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Simone Dinnerstein|Something Almost Being Said: Music Of Bach And Schubert

Something Almost Being Said: Music Of Bach And Schubert

Simone Dinnerstein

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Idioma disponível: inglês

"The trees are coming into leaf/Like something almost being said." Taking a cue from these lines of Philip Larkin, pianist Simone Dinnerstein casts her album of the music of J.S. Bach and Franz Schubert in poetic terms. Her understanding of the composers is summed up in her own words: "The music of Bach and Schubert share a distinctive quality, as if wordless voices were singing textless melodies." Of course, Bach and Schubert were masters of setting texts to profoundly expressive music, so it is fruitful to look for the lyrical impulse in their keyboard works and appropriate to find songful interpretations. Yet Dinnerstein doesn't merely serve up rhapsodic renditions or treat the music as some kind of tuneful vehicle for idiosyncratic or personal reveries. Her playing is quite in character for both composers, and her treatment of the material is far from self-indulgent. Indeed, counterpoint and harmony are carefully balanced against the upper lines, and Dinnerstein is completely in control of the inner parts in Bach's partitas and the rhythmic subtleties of Schubert impromptus. Dinnerstein's playing is well-rounded and skillful, and the care she lavishes on the smallest details of execution may well remind listeners of Glenn Gould (without his attendant eccentricities) or Angela Hewitt. To find the poetry in this 2012 album from Sony, listeners may make their own connections, but Dinnerstein certainly opens up the music for aesthetic appreciation and deep reflection.

© TiVo

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Something Almost Being Said: Music Of Bach And Schubert

Simone Dinnerstein

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Partita No. 2 in C Minor, BWV 826 (Johann Sebastian Bach)

1
I. Sinfonia
00:05:05

Adam Abeshouse, Producer - Adam Abeshouse, Recording Engineer - Andy Ryder, 2nd Engineer - Johann Sebastian Bach, Composer - Simone Dinnerstein, Piano

(P) 2012 Sony Music Entertainment

2
II. Allemande
00:06:07

Adam Abeshouse, Producer - Adam Abeshouse, Recording Engineer - Andy Ryder, 2nd Engineer - Johann Sebastian Bach, Composer - Simone Dinnerstein, Piano

(P) 2012 Sony Music Entertainment

3
III. Courante
00:02:12

Adam Abeshouse, Producer - Adam Abeshouse, Recording Engineer - Andy Ryder, 2nd Engineer - Johann Sebastian Bach, Composer - Simone Dinnerstein, Piano

(P) 2012 Sony Music Entertainment

4
IV. Sarabande
00:04:28

Adam Abeshouse, Producer - Adam Abeshouse, Recording Engineer - Andy Ryder, 2nd Engineer - Johann Sebastian Bach, Composer - Simone Dinnerstein, Piano

(P) 2012 Sony Music Entertainment

5
V. Rondeau
00:01:26

Adam Abeshouse, Producer - Adam Abeshouse, Recording Engineer - Andy Ryder, 2nd Engineer - Johann Sebastian Bach, Composer - Simone Dinnerstein, Piano

(P) 2012 Sony Music Entertainment

6
VI. Capriccio
00:03:00

Adam Abeshouse, Producer - Adam Abeshouse, Recording Engineer - Andy Ryder, 2nd Engineer - Johann Sebastian Bach, Composer - Simone Dinnerstein, Piano

(P) 2012 Sony Music Entertainment

Impromptus, Op. 90, D. 899 (Franz Schubert)

7
Impromptu No. 1 in C Minor
00:11:37

Adam Abeshouse, Producer - Adam Abeshouse, Recording Engineer - Andy Ryder, 2nd Engineer - Franz Schubert, Composer - Simone Dinnerstein, Piano

(P) 2012 Sony Music Entertainment

8
Impromptu No. 2 in E-flat Major
00:04:50

Adam Abeshouse, Producer - Adam Abeshouse, Recording Engineer - Andy Ryder, 2nd Engineer - Franz Schubert, Composer - Simone Dinnerstein, Piano

