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Teena Marie|Robbery

Robbery

Teena Marie

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Idioma disponível: inglês

A protracted absence from the studio (a one-year release gap in the '80s was equal to a five-year gap in the early 2000s) caused by a notorious legal dispute with Motown did little to stall Teena Marie's momentum. Robbery, Marie's fifth album and first for Epic, didn't perform nearly as well on the pop chart as 1981's It Must Be Magic, but the devout black following remained, which obviously had no problem with Marie's discreet slipping of a little more rock and Latin jazz into her R&B. Epic wisely let their new acquisition do her thing -- it's the first album written completely by Marie, and the gradual development in her sound would pay off tenfold with 1984's crossover hit "Lovergirl." (Meanwhile, Marie's ex label was nurturing D.O.A. projects like Monalisa Young's Knife and High Inergy's Groove Patrol.) So is Robbery merely transitional? Not at all. While directing a rotating cast of support, including but not limited to the Average White Band's Steve Ferrone, go-to Brazilian percussionist Paulinho da Costa, and undervalued keyboard wiz Patrice Rushen, Marie comes up with a set of songs that rivals anything she did for Motown. There's a little bit of everything here. It's varied but focused, however, highlighted by the torrid mid-tempo groove "Midnight Magic," the club hit "Fix It," and a trio of excellent ballads in "Dear Lover," the particularly elegant "Casanova Brown," and one of the finest Minnie Riperton tributes -- whether intentional or not -- in "Shadow Boxing." Though the album contains some of the then up-to-date technology that flawed a lot of other albums released in 1983, Marie knew not to go hog-wild with it.

© Andy Kellman /TiVo

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Robbery

Teena Marie

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1
Robbery (Album Version)
00:05:23

John Robinson, Drums - T. MARIE, Lyricist - T. MARIE, Composer - Keith Alexander, Guitar - Anthony Allen Brockert, Performer - Nathan East, Bass - Teena Marie, Producer - Teena Marie, Background Vocal - Teena Marie, Performer - Paulinho Da Costa, Percussion - Eric O'Neal, Synthesizer - Alicia Gladden, Performer - Todd Cochran, Synthesizer

(P) 1983 Epic Records, a division of Sony Music Entertainment

2
Playboy (Album Version)
00:05:20

Chuck Findley, Trumpet - Anthony Jackson, Bass - Gary Herbig, Tenor Saxophone - Charlie Loper, Trombone - Sabrina Buchanek, 2nd Engineer - James Allen, Background Vocal - Dick Hyde, Trombone - Carwell Johnson, 2nd Engineer - Steve Ferrone, Drums - Darryl Phinnessee, Background Vocal - Paul Jackson Jr, Guitar - Ernie Watts, Alto Saxophone - T. MARIE, Lyricist - T. MARIE, Composer - Recco Philmore, Background Vocal - Teena Marie, Producer - Teena Marie, Performer - Robert Brooks, Recording Engineer - Car Johnson, Background Vocal - Barbara Rooney, 2nd Engineer - Stephen Marcussen, Mastering Engineer - Gary Grant, Trumpet - Niko Bolas, 2nd Engineer - Maxine Wters-Willard, Background Vocal - Todd Cochran, Synthesizer - Carmen Twillie, Background Vocal - Julia Tillman Waters, Background Vocal - David Egerton, 2nd Engineer

(P) 1983 Epic Records, a division of Sony Music Entertainment

3
Shadow Boxing (Album Version)
00:06:49

Chuck Findley, Trumpet - Anthony Jackson, Bass - Gary Herbig, Tenor Saxophone - Charlie Loper, Trombone - Stanley Clarke, Bass - Dick Hyde, Trombone - Paul Riser, Arranger - Paul Riser, Conductor - Dick Hyde, Trombone - Julia Waters, Background Vocal - Paul Hines, Drums - John Bokowski, Jr., Piano - Maxine Waters, Background Vocal - Greg Poree, Acoustic Baritone Guitar - Ernie Watts, Alto Saxophone - Teena Marie, Composer - Teena Marie, Lyricist - Teena Marie, Producer - Teena Marie, Vocal - Teena Marie, Drum Programmer - Teena Marie, Background Vocal - Teena Marie, Arranger - Teena Marie, Acoustic Baritone Guitar - Teena Marie, Electric Guitar - Teena Marie, Percussion - Teena Marie, Drums - Teena Marie, Piano - Teena Marie, Synthesizer - Teena Marie, Performer - Abraham Laboriel, Bass - Chuck Findley, Horns - Paulinho Da Costa, Percussion - Nick Brown, Guitar - Gary Grant, Horns - Gary Grant, Trumpet - Charlie Loper, Trombone - Paul Jackson, Jr., Guitar - Carmen Twillie, Background Vocal - Nick Ceroli, Drums

(P) 1983 Epic Records, a division of Sony Music Entertainment Inc.

