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Isata Kanneh-Mason|Summertime

Summertime

Isata Kanneh-Mason

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It might seem from a casual perusal of the program here that this release by young sensation Isata Kanneh-Mason consists of two hardly linked segments. The first, featuring Gershwin arrangements by Earl Wild and the fearsomely difficult Piano Sonata in E flat minor, Op. 26, of Samuel Barber, is devoted to technical brilliance, while the second brings Kanneh-Mason closer to roots in African-derived music, closing with works and arrangements by composer Samuel Coleridge-Taylor, but the two halves connect well. They interpenetrate, for one thing; the Wild pieces announce that the album will be both technically difficult and connected to African American music. In the second part of the program, Kanneh-Mason seems to take a step back from all the brilliance to focus on deeper musical wells. It's an exceptionally thoughtful approach. Kanneh-Mason takes little detours from the theme, and each one contributes something. Listen to the little-known By the Still Waters, Op. 114, of Amy Beach, which is not African-derived at all; it has a marvelous effect on Kanneh-Mason's Schimmel piano. As she winds down from the rigors of the Barber, she offers Percy Grainger's arrangement of The Man I Love, and she pushes the three Gershwin Preludes in a heavily rhythmic direction. The whole thing is a mixed bag, it's true, but it shows the questing mind of a young artist who is hugely talented. Brava!

© TiVo

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Summertime

Isata Kanneh-Mason

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Grand Fantasy on Porgy and Bess (Earl Wild)

1
Summertime (after G. Gershwin)
00:03:29

Ian Watson, Editor, StudioPersonnel - Andrew Cornall, Producer, Recording Producer - Earl Wild, Composer - Philip Siney, Recording Engineer, StudioPersonnel - Dominic Fyfe, Producer - Isata Kanneh-Mason, Piano, MainArtist, AssociatedPerformer

℗ 2021 Universal Music Operations Limited

7 Virtuoso Etudes (Earl Wild)

2
No. 1, I Got Rhythm (after G. Gershwin)
00:02:12

Ian Watson, Editor, StudioPersonnel - Andrew Cornall, Producer, Recording Producer - Earl Wild, Composer - Philip Siney, Recording Engineer, StudioPersonnel - Dominic Fyfe, Producer - Isata Kanneh-Mason, Piano, MainArtist, AssociatedPerformer

℗ 2021 Universal Music Operations Limited

3
Nocturne, Op. 33
00:03:26

Ian Watson, Editor, StudioPersonnel - Samuel Barber, Composer - Andrew Cornall, Producer, Recording Producer - Philip Siney, Recording Engineer, StudioPersonnel - Dominic Fyfe, Producer - Isata Kanneh-Mason, Piano, MainArtist, AssociatedPerformer

℗ 2021 Universal Music Operations Limited

Piano Sonata in E-Flat Minor, Op. 26 (Samuel Barber)

4
I. Allegro energico
00:07:08

Ian Watson, Editor, StudioPersonnel - Samuel Barber, Composer - Andrew Cornall, Producer, Recording Producer - Philip Siney, Recording Engineer, StudioPersonnel - Dominic Fyfe, Producer - Isata Kanneh-Mason, Piano, MainArtist, AssociatedPerformer

℗ 2021 Universal Music Operations Limited

5
II. Allegro vivace e leggero
00:02:06

Ian Watson, Editor, StudioPersonnel - Samuel Barber, Composer - Andrew Cornall, Producer, Recording Producer - Philip Siney, Recording Engineer, StudioPersonnel - Dominic Fyfe, Producer - Isata Kanneh-Mason, Piano, MainArtist, AssociatedPerformer

℗ 2021 Universal Music Operations Limited

6
III. Adagio mesto
00:05:23

Ian Watson, Editor, StudioPersonnel - Samuel Barber, Composer - Andrew Cornall, Producer, Recording Producer - Philip Siney, Recording Engineer, StudioPersonnel - Dominic Fyfe, Producer - Isata Kanneh-Mason, Piano, MainArtist, AssociatedPerformer

℗ 2021 Universal Music Operations Limited

7
IV. Fuga. Allegro con spirito
00:04:37

Ian Watson, Editor, StudioPersonnel - Samuel Barber, Composer - Andrew Cornall, Producer, Recording Producer - Philip Siney, Recording Engineer, StudioPersonnel - Dominic Fyfe, Producer - Isata Kanneh-Mason, Piano, MainArtist, AssociatedPerformer

℗ 2021 Universal Music Operations Limited

8
The Man I Love (Arr. Grainger for Piano)
00:03:16

George Gershwin, Composer - Ira Gershwin, Author - Ian Watson, Editor, StudioPersonnel - Percy Grainger, Arranger, Work Arranger - Andrew Cornall, Producer, Recording Producer - Philip Siney, Recording Engineer, StudioPersonnel - Dominic Fyfe, Producer - Isata Kanneh-Mason, Piano, MainArtist, AssociatedPerformer

