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Camille Thomas|Saint-Saëns, Offenbach

Saint-Saëns, Offenbach

Camille Thomas, Orchestre National De Lille, Alexandre Bloch

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The graphics for this Deutsche Grammophon release show the young Franco-Belgian cellist Camille Thomas having a good time (with cello) in various European locations, and they capture the feel of the whole. Thomas states as her goal "to create a disc that would be filled with joy, emotion, and youth," and she hits this on the mark with tuneful music from start to finish. Saint-Saëns is conventionally in the "classical" sphere and Offenbach in the "light," but here they seem to go together naturally, and Thomas finds some unusual works to boot. Saint-Saëns himself arranged his Suite for cello and piano, Op. 16, for orchestra, and it's a sparkling, tuneful work. And if all you know of Offenbach is the famed Can-Can, sample the Introduction, Prière, et Boléro for cello and orchestra, Op. 22, for more tunes that you'll be humming after the disc or hard drive has finished spinning. With some nice bonus pieces from guest artists, this is an album that inhabits a youthful spirit rather than trying to scale the heights out of the box. Played with conviction, and highly recommended.

© TiVo

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Saint-Saëns, Offenbach

Camille Thomas

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Concerto for Cello and Orchestra No. 1 in A Minor, Op. 33, R. 193 (Camille Saint-Saëns)

1
I. Allegro non troppo - Allegro molto - Tempo I -
Camille Thomas
00:05:55

CAMILLE SAINT-SAENS, Composer - Marcus Herzog, Recording Engineer, StudioPersonnel - Orchestre National De Lille, Orchestra, MainArtist - Sid McLauchlan, Producer - Camille Thomas, Cello, MainArtist, AssociatedPerformer - Alexandre Bloch, Conductor, MainArtist

℗ 2017 Deutsche Grammophon GmbH, Berlin

Concerto For Cello And Orchestra No. 1 In A Minor, Op. 33, R. 193 (Camille Saint-Saëns)

2
II. Allegretto con moto - Tempo I - Un peu moins vite - Più allegro (Tempo I) -
Camille Thomas
00:04:51

CAMILLE SAINT-SAENS, Composer - Marcus Herzog, Recording Engineer, StudioPersonnel - Orchestre National De Lille, Orchestra, MainArtist - Sid McLauchlan, Producer - Camille Thomas, Cello, MainArtist, AssociatedPerformer - Alexandre Bloch, Conductor, MainArtist

℗ 2017 Deutsche Grammophon GmbH, Berlin

3
III. Molto allegro
Camille Thomas
00:08:46

CAMILLE SAINT-SAENS, Composer - Marcus Herzog, Recording Engineer, StudioPersonnel - Orchestre National De Lille, Orchestra, MainArtist - Sid McLauchlan, Producer - Camille Thomas, Cello, MainArtist, AssociatedPerformer - Alexandre Bloch, Conductor, MainArtist

℗ 2017 Deutsche Grammophon GmbH, Berlin

Samson et Dalila, Op. 47, R. 288 / Act II (Camille Saint-Saëns)

4
"Mon coeur s'ouvre à ta voix" Cantabile (Transcribed for Cello and Orchestra)
Camille Thomas
00:05:50

CAMILLE SAINT-SAENS, Composer - Marcus Herzog, Recording Engineer, StudioPersonnel - FERDINAND LEMAIRE, Author - Orchestre National De Lille, Orchestra, MainArtist - Sid McLauchlan, Producer - Camille Thomas, Cello, MainArtist, AssociatedPerformer - Alexandre Bloch, Conductor, MainArtist

℗ 2017 Deutsche Grammophon GmbH, Berlin

Suite for Cello and Orchestra, Op. 16b, R. 211 (Camille Saint-Saëns)

5
I. Prélude. Moderato assai
Camille Thomas
00:02:04

CAMILLE SAINT-SAENS, Composer - Marcus Herzog, Recording Engineer, StudioPersonnel - Orchestre National De Lille, Orchestra, MainArtist - Sid McLauchlan, Producer - Camille Thomas, Cello, MainArtist, AssociatedPerformer - Alexandre Bloch, Conductor, MainArtist

℗ 2017 Deutsche Grammophon GmbH, Berlin

6
II. Sérénade. Andantino
Camille Thomas
00:03:05

CAMILLE SAINT-SAENS, Composer - Marcus Herzog, Recording Engineer, StudioPersonnel - Orchestre National De Lille, Orchestra, MainArtist - Sid McLauchlan, Producer - Camille Thomas, Cello, MainArtist, AssociatedPerformer - Alexandre Bloch, Conductor, MainArtist

℗ 2017 Deutsche Grammophon GmbH, Berlin

7
III. Gavotte. Allegro non troppo
Camille Thomas
00:03:20

CAMILLE SAINT-SAENS, Composer - Marcus Herzog, Recording Engineer, StudioPersonnel - Orchestre National De Lille, Orchestra, MainArtist - Sid McLauchlan, Producer - Camille Thomas, Cello, MainArtist, AssociatedPerformer - Alexandre Bloch, Conductor, MainArtist