(P) 2012 Sony Music Entertainment

9
Impromptu No. 3 in G-Flat Major
00:06:46

Adam Abeshouse, Producer - Adam Abeshouse, Recording Engineer - Andy Ryder, 2nd Engineer - Franz Schubert, Composer - Simone Dinnerstein, Piano

(P) 2012 Sony Music Entertainment

10
Impromptu No. 4 in A-Flat Major
00:08:36

Adam Abeshouse, Producer - Adam Abeshouse, Recording Engineer - Andy Ryder, 2nd Engineer - Franz Schubert, Composer - Simone Dinnerstein, Piano

(P) 2012 Sony Music Entertainment

Partita No. 1 in B-Flat Major, BWV 825 (Johann Sebastian Bach)

11
I. Prélude
00:03:02

Adam Abeshouse, Producer - Adam Abeshouse, Recording Engineer - Andy Ryder, 2nd Engineer - Johann Sebastian Bach, Composer - Simone Dinnerstein, Piano

(P) 2012 Sony Music Entertainment

12
II. Allemande
00:03:37

Adam Abeshouse, Producer - Adam Abeshouse, Recording Engineer - Andy Ryder, 2nd Engineer - Johann Sebastian Bach, Composer - Simone Dinnerstein, Piano

(P) 2012 Sony Music Entertainment

13
III. Corrente
00:02:32

Adam Abeshouse, Producer - Adam Abeshouse, Recording Engineer - Andy Ryder, 2nd Engineer - Johann Sebastian Bach, Composer - Simone Dinnerstein, Piano

(P) 2012 Sony Music Entertainment

14
IV. Sarabande
00:05:37

Adam Abeshouse, Producer - Adam Abeshouse, Recording Engineer - Andy Ryder, 2nd Engineer - Johann Sebastian Bach, Composer - Simone Dinnerstein, Piano

(P) 2012 Sony Music Entertainment

15
V. Menuet I & II
00:02:56

Adam Abeshouse, Producer - Adam Abeshouse, Recording Engineer - Andy Ryder, 2nd Engineer - Johann Sebastian Bach, Composer - Simone Dinnerstein, Piano

(P) 2012 Sony Music Entertainment

16
VI. Gigue
00:02:40

Adam Abeshouse, Producer - Adam Abeshouse, Recording Engineer - Andy Ryder, 2nd Engineer - Johann Sebastian Bach, Composer - Simone Dinnerstein, Piano

(P) 2012 Sony Music Entertainment

Resenha do Álbum

"The trees are coming into leaf/Like something almost being said." Taking a cue from these lines of Philip Larkin, pianist Simone Dinnerstein casts her album of the music of J.S. Bach and Franz Schubert in poetic terms. Her understanding of the composers is summed up in her own words: "The music of Bach and Schubert share a distinctive quality, as if wordless voices were singing textless melodies." Of course, Bach and Schubert were masters of setting texts to profoundly expressive music, so it is fruitful to look for the lyrical impulse in their keyboard works and appropriate to find songful interpretations. Yet Dinnerstein doesn't merely serve up rhapsodic renditions or treat the music as some kind of tuneful vehicle for idiosyncratic or personal reveries. Her playing is quite in character for both composers, and her treatment of the material is far from self-indulgent. Indeed, counterpoint and harmony are carefully balanced against the upper lines, and Dinnerstein is completely in control of the inner parts in Bach's partitas and the rhythmic subtleties of Schubert impromptus. Dinnerstein's playing is well-rounded and skillful, and the care she lavishes on the smallest details of execution may well remind listeners of Glenn Gould (without his attendant eccentricities) or Angela Hewitt. To find the poetry in this 2012 album from Sony, listeners may make their own connections, but Dinnerstein certainly opens up the music for aesthetic appreciation and deep reflection.

© TiVo

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