℗ 2021 Universal Music Operations Limited

3 Préludes (George Gershwin)

9
No. 1, Allegro ben ritmato e deciso
00:01:35

George Gershwin, Composer - Ian Watson, Editor, StudioPersonnel - Andrew Cornall, Producer, Recording Producer - Philip Siney, Recording Engineer, StudioPersonnel - Dominic Fyfe, Producer - Isata Kanneh-Mason, Piano, MainArtist, AssociatedPerformer

℗ 2021 Universal Music Operations Limited

10
No. 2, Andante con moto e poco rubato
00:03:38

George Gershwin, Composer - Ian Watson, Editor, StudioPersonnel - Andrew Cornall, Producer, Recording Producer - Philip Siney, Recording Engineer, StudioPersonnel - Dominic Fyfe, Producer - Isata Kanneh-Mason, Piano, MainArtist, AssociatedPerformer

℗ 2021 Universal Music Operations Limited

11
No. 3, Allegro ben ritmato e deciso
00:01:18

George Gershwin, Composer - Ian Watson, Editor, StudioPersonnel - Andrew Cornall, Producer, Recording Producer - Philip Siney, Recording Engineer, StudioPersonnel - Dominic Fyfe, Producer - Isata Kanneh-Mason, Piano, MainArtist, AssociatedPerformer

℗ 2021 Universal Music Operations Limited

12
By the Still Waters, Op. 114
00:03:07

Ian Watson, Editor, StudioPersonnel - Amy Beach, Composer - Andrew Cornall, Producer, Recording Producer - Philip Siney, Recording Engineer, StudioPersonnel - Dominic Fyfe, Producer - Isata Kanneh-Mason, Piano, MainArtist, AssociatedPerformer

℗ 2021 Universal Music Operations Limited

13
The Cat and the Mouse
00:04:09

Ian Watson, Editor, StudioPersonnel - Aaron Copland, ComposerLyricist - Andrew Cornall, Producer, Recording Producer - Philip Siney, Recording Engineer, StudioPersonnel - Dominic Fyfe, Producer - Isata Kanneh-Mason, Piano, MainArtist, AssociatedPerformer

℗ 2021 Universal Music Operations Limited

14
Impromptu No. 2 in B Minor
00:04:36

Ian Watson, Editor, StudioPersonnel - Andrew Cornall, Producer, Recording Producer - Samuel Coleridge-Taylor, Composer - Philip Siney, Recording Engineer, StudioPersonnel - Dominic Fyfe, Producer - Isata Kanneh-Mason, Piano, MainArtist, AssociatedPerformer

℗ 2021 Universal Music Operations Limited

15
Deep River
00:06:16

Ian Watson, Editor, StudioPersonnel - Andrew Cornall, Producer, Recording Producer - Samuel Coleridge-Taylor, Composer - Philip Siney, Recording Engineer, StudioPersonnel - Dominic Fyfe, Producer - Isata Kanneh-Mason, Piano, MainArtist, AssociatedPerformer

℗ 2021 Universal Music Operations Limited

16
The Bamboula
00:02:26

Ian Watson, Editor, StudioPersonnel - Andrew Cornall, Producer, Recording Producer - Samuel Coleridge-Taylor, Composer - Philip Siney, Recording Engineer, StudioPersonnel - Dominic Fyfe, Producer - Isata Kanneh-Mason, Piano, MainArtist, AssociatedPerformer

℗ 2021 Universal Music Operations Limited

17
Sometimes I Feel Like a Motherless Child
00:04:01

Ian Watson, Editor, StudioPersonnel - Andrew Cornall, Producer, Recording Producer - Samuel Coleridge-Taylor, Composer - Philip Siney, Recording Engineer, StudioPersonnel - Dominic Fyfe, Producer - Isata Kanneh-Mason, Piano, MainArtist, AssociatedPerformer

℗ 2021 Universal Music Operations Limited

Resenha do Álbum

It might seem from a casual perusal of the program here that this release by young sensation Isata Kanneh-Mason consists of two hardly linked segments. The first, featuring Gershwin arrangements by Earl Wild and the fearsomely difficult Piano Sonata in E flat minor, Op. 26, of Samuel Barber, is devoted to technical brilliance, while the second brings Kanneh-Mason closer to roots in African-derived music, closing with works and arrangements by composer Samuel Coleridge-Taylor, but the two halves connect well. They interpenetrate, for one thing; the Wild pieces announce that the album will be both technically difficult and connected to African American music. In the second part of the program, Kanneh-Mason seems to take a step back from all the brilliance to focus on deeper musical wells. It's an exceptionally thoughtful approach. Kanneh-Mason takes little detours from the theme, and each one contributes something. Listen to the little-known By the Still Waters, Op. 114, of Amy Beach, which is not African-derived at all; it has a marvelous effect on Kanneh-Mason's Schimmel piano. As she winds down from the rigors of the Barber, she offers Percy Grainger's arrangement of The Man I Love, and she pushes the three Gershwin Preludes in a heavily rhythmic direction. The whole thing is a mixed bag, it's true, but it shows the questing mind of a young artist who is hugely talented. Brava!

© TiVo

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