4
Midnight Magnet (Album Version)
00:06:02

Paulhino de Costa, Percussion - P. J., Composer - Keith Alexander, Guitar - Sabrina Buchanek, 2nd Engineer - Maxine Willard Waters, Background Vocal - Carwell Johnson, 2nd Engineer - Marlo Henderson, Guitar - John Bokowski Jr, Synthesizer - Paul Jackson Jr, Guitar - T. MARIE, Composer - John Robinson, Drums - Teena Marie, Producer - Teena Marie, Arranger - Teena Marie, Background Vocal - Teena Marie, Performer - Robert Brooks, Recording Engineer - Nathan East, Bass - Barbara Rooney, 2nd Engineer - Stephen Marcussen, Mastering Engineer - Niko Bolas, 2nd Engineer - Todd Cochran, Synthesizer - Carmen Twillie, Background Vocal - Julia Tillman Waters, Background Vocal - David Egerton, 2nd Engineer

(P) 1983 Epic Records, a division of Sony Music Entertainment

5
Fix It (Album Version)
00:04:44

Charles Loper, Trombone - Ricky Lawson, Drums - Gary Herbig, Saxophone - Anthony Jackson, Bass - Keith Alexander, Guitar - Dick Hyde, Trombone - Maxine Willard Waters, Background Vocal - Charles Fearing, Guitar - James Allen, Background Vocal - Daniel Lemelle, Saxophone - Paul Hines, Drums - Steve Ferrone, Drums - Abe Laboriel, Bass - Darryl Phinnessee, Background Vocal - Vince Charles, Drums - Marlo Henderson, Guitar - John Bokowski, Jr., Keyboards - John Bokowski, Jr., Piano - John Bokowski, Jr., Synthesizer - Paulinho da Costa, Percussion - Carl Johnson, Background Vocal - Ernie Watts, Saxophone - T. MARIE, Lyricist - T. MARIE, Composer - Recco Philmore, Background Vocal - John Robinson, Drums - Various, Guitar - Various, Background Vocal - Paul Jackson Jr., Guitar - Teena Marie, Producer - Teena Marie, Vocal - Teena Marie, Background Vocal - Teena Marie, Keyboards - Teena Marie, Piano - Teena Marie, Synthesizer - Teena Marie, Performer - Robert Brooks, Percussion - Chuck Findley, Trumpet - Nathan East, Bass - Gary Grant, Trumpet - Todd Cochran, Keyboards - Todd Cochran, Piano - Todd Cochran, Synthesizer - Carmen Twillie, Background Vocal - Eric O'Neal, Keyboards - Eric O'Neal, Piano - Eric O'Neal, Synthesizer - Julia Tillman Waters, Background Vocal

(P) 1983 Epic Records, a division of Sony Music Entertainment

6
Ask Your Momma (Album Version)
00:05:24

Mickey Hearn, Performer - Ricky Lawson, Drums - Patrice Rushen, Synthesizer - Paul Jackson Jr, Guitar - T. MARIE, Lyricist - T. MARIE, Composer - Teena Marie, Producer - Teena Marie, Background Vocal - Teena Marie, Arranger - Teena Marie, Synthesizer - Teena Marie, Performer - Paulinho Da Costa, Percussion - Anthony Jackson, Bass - Todd Cochran, Synthesizer - Fred Mirza, Arranger

