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Travis Wammack|That Scratchy Guitar from Memphis

That Scratchy Guitar from Memphis

Travis Wammack

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The "scratchy guitar" of the title refers to Travis Wammack's 1964 hit instrumental "Scratchy" as well as his trebly, frenetic guitar style. "Scratchy," with a melody borrowed from Mel Tormé's 1962 hit "Comin' Home Baby" and a bizarre vocal break consisting of backwards tape effects, was only a minor hit in its day but should be regarded as a classic of instrumental rock & roll. That Scratchy Guitar from Memphis gathers 21 recordings Wammack made between 1961-1967, most of which have never before been commercially released. An instrumental rendition of "Louie Louie" on Atlantic Records was Wammack's second and final chart hit of the '60s, and it too is included along with a "Scratchy" retread titled "Umm, How Sweet It Is." Most of the recordings are instrumentals that feature Wammack's bold, funky playing, but there are also several vocal cuts and novelties that display his offbeat sense of humor. "It's Karate Time" is punctuated with karate-chopping grunts years in advance of Carl Douglas' "Kung Fu Fighting," and the title of "There's a UFO Up There" speaks for itself. Wammack isn't a great singer, but he's an enthusiastic vocalist whose efforts are not a detraction where they appear. It's easy to see from cuts like "Super Soul Beat" why Wammack ended up playing guitar for so many soul artists in the '70s -- he's definitely in the groove. Bear Family has done an excellent job of compiling Wammack's early hits and vault holdings for collectors of instrumental rock & roll and those who appreciate great guitarists.

© Greg Adams /TiVo

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That Scratchy Guitar from Memphis

Travis Wammack

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1
Night Train
00:02:39

Travis Wammack, MainArtist - Jimmy Forrest, Composer

(C) 2012 Bear Family Records GmbH (P) 2012 Bear Family Records GmbH

2
Fire Fly
00:02:19

CY COLEMAN, Composer - Travis Wammack, MainArtist

(C) 2012 Bear Family Records GmbH (P) 2012 Bear Family Records GmbH

3
It's Karate Time
00:02:30

Unknown, Composer - Travis Wammack, MainArtist

(C) 2012 Bear Family Records GmbH (P) 2012 Bear Family Records GmbH

4
Scratchy
00:02:36

Gene Chrisman, Composer - Travis Wammack, MainArtist

(C) 2012 Bear Family Records GmbH (P) 2012 Bear Family Records GmbH

5
Flip, Flop Bop
00:02:52

FLOYD CRAMER, Composer - Travis Wammack, MainArtist

(C) 2012 Bear Family Records GmbH (P) 2012 Bear Family Records GmbH

6
Your Love
00:02:23

Unknown, Composer - Travis Wammack, MainArtist

(C) 2012 Bear Family Records GmbH (P) 2012 Bear Family Records GmbH

7
Louie Louie
00:02:10

Richard Berry, Composer - Travis Wammack, MainArtist

(C) 2012 Bear Family Records GmbH (P) 2012 Bear Family Records GmbH

8
Tech-Nically Speaking
00:01:46

Unknown, Composer - Travis Wammack, MainArtist

(C) 2012 Bear Family Records GmbH (P) 2012 Bear Family Records GmbH

9
Hallelujah, I Love Her So
00:02:17

Ray Charles, Composer - Travis Wammack, MainArtist

(C) 2012 Bear Family Records GmbH (P) 2012 Bear Family Records GmbH

10
Thunder Road
00:03:30

Raye, Composer - Travis Wammack, MainArtist - Robert Mitchum, Composer

(C) 2012 Bear Family Records GmbH (P) 2012 Bear Family Records GmbH

11
I Ain't Lyin'
00:02:28

Harry Casey, Composer - Travis Wammack, MainArtist - Richard Finch, Composer

(C) 2012 Bear Family Records GmbH (P) 2012 Bear Family Records GmbH

12
Upset
00:02:00

Unknown, Composer - Travis Wammack, MainArtist

(C) 2012 Bear Family Records GmbH (P) 2012 Bear Family Records GmbH

13
Super Soul Beat
00:01:59

Unknown, Composer - Travis Wammack, MainArtist

(C) 2012 Bear Family Records GmbH (P) 2012 Bear Family Records GmbH

14
Distortion, Pt. 2
00:02:19

Unknown, Composer - Travis Wammack, MainArtist

(C) 2012 Bear Family Records GmbH (P) 2012 Bear Family Records GmbH

15
There's a Ufo up There
00:02:23

Unknown, Composer - Travis Wammack, MainArtist

(C) 2012 Bear Family Records GmbH (P) 2012 Bear Family Records GmbH

16
Umm, How Sweet It Is
00:02:42

Lamont Dozier, Composer - Eddie Holland, Composer - Travis Wammack, MainArtist

(C) 2012 Bear Family Records GmbH (P) 2012 Bear Family Records GmbH

17
Hideaway
00:02:57

Travis Wammack, MainArtist - Howard Blaihley, Composer

(C) 2012 Bear Family Records GmbH (P) 2012 Bear Family Records GmbH

18
Find Another Man
00:02:45

Travis Wammack, MainArtist - Robert Hatfield, Composer - William Medley, Composer

(C) 2012 Bear Family Records GmbH (P) 2012 Bear Family Records GmbH

19
Fannie Mae
00:02:42

Travis Wammack, MainArtist - Buster Brown, Composer

(C) 2012 Bear Family Records GmbH (P) 2012 Bear Family Records GmbH

20
You Are My Sunshine
00:02:25

Jimmie Davis, Composer - Travis Wammack, MainArtist

(C) 2012 Bear Family Records GmbH (P) 2012 Bear Family Records GmbH

21
Memphis, Tennessee
00:02:22

Chuck Berry, Composer - Travis Wammack, MainArtist

(C) 2012 Bear Family Records GmbH (P) 2012 Bear Family Records GmbH

Resenha do Álbum

The "scratchy guitar" of the title refers to Travis Wammack's 1964 hit instrumental "Scratchy" as well as his trebly, frenetic guitar style. "Scratchy," with a melody borrowed from Mel Tormé's 1962 hit "Comin' Home Baby" and a bizarre vocal break consisting of backwards tape effects, was only a minor hit in its day but should be regarded as a classic of instrumental rock & roll. That Scratchy Guitar from Memphis gathers 21 recordings Wammack made between 1961-1967, most of which have never before been commercially released. An instrumental rendition of "Louie Louie" on Atlantic Records was Wammack's second and final chart hit of the '60s, and it too is included along with a "Scratchy" retread titled "Umm, How Sweet It Is." Most of the recordings are instrumentals that feature Wammack's bold, funky playing, but there are also several vocal cuts and novelties that display his offbeat sense of humor. "It's Karate Time" is punctuated with karate-chopping grunts years in advance of Carl Douglas' "Kung Fu Fighting," and the title of "There's a UFO Up There" speaks for itself. Wammack isn't a great singer, but he's an enthusiastic vocalist whose efforts are not a detraction where they appear. It's easy to see from cuts like "Super Soul Beat" why Wammack ended up playing guitar for so many soul artists in the '70s -- he's definitely in the groove. Bear Family has done an excellent job of compiling Wammack's early hits and vault holdings for collectors of instrumental rock & roll and those who appreciate great guitarists.

© Greg Adams /TiVo

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