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Ian Bostridge|Schubert: Die schöne Müllerin, Op. 25, D. 795 (Live)

Schubert: Die schöne Müllerin, Op. 25, D. 795 (Live)

Ian Bostridge, Saskia Giorgini

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The standard recordings of Schubert's song cycle Die schöne Müllerin, D. 795, tend to cast it as the youthful and innocent counterpart to the grimly inward Die Winterreise, D. 911, from the end of the composer's life. Even tenor Ian Bostridge, a veteran Schubert interpreter if there ever was one, has taken this approach. However, as his career enters its later stages, he has rethought Die schöne Müllerin for this 2019 performance at Wigmore Hall in London, recorded for release in 2020 by Pentatone Classics. In support of his interpretation, Bostridge can, after all, cite the fact that the protagonist does commit suicide at the end and that he is as given to conversation with a brook as the winter traveler of the later cycle. Furthermore, the poems increase in seriousness and depth as the cycle proceeds, and it is here that Bostridge adds intensity instead of striving for detachment. He has an ideal partner in the enterprise with accompanist Saskia Giorgini, whose activist stance adds new layers to the music. It's also true that Bostridge, aged 54 when the performance was given, might have had a hard time with an innocently youthful Die schöne Müllerin, but his voice really shows no signs of strain, and his interpretation is coherent and impactful. The live performance also adds something here. The listener is definitely put in a position of not knowing quite where Bostridge is going to go next, and this is all to the good. A major statement from a durable Schubert interpreter.

© TiVo

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Schubert: Die schöne Müllerin, Op. 25, D. 795 (Live)

Ian Bostridge

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Die schone Mullerin, Op. 25, D. 795 (Franz Schubert)

1
No. 1, Das Wandern (Live)
00:02:33

Ian Bostridge, Artist, MainArtist - Franz Schubert, Composer - Saskia Giorgini, Artist

(C) 2020 PENTATONE (P) 2020 PENTATONE

2
No. 2, Wohin? (Live)
00:02:23

Ian Bostridge, Artist, MainArtist - Franz Schubert, Composer - Saskia Giorgini, Artist

(C) 2020 PENTATONE (P) 2020 PENTATONE

3
No. 3, Halt! (Live)
00:01:25

Ian Bostridge, Artist, MainArtist - Franz Schubert, Composer - Saskia Giorgini, Artist

(C) 2020 PENTATONE (P) 2020 PENTATONE

4
No. 4, Danksagung an den Bach (Live)
00:02:45

Ian Bostridge, Artist, MainArtist - Franz Schubert, Composer - Saskia Giorgini, Artist

(C) 2020 PENTATONE (P) 2020 PENTATONE

5
No. 5, Am Feierabend (Live)
00:02:34

Ian Bostridge, Artist, MainArtist - Franz Schubert, Composer - Saskia Giorgini, Artist

(C) 2020 PENTATONE (P) 2020 PENTATONE

6
No. 6, Der Neugierige (Live)
00:04:06

Ian Bostridge, Artist, MainArtist - Franz Schubert, Composer - Saskia Giorgini, Artist

(C) 2020 PENTATONE (P) 2020 PENTATONE

7
No. 7, Ungeduld (Live)
00:02:25

Ian Bostridge, Artist, MainArtist - Franz Schubert, Composer - Saskia Giorgini, Artist

(C) 2020 PENTATONE (P) 2020 PENTATONE

8
No. 8, Morgengruß (Live)
00:04:23

Ian Bostridge, Artist, MainArtist - Franz Schubert, Composer - Saskia Giorgini, Artist

(C) 2020 PENTATONE (P) 2020 PENTATONE

9
No. 9, Des Müllers Blumen (Live)
00:03:10

Ian Bostridge, Artist, MainArtist - Franz Schubert, Composer - Saskia Giorgini, Artist

(C) 2020 PENTATONE (P) 2020 PENTATONE

10
No. 10, Tränenregen (Live)
00:03:52

Ian Bostridge, Artist, MainArtist - Franz Schubert, Composer - Saskia Giorgini, Artist

