Streaming ilimitado
Escute agora este álbum em alta qualidade nos nossos aplicativos
Iniciar meu período de teste e começar a escutar este álbumCurta este álbum nos aplicativos Qobuz com a sua assinatura
AssinarCurta este álbum nos aplicativos Qobuz com a sua assinatura
Idioma disponível: inglês
Vanguard may have spelled his name wrong (he prefers Charlie or Charles), but the word was out as soon as this solo debut was released: here was a harpist every bit as authentic, as emotional, and in some ways as adventuresome, as Paul Butterfield. Similarly leading a Chicago band with a veteran black rhythm section (Fred Below on drums, Bob Anderson on bass) and rock-influenced soloists (keyboardist Barry Goldberg, guitarist Harvey Mandel), Musselwhite played with a depth that belied his age -- only 22 when this was cut! His gruff vocals were considerably more affected than they would become later (clearer, more relaxed), but his renditions of "Help Me," "Early in the Morning," and his own "Strange Land" stand the test of time. He let his harmonica speak even more authoritatively on instrumentals like "39th and Indiana" (essentially "It Hurts Me Too" sans lyrics) and "Cha Cha the Blues," and his version of jazz arranger Duke Pearson's gospel-tinged "Cristo Redemptor" has become his signature song -- associated with Musselwhite probably more so than with trumpeter Donald Byrd, who originally recorded the song for Blue Note. Goldberg is in fine form (particularly on organ), but Mandel's snakey, stuttering style really stands out -- notably on "Help Me," his quirky original "4 P.M.," and "Chicken Shack," where he truly makes you think your record is skipping.
© Dan Forte /TiVo
Você está escutando amostras.
Escute mais de 100 milhões de músicas com um plano de streaming ilimitado.
Escute esta playlist e mais de 100 milhões de músicas com os nossos planos de streaming ilimitado.
A partir de 8,99€/mês
Unknown, Composer - Charlie Musselwhite, MainArtist
(C) 2006 Vanguard ℗ 1967 Vanguard Records, a Welk Music Group Company
Unknown, Composer - Charlie Musselwhite, MainArtist
(C) 2006 Vanguard ℗ 1967 Vanguard Records, a Welk Music Group Company
Unknown, Composer - Charlie Musselwhite, MainArtist
(C) 2006 Vanguard ℗ 1967 Vanguard Records, a Welk Music Group Company
Unknown, Composer - Charlie Musselwhite, MainArtist
(C) 2006 Vanguard ℗ 1967 Vanguard Records, a Welk Music Group Company
Unknown, Composer - Charlie Musselwhite, MainArtist
(C) 2006 Vanguard ℗ 1967 Vanguard Records, a Welk Music Group Company
Unknown, Composer - Charlie Musselwhite, MainArtist
(C) 2006 Vanguard ℗ 1967 Vanguard Records, a Welk Music Group Company
Charlie Musselwhite, Composer, MainArtist
(C) 2006 Vanguard ℗ 1967 Vanguard Records, a Welk Music Group Company
Unknown, Composer - Charlie Musselwhite, MainArtist
(C) 2006 Vanguard ℗ 1967 Vanguard Records, a Welk Music Group Company
Unknown, Composer - Charlie Musselwhite, MainArtist
(C) 2006 Vanguard ℗ 1967 Vanguard Records, a Welk Music Group Company
Unknown, Composer - Charlie Musselwhite, MainArtist
(C) 2006 Vanguard ℗ 1967 Vanguard Records, a Welk Music Group Company
Unknown, Composer - Charlie Musselwhite, MainArtist
(C) 2006 Vanguard ℗ 1967 Vanguard Records, a Welk Music Group Company
Unknown, Composer - Charlie Musselwhite, MainArtist
(C) 2006 Vanguard ℗ 1967 Vanguard Records, a Welk Music Group Company
Resenha do Álbum
Vanguard may have spelled his name wrong (he prefers Charlie or Charles), but the word was out as soon as this solo debut was released: here was a harpist every bit as authentic, as emotional, and in some ways as adventuresome, as Paul Butterfield. Similarly leading a Chicago band with a veteran black rhythm section (Fred Below on drums, Bob Anderson on bass) and rock-influenced soloists (keyboardist Barry Goldberg, guitarist Harvey Mandel), Musselwhite played with a depth that belied his age -- only 22 when this was cut! His gruff vocals were considerably more affected than they would become later (clearer, more relaxed), but his renditions of "Help Me," "Early in the Morning," and his own "Strange Land" stand the test of time. He let his harmonica speak even more authoritatively on instrumentals like "39th and Indiana" (essentially "It Hurts Me Too" sans lyrics) and "Cha Cha the Blues," and his version of jazz arranger Duke Pearson's gospel-tinged "Cristo Redemptor" has become his signature song -- associated with Musselwhite probably more so than with trumpeter Donald Byrd, who originally recorded the song for Blue Note. Goldberg is in fine form (particularly on organ), but Mandel's snakey, stuttering style really stands out -- notably on "Help Me," his quirky original "4 P.M.," and "Chicken Shack," where he truly makes you think your record is skipping.
© Dan Forte /TiVo
Sobre o álbum
- 1 disco(s) - 12 faixa(s)
- Duração total: 00:45:41
- Artistas principais: Charlie Musselwhite
- Compositor: Various Composers
- Gravadora: Vanguard Records
- Género: Blues/Country/Folk Blues
© 2006 Vanguard Records, a Welk Music Group Company ℗ 2006 Vanguard Records, a Welk Music Group Company
Melhorar as informações do álbum