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Strauss’s bold and passionate tone poem Also Sprach Zarathustra is a riveting work, famous for its startlingly atmospheric opening. With a thrilling and florid orchestral score, it’s a work which Jurowski observes “…launches the whole idea of 20th century music. Written in the 19th century, this is one of those pieces which announces the new century to come.” It is paired with Mahler’s no less gripping Totenfeier which is an early version of the first movement of his Symphony No 2 “Resurrection”. “I find very interesting to compare [the two versions] …”, writes Jurowski, “In many ways, the Totenfeier is less accomplished , but far more honest and genuine.” Juxtaposing the Strauss and Mahler works in this way, Jurowski notes “Zarathustra is all about technical brilliance and accomplishment … in the Mahler the surfaces are much less polished, so there is much more aspiration to go into the depth of things.” © Pentatone
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Also sprach Zarathustra, Op. 30, TrV 176 (Richard Strauss)
Richard Strauss, Composer - Rundfunk-Sinfonieorchester Berlin, Orchestra, MainArtist - Vladimir Jurowski, Conductor - Tobias Berndt, Artist
(C) 2017 PentaTone (P) 2017 PentaTone
Totenfeier (Gustav Mahler)
Gustav Mahler, Composer - Rundfunk-Sinfonieorchester Berlin, Orchestra, MainArtist - Vladimir Jurowski, Conductor
(C) 2017 PentaTone (P) 2017 PentaTone
Sinfonisches Präludium (Symphonic Prelude) (reconstructed by A. Gürsching) (Gustav Mahler)
Gustav Mahler, Composer - Rundfunk-Sinfonieorchester Berlin, Orchestra, MainArtist - Vladimir Jurowski, Conductor - Albrecht Gürsching, Composer
(C) 2017 PentaTone (P) 2017 PentaTone
Resenha do Álbum
Strauss’s bold and passionate tone poem Also Sprach Zarathustra is a riveting work, famous for its startlingly atmospheric opening. With a thrilling and florid orchestral score, it’s a work which Jurowski observes “…launches the whole idea of 20th century music. Written in the 19th century, this is one of those pieces which announces the new century to come.” It is paired with Mahler’s no less gripping Totenfeier which is an early version of the first movement of his Symphony No 2 “Resurrection”. “I find very interesting to compare [the two versions] …”, writes Jurowski, “In many ways, the Totenfeier is less accomplished , but far more honest and genuine.” Juxtaposing the Strauss and Mahler works in this way, Jurowski notes “Zarathustra is all about technical brilliance and accomplishment … in the Mahler the surfaces are much less polished, so there is much more aspiration to go into the depth of things.” © Pentatone
Sobre o álbum
- 1 disco(s) - 3 faixa(s)
- Duração total: 01:04:42
- 1 Folheto digital
- Artistas principais: Rundfunk Sinfonieorchester Berlin Tobias Berndt Vladimir Jurowski
- Compositor: Various Composers
- Gravadora: PentaTone
- Género: Clássica
(C) 2017 PentaTone (P) 2017 PentaTone
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