(C) 2020 PENTATONE (P) 2020 PENTATONE

11
No. 11, Mein! (Live)
00:02:18

Ian Bostridge, Artist, MainArtist - Franz Schubert, Composer - Saskia Giorgini, Artist

(C) 2020 PENTATONE (P) 2020 PENTATONE

12
No. 12, Pause (Live)
00:04:51

Ian Bostridge, Artist, MainArtist - Franz Schubert, Composer - Saskia Giorgini, Artist

(C) 2020 PENTATONE (P) 2020 PENTATONE

13
No. 13, Mit dem grünen Lautenbande (Live)
00:01:45

Ian Bostridge, Artist, MainArtist - Franz Schubert, Composer - Saskia Giorgini, Artist

(C) 2020 PENTATONE (P) 2020 PENTATONE

14
No. 14, Der Jäger (Live)
00:01:05

Ian Bostridge, Artist, MainArtist - Franz Schubert, Composer - Saskia Giorgini, Artist

(C) 2020 PENTATONE (P) 2020 PENTATONE

15
No. 15, Eifersucht und Stolz (Live)
00:01:32

Ian Bostridge, Artist, MainArtist - Franz Schubert, Composer - Saskia Giorgini, Artist

(C) 2020 PENTATONE (P) 2020 PENTATONE

16
No. 16, Die liebe Farbe (Live)
00:04:14

Ian Bostridge, Artist, MainArtist - Franz Schubert, Composer - Saskia Giorgini, Artist

(C) 2020 PENTATONE (P) 2020 PENTATONE

17
No. 17, Die böse Farbe (Live)
00:02:05

Ian Bostridge, Artist, MainArtist - Franz Schubert, Composer - Saskia Giorgini, Artist

(C) 2020 PENTATONE (P) 2020 PENTATONE

18
No. 18, Trockne Blumen (Live)
00:03:53

Ian Bostridge, Artist, MainArtist - Franz Schubert, Composer - Saskia Giorgini, Artist

(C) 2020 PENTATONE (P) 2020 PENTATONE

19
No. 19, Der Müller und der Bach (Live)
00:03:36

Ian Bostridge, Artist, MainArtist - Franz Schubert, Composer - Saskia Giorgini, Artist

(C) 2020 PENTATONE (P) 2020 PENTATONE

20
No. 20, Des Baches Wiegenlied (Live)
00:06:22

Ian Bostridge, Artist, MainArtist - Franz Schubert, Composer - Saskia Giorgini, Artist

(C) 2020 PENTATONE (P) 2020 PENTATONE

Resenha do Álbum

The standard recordings of Schubert's song cycle Die schöne Müllerin, D. 795, tend to cast it as the youthful and innocent counterpart to the grimly inward Die Winterreise, D. 911, from the end of the composer's life. Even tenor Ian Bostridge, a veteran Schubert interpreter if there ever was one, has taken this approach. However, as his career enters its later stages, he has rethought Die schöne Müllerin for this 2019 performance at Wigmore Hall in London, recorded for release in 2020 by Pentatone Classics. In support of his interpretation, Bostridge can, after all, cite the fact that the protagonist does commit suicide at the end and that he is as given to conversation with a brook as the winter traveler of the later cycle. Furthermore, the poems increase in seriousness and depth as the cycle proceeds, and it is here that Bostridge adds intensity instead of striving for detachment. He has an ideal partner in the enterprise with accompanist Saskia Giorgini, whose activist stance adds new layers to the music. It's also true that Bostridge, aged 54 when the performance was given, might have had a hard time with an innocently youthful Die schöne Müllerin, but his voice really shows no signs of strain, and his interpretation is coherent and impactful. The live performance also adds something here. The listener is definitely put in a position of not knowing quite where Bostridge is going to go next, and this is all to the good. A major statement from a durable Schubert interpreter.

© TiVo

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