℗ 2017 Deutsche Grammophon GmbH, Berlin

8
IV. Romance. Molto adagio
Camille Thomas
00:05:45

CAMILLE SAINT-SAENS, Composer - Marcus Herzog, Recording Engineer, StudioPersonnel - Orchestre National De Lille, Orchestra, MainArtist - Sid McLauchlan, Producer - Camille Thomas, Cello, MainArtist, AssociatedPerformer - Alexandre Bloch, Conductor, MainArtist

℗ 2017 Deutsche Grammophon GmbH, Berlin

9
V. Tarantelle. Presto non troppo
Camille Thomas
00:03:50

CAMILLE SAINT-SAENS, Composer - Marcus Herzog, Recording Engineer, StudioPersonnel - Orchestre National De Lille, Orchestra, MainArtist - Sid McLauchlan, Producer - Camille Thomas, Cello, MainArtist, AssociatedPerformer - Alexandre Bloch, Conductor, MainArtist

℗ 2017 Deutsche Grammophon GmbH, Berlin

Les Contes d'Hoffmann / Act III (Jacques Offenbach)

10
Barcarolle (Arr. for Violin, Cello, Piano and String Ensemble by Aleksandar Sedlar)
Nemanja Radulović
00:03:21

Jacques Offenbach, Composer - Michel Carre, Author - Jules Barbier, Author - Zoran Marinkovic, Recording Engineer, StudioPersonnel - Nemanja Radulovic, Violin, MainArtist, AssociatedPerformer - Camille Thomas, Cello, MainArtist, AssociatedPerformer - Rainer Maillard, Producer - Aleksandar Sedlar, Arranger, Work Arranger - Philip Krause, Recording Engineer, StudioPersonnel - Double Sens, Ensemble, MainArtist

℗ 2017 Deutsche Grammophon GmbH, Berlin

Introduction, Prière et Boléro for Cello and Orchestra, Op. 22 (Jacques Offenbach)

11
I. Introduction. Andante maestoso - Prière (Revised by Jean-Christophe Keck)
Camille Thomas
00:04:48

Jacques Offenbach, Composer - Marcus Herzog, Recording Engineer, StudioPersonnel - Orchestre National De Lille, Orchestra, MainArtist - Jean-Christophe Keck, Contributor, Revision - Sid McLauchlan, Producer - Camille Thomas, Cello, MainArtist, AssociatedPerformer - Alexandre Bloch, Conductor, MainArtist

℗ 2017 Deutsche Grammophon GmbH, Berlin

12
II. Boléro. Allegro vivo
Camille Thomas
00:07:19

Jacques Offenbach, Composer - Marcus Herzog, Recording Engineer, StudioPersonnel - Orchestre National De Lille, Orchestra, MainArtist - Jean-Christophe Keck, Contributor, Revision - Sid McLauchlan, Producer - Camille Thomas, Cello, MainArtist, AssociatedPerformer - Alexandre Bloch, Conductor, MainArtist

℗ 2017 Deutsche Grammophon GmbH, Berlin

Harmonies des bois, Op. 76 (Jacques Offenbach)

13
II. Les larmes de Jacqueline
Camille Thomas
00:06:22

Jacques Offenbach, Composer - Marcus Herzog, Recording Engineer, StudioPersonnel - Werner Thomas-Mifune, Contributor, Revision - Orchestre National De Lille, Orchestra, MainArtist - Sid McLauchlan, Producer - Camille Thomas, Cello, MainArtist, AssociatedPerformer - Alexandre Bloch, Conductor, MainArtist

℗ 2017 Deutsche Grammophon GmbH, Berlin

La vie parisienne / Act I (Jacques Offenbach)

14
"Je suis brésilien" (Arr. for Tenor, Cello and Orchestra by Alessandro Bares)
Rolando Villazón
00:02:48

Jacques Offenbach, Composer - Henri Meilhac, Author - Rolando Villazon, Tenor, MainArtist, AssociatedPerformer - Ludovic Halevy, Author - Marcus Herzog, Recording Engineer, StudioPersonnel - Orchestre National De Lille, Orchestra, MainArtist - Sid McLauchlan, Producer - Camille Thomas, Cello, MainArtist, AssociatedPerformer - Alessandro Bares, Arranger, Work Arranger - Alexandre Bloch, Conductor, MainArtist

℗ 2017 Deutsche Grammophon GmbH, Berlin

Resenha do Álbum

The graphics for this Deutsche Grammophon release show the young Franco-Belgian cellist Camille Thomas having a good time (with cello) in various European locations, and they capture the feel of the whole. Thomas states as her goal "to create a disc that would be filled with joy, emotion, and youth," and she hits this on the mark with tuneful music from start to finish. Saint-Saëns is conventionally in the "classical" sphere and Offenbach in the "light," but here they seem to go together naturally, and Thomas finds some unusual works to boot. Saint-Saëns himself arranged his Suite for cello and piano, Op. 16, for orchestra, and it's a sparkling, tuneful work. And if all you know of Offenbach is the famed Can-Can, sample the Introduction, Prière, et Boléro for cello and orchestra, Op. 22, for more tunes that you'll be humming after the disc or hard drive has finished spinning. With some nice bonus pieces from guest artists, this is an album that inhabits a youthful spirit rather than trying to scale the heights out of the box. Played with conviction, and highly recommended.

© TiVo

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