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Roman Válek|Richter: Te Deum 1781, Exsultate Deo, Oboe Concerto

Richter: Te Deum 1781, Exsultate Deo, Oboe Concerto

Czech Baroque Orchestra & Choir, Roman Válek

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Nearly 1,000 kilometres separate Holešov, Moravia, from Strasbourg, if one takes a detour through Mannheim. Franz Xaver Richter’s professional journey started in Count Rottal’s court orchestra in Holešov and ended in the prestigious post of Kapellmeister at the Cathédrale Notre-Dame in Strasbourg. He is primarily known as one of the major representatives of the renowned Mannheim School, with his “trumpet” Sinfonia No. 52 in D being a typical example of the late Mannheim form. The grandiose Te Deum is Richter’s second setting of the hymn and was first performed in 1781 in Strasbourg, during the celebrations marking the centenary of the city’s coming under French administration. Along with the motet Exsultate Deo, the piece falls within the composer’s vocalinstrumental oeuvre, which has yet to be explored (and, just as in the case of Jan Dismas Zelenka’s music, contains many unexpected twists and turns). The virtuoso, engrossing and masterfully balanced Oboe Concerto with the original cadenzas represents Richter’s concertante style. © Supraphon

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Richter: Te Deum 1781, Exsultate Deo, Oboe Concerto

Roman Válek

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Symphony No. 52 in D Major (Franz Xaver Richter)

1
I. Presto assai
Czech Ensemble Baroque Orchestra, Roman Válek
00:05:19

Czech Ensemble Baroque Orchestra - Roman Válek, Conductor - Franz Xaver Richter, Composer

Supraphon A.s. Supraphon A.s.

2
II. Andantino e sempre piano
Czech Ensemble Baroque Orchestra, Roman Válek
00:03:46

Czech Ensemble Baroque Orchestra - Roman Válek, Conductor - Franz Xaver Richter, Composer

Supraphon A.s. Supraphon A.s.

3
III. Presto
Czech Ensemble Baroque Orchestra, Roman Válek
00:02:49

Czech Ensemble Baroque Orchestra - Roman Válek, Conductor - Franz Xaver Richter, Composer

Supraphon A.s. Supraphon A.s.

Te Deum 1781 (Franz Xaver Richter)

4
I. Te Deum laudamus
Czech Ensemble Baroque Orchestra, Czech Ensemble Baroque Choir, Roman Válek, Tereza Válková
00:02:43

Czech Ensemble Baroque Choir - Czech Ensemble Baroque Orchestra - Roman Válek, Conductor - Franz Xaver Richter, Composer - Anonymous, Author

Supraphon A.s. Supraphon A.s.

5
II. Te gloriosus
Markéta Böhmová, Jaroslav Březina, Czech Ensemble Baroque Orchestra, Roman Válek
00:03:21

Markéta Böhmová, Soprano - Jaroslav Brezina, Tenor - Czech Ensemble Baroque Orchestra - Roman Válek, Conductor - Franz Xaver Richter, Composer - Anonymous, Author

Supraphon A.s. Supraphon A.s.

6
III. Patrem immensae majestatis
Czech Ensemble Baroque Orchestra, Czech Ensemble Baroque Choir, Roman Válek, Tereza Válková
00:01:09

Czech Ensemble Baroque Choir - Czech Ensemble Baroque Orchestra - Roman Válek, Conductor - Franz Xaver Richter, Composer - Anonymous, Author

Supraphon A.s. Supraphon A.s.

7
IV. Tu Rex gloriae
Piotr Olech, Czech Ensemble Baroque Orchestra, Roman Válek
00:04:02

Piotr Olech, Alto - Czech Ensemble Baroque Orchestra - Roman Válek, Conductor - Franz Xaver Richter, Composer - Anonymous, Author

Supraphon A.s. Supraphon A.s.

8
V. Te ergo quaesumus
Czech Ensemble Baroque Orchestra, Czech Ensemble Baroque Choir, Roman Válek, Tereza Válková
00:01:13

Czech Ensemble Baroque Choir - Czech Ensemble Baroque Orchestra - Roman Válek, Conductor - Franz Xaver Richter, Composer - Anonymous, Author

Supraphon A.s. Supraphon A.s.

