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Juana Zayas|Schumann: Carnaval / Arabeske in C Major / Toccata in C Major / Fantasiestucke

Schumann: Carnaval / Arabeske in C Major / Toccata in C Major / Fantasiestucke

Robert Schumann

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Idioma disponível: inglês

Juana Zayas is a musician of high standards who puts the music before her own talents, which partially explains why she isn't more widely known. For this album she chose several of Schumann's most popular piano works, which are frequently exploited as examples of quintessential Romantic zeal or the performer's technical skills. The four works cover the entire period of Schumann's life when he was courting Clara Wieck, and the personal turbulence of that time is often used as an interpretive crutch. Zayas instead grounds them in Schumann's intellect and his skillful writing. For each movement of Carnaval and the Phantasiestücke, she keeps in mind the titles and Schumann's directions. But rather than a dry, academic recitation, Carnaval becomes a collection of playful, even humorous, carefree dances, each with its own character, in keeping with the spirit of the pre-Lenten season. The group is still recognizably united by the four-note motifs found throughout the set, but it is more thoroughly unified by Zayas' energy and her understanding and enjoyment of the music. The Phantasiestücke are similarly treated, and show more of Zayas' beautiful shaping. She stays the course through the emotional ups and downs, giving a sense of the moodiness without the extremes of pounding fortes, too shy pianissimos, and temperamental rubato. The Arabesque and Toccata are where she really shows that her talent is equal to that of the big name pianists. She alters voicing or other aspects of the music when passages are repeated in the Arabesque, revealing new depths to it. In the tricky Toccata, she takes it beyond a technical showpiece by finding and smoothly bringing out melodies, which other pianists bury in the overall texture as if the piece was just an exercise. Zayas' doesn't just play these Schumann works, she also fully appreciates them for what they are, and so should her listeners.
© TiVo

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Schumann: Carnaval / Arabeske in C Major / Toccata in C Major / Fantasiestucke

Juana Zayas

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Carnaval, Op. 9 (Robert Schumann)

