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Ólafur Arnalds|re:visions (live)

re:visions (live)

Ólafur Arnalds

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In 2018, Icelandic composer Ólafur Arnalds pushed the boundaries of musical creativity within the studio with his album re:member, created with a software called Stratus, which allows two pianos to automatically play music generated by a computer. A year later he presented the live version, which he performed on stages all around Europe, from London to Lisbon via Munich, Amsterdam and Berlin. Although he doesn’t replicate his composition method on stage, he throws himself into improvisation, offering alternative versions of six of the twelve tracks from the album including the sublime Saman, recorded in the German capital, or the eight minutes of Undir. “For this album, I wanted to document all the new and often surprising forms that the songs of re:member take when I play them on stage”, explains the Icelander. This is a welcome extended edition of one of the best electronic albums of the decade. © Smaël Bouaici/Qobuz

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re:visions (live)

Ólafur Arnalds

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1
brot (lisboa) (live)
00:03:14

Jonathan Lucas, Recording Engineer, StudioPersonnel - Ólafur Arnalds, Composer, Producer, Piano, Mix Engineer, Recording Arranger, MainArtist, AssociatedPerformer, StudioPersonnel - Christian Tschuggnall, Drums, AssociatedPerformer - Viktor Orri Arnason, Violin, AssociatedPerformer - Zino Mikorey, Mastering Engineer, StudioPersonnel - Karl James Pestka, Viola, AssociatedPerformer - Sólveig Vaka Eyþórsdóttir, Violin, AssociatedPerformer - Johanna Niederbacher, Cello, AssociatedPerformer

℗ 2019 Ólafur Arnalds

2
saman (berlin) (live)
00:02:17

Ólafur Arnalds, Composer, Producer, Piano, Mix Engineer, Recording Arranger, MainArtist, AssociatedPerformer, StudioPersonnel - Zino Mikorey, Mastering Engineer, StudioPersonnel - MATTHIAS HAHN, Recording Engineer, StudioPersonnel

℗ 2019 Ólafur Arnalds

3
ypsilon (leicester) (live)
00:06:06

Jonathan Lucas, Recording Engineer, StudioPersonnel - Ólafur Arnalds, Composer, Producer, Piano, Mix Engineer, Recording Arranger, MainArtist, AssociatedPerformer, StudioPersonnel - Christian Tschuggnall, Drums, AssociatedPerformer - Viktor Orri Arnason, Violin, AssociatedPerformer - Zino Mikorey, Mastering Engineer, StudioPersonnel - Karl James Pestka, Viola, AssociatedPerformer - Sólveig Vaka Eyþórsdóttir, Violin, AssociatedPerformer - Johanna Niederbacher, Cello, AssociatedPerformer

℗ 2019 Ólafur Arnalds

4
undir (london) (live)
00:08:38

Manu Delago, Drums, AssociatedPerformer - Ólafur Arnalds, Composer, Producer, Piano, Mix Engineer, Recording Arranger, MainArtist, AssociatedPerformer, StudioPersonnel - Unnur Jonsdottir, Cello, AssociatedPerformer - Karl James Pestka, Viola, AssociatedPerformer - Sigrún Harðardóttir, Violin, AssociatedPerformer - Terence Goodchild, Recording Engineer, StudioPersonnel - Pétur Björnsson, Violin, AssociatedPerformer

℗ 2019 Ólafur Arnalds

5
ekki hugsa (amsterdam) (live)
00:04:39

Jonathan Lucas, Recording Engineer, StudioPersonnel - Ólafur Arnalds, Composer, Producer, Piano, Mix Engineer, Recording Arranger, MainArtist, AssociatedPerformer, StudioPersonnel - Christian Tschuggnall, Drums, AssociatedPerformer - Viktor Orri Arnason, Violin, AssociatedPerformer - Zino Mikorey, Mastering Engineer, StudioPersonnel - Karl James Pestka, Viola, AssociatedPerformer - Sólveig Vaka Eyþórsdóttir, Violin, AssociatedPerformer - Johanna Niederbacher, Cello, AssociatedPerformer

℗ 2019 Ólafur Arnalds

6
nyepi (münchen) (live)
00:07:01

Jonathan Lucas, Recording Engineer, StudioPersonnel - Ólafur Arnalds, Composer, Producer, Piano, Mix Engineer, Recording Arranger, MainArtist, AssociatedPerformer, StudioPersonnel - Christian Tschuggnall, Drums, AssociatedPerformer - Viktor Orri Arnason, Violin, AssociatedPerformer - Zino Mikorey, Mastering Engineer, StudioPersonnel - Karl James Pestka, Viola, AssociatedPerformer - Sólveig Vaka Eyþórsdóttir, Violin, AssociatedPerformer - Johanna Niederbacher, Cello, AssociatedPerformer

℗ 2019 Ólafur Arnalds

Resenha do Álbum

In 2018, Icelandic composer Ólafur Arnalds pushed the boundaries of musical creativity within the studio with his album re:member, created with a software called Stratus, which allows two pianos to automatically play music generated by a computer. A year later he presented the live version, which he performed on stages all around Europe, from London to Lisbon via Munich, Amsterdam and Berlin. Although he doesn’t replicate his composition method on stage, he throws himself into improvisation, offering alternative versions of six of the twelve tracks from the album including the sublime Saman, recorded in the German capital, or the eight minutes of Undir. “For this album, I wanted to document all the new and often surprising forms that the songs of re:member take when I play them on stage”, explains the Icelander. This is a welcome extended edition of one of the best electronic albums of the decade. © Smaël Bouaici/Qobuz

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