9
VI. Aeterna fac
Jaroslav Březina, Czech Ensemble Baroque Orchestra, Roman Válek
00:03:00

Jaroslav Brezina, Tenor - Czech Ensemble Baroque Orchestra - Roman Válek, Conductor - Franz Xaver Richter, Composer - Anonymous, Author

Supraphon A.s. Supraphon A.s.

10
VII. Et rege eos
Pavla Radostová, Piotr Olech, Jiří Miroslav Procházka, Czech Ensemble Baroque Orchestra, Czech Ensemble Baroque Choir, Roman Válek, Tereza Válková
00:01:22

Pavla Radostová, Soprano - Piotr Olech, Alto - Jiří Miroslav Procházka, Bass - Czech Ensemble Baroque Choir - Czech Ensemble Baroque Orchestra - Roman Válek, Conductor - Franz Xaver Richter, Composer - Anonymous, Author

Supraphon A.s. Supraphon A.s.

11
VIII. Dignare Domine
Jiří Miroslav Procházka, Czech Ensemble Baroque Orchestra, Roman Válek
00:03:27

Jiří Miroslav Procházka, Bass - Czech Ensemble Baroque Orchestra - Roman Válek, Conductor - Franz Xaver Richter, Composer - Anonymous, Author

Supraphon A.s. Supraphon A.s.

12
IX. In te Domine speravi
Czech Ensemble Baroque Orchestra, Czech Ensemble Baroque Choir, Roman Válek, Tereza Válková
00:02:25

Czech Ensemble Baroque Choir - Czech Ensemble Baroque Orchestra - Roman Válek, Conductor - Franz Xaver Richter, Composer - Anonymous, Author

Supraphon A.s. Supraphon A.s.

Oboe Concerto in F major (Franz Xaver Richter)

13
I. Allegro moderato
Czech Ensemble Baroque Orchestra, Roman Válek, Luise Haugk
00:04:56

Luise Haugk, Oboe - Czech Ensemble Baroque Orchestra - Roman Válek, Conductor - Franz Xaver Richter, Composer

Supraphon A.s. Supraphon A.s.

14
II. Andante
Czech Ensemble Baroque Orchestra, Roman Válek, Luise Haugk
00:03:43

Luise Haugk, Oboe - Czech Ensemble Baroque Orchestra - Roman Válek, Conductor - Franz Xaver Richter, Composer

Supraphon A.s. Supraphon A.s.

15
III. Vivace
Czech Ensemble Baroque Orchestra, Roman Válek, Luise Haugk
00:03:17

Luise Haugk, Oboe - Czech Ensemble Baroque Orchestra - Roman Válek, Conductor - Franz Xaver Richter, Composer

Supraphon A.s. Supraphon A.s.

Exsultate Deo (Franz Xaver Richter)

16
Exsultate Deo
Pavla Radostová, Piotr Olech, Jakub Kubín, Jiří Miroslav Procházka, Czech Ensemble Baroque Orchestra, Czech Ensemble Baroque Choir, Roman Válek, Terez
00:03:09

Jiří Miroslav Procházka, Bass - Pavla Radostová, Soprano - Piotr Olech, Alto - Jakub Kubín, Tenor - Czech Ensemble Baroque Choir - Czech Ensemble Baroque Orchestra - Roman Válek, Conductor - Franz Xaver Richter, Composer - Anonymous, Author

Supraphon A.s. Supraphon A.s.

Resenha do Álbum

Nearly 1,000 kilometres separate Holešov, Moravia, from Strasbourg, if one takes a detour through Mannheim. Franz Xaver Richter’s professional journey started in Count Rottal’s court orchestra in Holešov and ended in the prestigious post of Kapellmeister at the Cathédrale Notre-Dame in Strasbourg. He is primarily known as one of the major representatives of the renowned Mannheim School, with his “trumpet” Sinfonia No. 52 in D being a typical example of the late Mannheim form. The grandiose Te Deum is Richter’s second setting of the hymn and was first performed in 1781 in Strasbourg, during the celebrations marking the centenary of the city’s coming under French administration. Along with the motet Exsultate Deo, the piece falls within the composer’s vocalinstrumental oeuvre, which has yet to be explored (and, just as in the case of Jan Dismas Zelenka’s music, contains many unexpected twists and turns). The virtuoso, engrossing and masterfully balanced Oboe Concerto with the original cadenzas represents Richter’s concertante style. © Supraphon

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