(P) 1983 Epic Records, a division of Sony Music Entertainment

7
Dear Lover (Album Version)
00:05:17

Anthony Jackson, Bass - Gary Herbig, Tenor Saxophone - Stanley Clarke, Bass - Dick Hyde, Trombone - Maxine Willard Waters, Background Vocal - Paul Riser, Arranger - Paul Riser, Conductor - Paul Hines, Drums - Steve Ferrone, Drums - John Bokowski Jr, Piano - Paul Jackson Jr, Guitar - Ernie Watts, Alto Saxophone - Teena Marie, Lyricist - Teena Marie, Composer - Teena Marie, Producer - Teena Marie, Vocal - Teena Marie, Programmer - Teena Marie, Arranger - Teena Marie, Background Vocal - Teena Marie, Acoustic Baritone Guitar - Teena Marie, Electric Guitar - Teena Marie, Percussion - Teena Marie, Drums - Teena Marie, Piano - Teena Marie, Synthesizer - Teena Marie, Performer - Abraham Laboriel, Bass - Chuck Findley, Horns - Nick Brown, Guitar - Gary Grant, Horns - Charlie Loper, Trombone - Carmen Twillie, Background Vocal - Julia Tillman Waters, Background Vocal - Nick Ceroli, Drums

(P) 1983 Epic Records, a division of Sony Music Entertainment

8
Stop the World (Album Version)
00:04:15

Julia Tillman Waters, Background Vocal - John Robinson, Drums - Paul Jackson Jr, Guitar - T. MARIE, Lyricist - T. MARIE, Composer - Maxine Willard Waters, Background Vocal - Vincent Charles, Drums - Nathan Watts, Bass - Paul Riser, Arranger - Teena Marie, Producer - Teena Marie, Background Vocal - Teena Marie, Arranger - Teena Marie, Performer - Paulinho Da Costa, Percussion

(P) 1983 Epic Records, a division of Sony Music Entertainment

9
Cassanova Brown (Album Version)
00:05:57

Chuck Findley, Trumpet - Anthony Jackson, Bass - Gary Herbig, Tenor Saxophone - Charlie Loper, Trombone - Stanley Clarke, Bass - Stanley Clarke, Contrabassoon - Dick Hyde, Trombone - Maxine Willard Waters, Background Vocal - Paul Riser, Conductor - Dick Hyde, Trombone - Paul Hines, Drums - Steve Ferrone, Drums - John Bokowski, Jr., Piano - John Bokowski Jr, Piano - Ernie Watts, Alto Saxophone - Teena Marie, Composer - Teena Marie, Lyricist - Teena Marie, Producer - Teena Marie, Vocal - Teena Marie, Programmer - Teena Marie, Background Vocal - Teena Marie, Vocal Arranger - Teena Marie, Acoustic Baritone Guitar - Teena Marie, Electric Guitar - Teena Marie, Percussion - Teena Marie, Drums - Teena Marie, Piano - Teena Marie, Synthesizer - Teena Marie, Performer - Abraham Laboriel, Bass - Chuck Findley, Horns - Nick Brown, Guitar - Gary Grant, Horns - Gary Grant, Trumpet - Charlie Loper, Trombone - Paul Jackson, Jr., Guitar - Carmen Twillie, Background Vocal - Julia Tillman Waters, Background Vocal - Nick Ceroli, Drums

(P) 1983 Epic Records, a division of Sony Music Entertainment Inc.

Resenha do Álbum

A protracted absence from the studio (a one-year release gap in the '80s was equal to a five-year gap in the early 2000s) caused by a notorious legal dispute with Motown did little to stall Teena Marie's momentum. Robbery, Marie's fifth album and first for Epic, didn't perform nearly as well on the pop chart as 1981's It Must Be Magic, but the devout black following remained, which obviously had no problem with Marie's discreet slipping of a little more rock and Latin jazz into her R&B. Epic wisely let their new acquisition do her thing -- it's the first album written completely by Marie, and the gradual development in her sound would pay off tenfold with 1984's crossover hit "Lovergirl." (Meanwhile, Marie's ex label was nurturing D.O.A. projects like Monalisa Young's Knife and High Inergy's Groove Patrol.) So is Robbery merely transitional? Not at all. While directing a rotating cast of support, including but not limited to the Average White Band's Steve Ferrone, go-to Brazilian percussionist Paulinho da Costa, and undervalued keyboard wiz Patrice Rushen, Marie comes up with a set of songs that rivals anything she did for Motown. There's a little bit of everything here. It's varied but focused, however, highlighted by the torrid mid-tempo groove "Midnight Magic," the club hit "Fix It," and a trio of excellent ballads in "Dear Lover," the particularly elegant "Casanova Brown," and one of the finest Minnie Riperton tributes -- whether intentional or not -- in "Shadow Boxing." Though the album contains some of the then up-to-date technology that flawed a lot of other albums released in 1983, Marie knew not to go hog-wild with it.

© Andy Kellman /TiVo

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