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Kreutzer Quartet|Simon Bainbridge: Chamber Music

Simon Bainbridge: Chamber Music

Kreutzer Quartet, Linda Merrick

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Idioma disponível: inglês

The composing career of Simon Bainbridge (born in London in 1952) is spanned by the four chamber works in this album, all of them cast as single narrative spans. The First String Quartet, written when its composer was not yet twenty, blends lyricism and pointillism, rather as if it were recasting abstract poetry in sound; and the recent Second offers a kaleidoscopic tableau of colour and nervous energy inspired by visual art. In his Cheltenham Fragments, as the title suggests, Bainbridge uses mosaic technique to build up textures and thematic outlines. And the long lines of the virtuosic Clarinet Quintet generate fleetfooted whirlwinds as they unfold. Linda Merrick and the Kreutzer Quartet worked closely with the composer on the preparation of these recordings. © Toccata Classics

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Simon Bainbridge: Chamber Music

Kreutzer Quartet

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String Quartet No. 1 (Simon Bainbridge)

1
String Quartet No. 1
Kreutzer Quartet
00:11:17

Kreutzer Quartet, Ensemble, MainArtist - Simon Bainbridge, Composer

(C) 2021 Toccata Classics (P) 2021 Toccata Classics

Clarinet Quintet (Simon Bainbridge)

2
Clarinet Quintet
Linda Merrick
00:18:34

Kreutzer Quartet, Ensemble, MainArtist - Linda Merrick, Artist, MainArtist - Simon Bainbridge, Composer

(C) 2021 Toccata Classics (P) 2021 Toccata Classics

Cheltenham Fragments (Simon Bainbridge)

3
Cheltenham Fragments
Kreutzer Quartet
00:05:54

Kreutzer Quartet, Ensemble, MainArtist - Simon Bainbridge, Composer

(C) 2021 Toccata Classics (P) 2021 Toccata Classics

String Quartet No. 2 (Simon Bainbridge)

4
String Quartet No. 2
Kreutzer Quartet
00:21:00

Kreutzer Quartet, Ensemble, MainArtist - Simon Bainbridge, Composer

(C) 2021 Toccata Classics (P) 2021 Toccata Classics

Resenha do Álbum

The composing career of Simon Bainbridge (born in London in 1952) is spanned by the four chamber works in this album, all of them cast as single narrative spans. The First String Quartet, written when its composer was not yet twenty, blends lyricism and pointillism, rather as if it were recasting abstract poetry in sound; and the recent Second offers a kaleidoscopic tableau of colour and nervous energy inspired by visual art. In his Cheltenham Fragments, as the title suggests, Bainbridge uses mosaic technique to build up textures and thematic outlines. And the long lines of the virtuosic Clarinet Quintet generate fleetfooted whirlwinds as they unfold. Linda Merrick and the Kreutzer Quartet worked closely with the composer on the preparation of these recordings. © Toccata Classics

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