Gilberto, Composer, Lyricist - Heloisa Buarque de Hollanda "Miucha" - Oscar Castro-neves, Guitar - Airto, Percussion - Ruben Bassini, Percussion - Ray Armando, Percussion - Sonny Carr, Percussion - Billy Hart, Drums - Albert Dailey, Piano - Steve Swallow, Bass
(P) 1976 Columbia Records, a division of Sony Music Entertainment
Stan Getz, Associated Performer, Main Artist, Producer, Tenor Saxophone - João Gilberto, Associated Performer, Featured Artist - Stan Getz feat. Joao Gilberto, Associated Performer - Carlos Coqueijo Costa, Composer, Lyricist - João Gilberto, Guitar, Percussion - Alcivandro Luz, Composer, Lyricist - Oscar Castro-neves, Guitar - Airto, Percussion - Ruben Bassini, Percussion - Ray Armando, Percussion - Sonny Carr, Percussion - Billy Hart, Drums - Albert Dailey, Piano - Steve Swallow, Bass
(P) 1976 Columbia Records, a division of Sony Music Entertainment
Stan Getz, Associated Performer, Main Artist, Producer - João Gilberto, Guitar, Percussion - C. Porter, Composer, Lyricist - Heloisa Buarque de Hollanda "Miucha" - Oscar Castro-neves, Guitar - Airto, Percussion - Ruben Bassini, Percussion - Ray Armando, Percussion - Sonny Carr, Percussion - Billy Hart, Drums - Albert Dailey, Piano - Steve Swallow, Bass
(P) 1976 Columbia Records, a division of Sony Music Entertainment
Resenha do Álbum
This 1976 album by the late saxophonist Stan Getz is a reunion of sorts with Joao Gilberto, the great Brazilian guitarist and singer, and the music of Antonio Carlos Jobim (or Tom Jobim), along with the stylish and nonintrusive arrangements of Oscar Carlos Neves. The trio changed the world in the early 1960s with its Getz/Gilberto albums. With Neves, they almost did it again, but with all of the crap falling down around them in the musical climate of the mid-'70s -- fusion, disco, overblown rock, and the serious decline of jazz -- this disc was criminally overlooked at the time. Joining these four men in their realization of modern bossa and samba are drummers Billy Hart and Grady Tate, percussionists Airto, Ray Armando, and Ruben Bassini, bassist Steve Swallow, pianist Albert Dailey, and Heliosoa Buarque de Hollanda singing the English vocals as a fill-in for Astrud Gilberto -- who was not invited to join this session and would have declined if she were. The most beautiful thing about this recording is that Jobim -- whose song forms had reached such a degree of sophistication that he was untouchable -- chose to write all of his lyrics in English (songwriter Gene Lees also wrote many in English). This is something that did not come naturally or effortlessly to Jobim, but sounds as if it did. Jobim's poetry on tracks such as "Waters of March," accompanied by Getz's lushly romantic saxophones and Gilberto's crooning nylon-string guitar, are so sensuous they radiate heat and humidity. Elsewhere, on the Lees/Jobim co-write "Double Rainbow," Gilberto's singing carries the soft bossa into the middle of American jazz phraseology and builds a bridge so airy and flexible it can never be undone. There is also a barn-burning samba in "Falsa Bahiana," which slips and shimmies along the 6/8 line and sweeps itself up in couplets in the solos. In all, this is as fine a bossa album as Getz ever recorded, standing among his finest works, and without a doubt equals his earlier collaborations with Jobim and Gilberto.
© Thom Jurek /TiVo
Sobre o álbum
- 1 disco(s) - 10 faixa(s)
- Duração total: 00:42:47
- Artistas principais: Stan Getz
- Compositor: Various Composers
- Gravadora: Columbia
- Género: Pop
(P) 1976 Sony Music Entertainment Inc.
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