1
No. 1. Preambule
00:02:31

Juana Zayas, Performer - Robert Schumann, Composer

2011 Music and Arts Programs of America 2011 Music and Arts Programs of America

2
No. 2. Pierrot
00:02:11

Juana Zayas, Performer - Robert Schumann, Composer

2011 Music and Arts Programs of America 2011 Music and Arts Programs of America

3
No. 3. Arlequin
00:01:06

Juana Zayas, Performer - Robert Schumann, Composer

2011 Music and Arts Programs of America 2011 Music and Arts Programs of America

4
No. 4. Valse noble
00:02:43

Juana Zayas, Performer - Robert Schumann, Composer

2011 Music and Arts Programs of America 2011 Music and Arts Programs of America

5
No. 5. Eusebius
00:01:58

Juana Zayas, Performer - Robert Schumann, Composer

2011 Music and Arts Programs of America 2011 Music and Arts Programs of America

6
No. 6. Florestan
00:01:01

Juana Zayas, Performer - Robert Schumann, Composer

2011 Music and Arts Programs of America 2011 Music and Arts Programs of America

7
No. 7. Coquette
00:01:51

Juana Zayas, Performer - Robert Schumann, Composer

2011 Music and Arts Programs of America 2011 Music and Arts Programs of America

8
No. 8. Replique
00:00:59

Juana Zayas, Performer - Robert Schumann, Composer

2011 Music and Arts Programs of America 2011 Music and Arts Programs of America

9
No. 9. Papillons
00:00:47

Juana Zayas, Performer - Robert Schumann, Composer

2011 Music and Arts Programs of America 2011 Music and Arts Programs of America

10
No. 10. ASCH - SCHA (Lettres dansantes)
00:01:00

Juana Zayas, Performer - Robert Schumann, Composer

2011 Music and Arts Programs of America 2011 Music and Arts Programs of America

11
No. 11. Chiarina
00:01:32

Juana Zayas, Performer - Robert Schumann, Composer

2011 Music and Arts Programs of America 2011 Music and Arts Programs of America

12
No. 12. Chopin
00:01:44

Juana Zayas, Performer - Robert Schumann, Composer

2011 Music and Arts Programs of America 2011 Music and Arts Programs of America

13
No. 13. Estrella
00:00:39

Juana Zayas, Performer - Robert Schumann, Composer

2011 Music and Arts Programs of America 2011 Music and Arts Programs of America

14
No. 14. Reconnaissance
00:01:53

Juana Zayas, Performer - Robert Schumann, Composer

2011 Music and Arts Programs of America 2011 Music and Arts Programs of America

15
No. 15. Pantalon et Colombine
00:01:07

Juana Zayas, Performer - Robert Schumann, Composer

2011 Music and Arts Programs of America 2011 Music and Arts Programs of America

16
No. 16. Valse allemande
00:01:06

Juana Zayas, Performer - Robert Schumann, Composer

2011 Music and Arts Programs of America 2011 Music and Arts Programs of America

17
No. 17. Intermezzo: Paganini
00:01:32

Juana Zayas, Performer - Robert Schumann, Composer

2011 Music and Arts Programs of America 2011 Music and Arts Programs of America

18
No. 18. Aveu
00:01:24

Juana Zayas, Performer - Robert Schumann, Composer

2011 Music and Arts Programs of America 2011 Music and Arts Programs of America

19
No. 19. Promenade
00:02:38

Juana Zayas, Performer - Robert Schumann, Composer

2011 Music and Arts Programs of America 2011 Music and Arts Programs of America

20
No. 20. Pause
00:00:19

Juana Zayas, Performer - Robert Schumann, Composer

2011 Music and Arts Programs of America 2011 Music and Arts Programs of America

21
No. 21. Marche des Davidsbundler contre les Philistins
00:04:11

Juana Zayas, Performer - Robert Schumann, Composer

2011 Music and Arts Programs of America 2011 Music and Arts Programs of America

Arabeske in C major, Op. 18 (Robert Schumann)

22
Arabeske in C major, Op. 18
00:07:27

Juana Zayas, Performer - Robert Schumann, Composer

2011 Music and Arts Programs of America 2011 Music and Arts Programs of America

Toccata in C major, Op. 7 (Robert Schumann)

23
Toccata in C Major, Op. 7
00:07:25

Juana Zayas, Performer - Robert Schumann, Composer

2011 Music and Arts Programs of America 2011 Music and Arts Programs of America

Fantasiestücke, op. 12 (Robert Schumann)

24
No. 1. Des Abends
00:04:21

Juana Zayas, Performer - Robert Schumann, Composer

2011 Music and Arts Programs of America 2011 Music and Arts Programs of America

25
No. 2. Aufschwung
00:03:19

Juana Zayas, Performer - Robert Schumann, Composer

2011 Music and Arts Programs of America 2011 Music and Arts Programs of America

26
No. 3. Warum?
00:03:17

Juana Zayas, Performer - Robert Schumann, Composer

2011 Music and Arts Programs of America 2011 Music and Arts Programs of America

27
No. 4. Grillen
00:03:38

Juana Zayas, Performer - Robert Schumann, Composer

2011 Music and Arts Programs of America 2011 Music and Arts Programs of America

28
No. 5. In der Nacht
00:04:34

Juana Zayas, Performer - Robert Schumann, Composer

2011 Music and Arts Programs of America 2011 Music and Arts Programs of America

29
No. 6. Fabel
00:03:02

Juana Zayas, Performer - Robert Schumann, Composer

2011 Music and Arts Programs of America 2011 Music and Arts Programs of America

30
No. 7. Traumes Wirren
00:02:41

Juana Zayas, Performer - Robert Schumann, Composer

2011 Music and Arts Programs of America 2011 Music and Arts Programs of America

31
No. 8. Ende vom Lied
00:05:24

Juana Zayas, Performer - Robert Schumann, Composer

2011 Music and Arts Programs of America 2011 Music and Arts Programs of America

Resenha do Álbum

Juana Zayas is a musician of high standards who puts the music before her own talents, which partially explains why she isn't more widely known. For this album she chose several of Schumann's most popular piano works, which are frequently exploited as examples of quintessential Romantic zeal or the performer's technical skills. The four works cover the entire period of Schumann's life when he was courting Clara Wieck, and the personal turbulence of that time is often used as an interpretive crutch. Zayas instead grounds them in Schumann's intellect and his skillful writing. For each movement of Carnaval and the Phantasiestücke, she keeps in mind the titles and Schumann's directions. But rather than a dry, academic recitation, Carnaval becomes a collection of playful, even humorous, carefree dances, each with its own character, in keeping with the spirit of the pre-Lenten season. The group is still recognizably united by the four-note motifs found throughout the set, but it is more thoroughly unified by Zayas' energy and her understanding and enjoyment of the music. The Phantasiestücke are similarly treated, and show more of Zayas' beautiful shaping. She stays the course through the emotional ups and downs, giving a sense of the moodiness without the extremes of pounding fortes, too shy pianissimos, and temperamental rubato. The Arabesque and Toccata are where she really shows that her talent is equal to that of the big name pianists. She alters voicing or other aspects of the music when passages are repeated in the Arabesque, revealing new depths to it. In the tricky Toccata, she takes it beyond a technical showpiece by finding and smoothly bringing out melodies, which other pianists bury in the overall texture as if the piece was just an exercise. Zayas' doesn't just play these Schumann works, she also fully appreciates them for what they are, and so should her listeners.
© TiVo

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