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The O'Jays|So Full Of Love

So Full Of Love

The O'Jays

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None of the albums the O'Jays recorded for Philadelphia International in the 1970s were weak or disappointing, although some were stronger than others. So Full of Love isn't quite essential, and isn't in a class with Back Stabbers, Ship Ahoy or Family Reunion. But the platinum album does have a lot going for it, including the major hit "Use Ta Be My Girl," and the heartfelt ballads "Cry Together" and "Brandy," and the captivating "This Time Baby," which would become a hit for soul/disco diva Jackie Moore in 1979. A funk treasure that should have been a major hit was the intense "Strokety Stroke." Once again, the O'Jays worked with Philly's best -- not only Gamble & Huff, but also Thom Bell and Bunny Sigler. Love was a departure from their previous Philly International offerings in that it contained no social or political commentary whatsoever -- with the disco era in full swing, Eddie Levert felt that the market for R&B message songs had dried up.

© Alex Henderson /TiVo

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So Full Of Love

The O'Jays

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1
Sing My Heart Out
00:04:24

The O'Jays, Associated Performer, Main Artist, Associated Performer - K. Gamble, Composer, Lyricist - L. Huff, Composer, Lyricist

(P) 1978 Sony Music Entertainment

2
Use Ta Be My Girl
00:04:00

The O'Jays, Associated Performer, Main Artist, Associated Performer - Kenneth Gamble, Composer, Producer - Leon Huff, Composer - Bobby Martin, Associated Performer - Leon A. Huff, Producer

(P) 1978 Sony Music Entertainment

3
Cry Together
00:05:33

The O'Jays, Associated Performer, Main Artist, Associated Performer - Kenneth Gamble, Producer - K. Gamble, Composer, Lyricist - Bobby Eli, Guitar - Leon Huff, Piano, Producer - L. Huff, Composer, Lyricist - Norman Harris, Guitar - Bunny Sigler, Producer - T.J. Tindall, Guitar - Reginald Lucas, Guitar - Roland Chambers, Guitar - Larry Washington, Bongos, Congas, Percussion - Earl Young, Drums - Norman Farrington, Drums - Karl Chambers, Drums - Eddie Green, Piano - Harold Williams, Piano - Lenny Pakula, Organ - Ronnie Baker, Bass - Anthony Jackson, Bass - Don Renaldo, Horn

(P) 1978 Sony Music Entertainment

4
This Time Baby
00:04:24

The O'Jays, Associated Performer, Main Artist, Associated Performer - C. James, Composer, Lyricist - L. Bell, Composer, Lyricist

(P) 1978 Sony Music Entertainment

5
Brandy
00:04:11

The O'Jays, Associated Performer, Main Artist, Associated Performer - Jefferson, Composer, Lyricist - Simmons, Composer, Lyricist

(P) 1978 Sony Music Entertainment

6
Take Me To The Stars
00:04:12

The O'Jays, Associated Performer, Main Artist, Associated Performer - L. Hancock, Composer, Lyricist - A. Boyd, Composer, Lyricist

(P) 1978 Sony Music Entertainment

7
Help (Somebody Please)
00:04:59

The O'Jays, Associated Performer, Main Artist, Associated Performer - E. LEVERT, Composer, Lyricist - R. Dukes, Composer, Lyricist

(P) 1978 Sony Music Entertainment

8
Strokety Stroke
00:04:24

The O'Jays, Associated Performer, Main Artist, Associated Performer - B. SIGLER, Composer, Producer - E. LEVERT, Producer - L. Huff, Producer - Williams, Producer

(P) 1978 Sony Music Entertainment

Resenha do Álbum

None of the albums the O'Jays recorded for Philadelphia International in the 1970s were weak or disappointing, although some were stronger than others. So Full of Love isn't quite essential, and isn't in a class with Back Stabbers, Ship Ahoy or Family Reunion. But the platinum album does have a lot going for it, including the major hit "Use Ta Be My Girl," and the heartfelt ballads "Cry Together" and "Brandy," and the captivating "This Time Baby," which would become a hit for soul/disco diva Jackie Moore in 1979. A funk treasure that should have been a major hit was the intense "Strokety Stroke." Once again, the O'Jays worked with Philly's best -- not only Gamble & Huff, but also Thom Bell and Bunny Sigler. Love was a departure from their previous Philly International offerings in that it contained no social or political commentary whatsoever -- with the disco era in full swing, Eddie Levert felt that the market for R&B message songs had dried up.

© Alex Henderson /TiVo

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