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Jeff Kashiwa

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The liner notes on this CD refer to tenor saxophonist Jeff Kashiwa's Play as "a new creative direction in contemporary jazz." Nice try, but this music could have easily been recorded in 1997 or 1987 or even by Stanley Turrentine in 1977 rather than 2007. "Way Out West" even has a disco beat. Kashiwa plays well, he always did, but he seems only able to express one emotion which is why this type of "smooth" music is often called "happy jazz." Everything is so cheerful, vacuous, predictable and safe. The liner note writer acts as if Kashiwa is taking a big chance in stretching out on these selections, saying that he is "resisting the call to hold back on his chops in exchange of the Faustian bargain of nearly four minutes of dial time on the radio." But if that is so, why does every performance other than the brief beginning and ending tracks (which are unaccompanied tenor spots) clock in between 3:55 and 5:17? To be fair, the musicianship is fine, one appreciates the absence of drum machines and pseudo R&B singers, and this type of moderately soulful and moderately funky outing is no worse than that of dozens of other equally dull "radio friendly" smooth releases. But why pretend to be anything else?

© Scott Yanow /TiVo

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Jeff Kashiwa

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1
Play! (Prolouge)
00:00:55

Jeff Kashiwa, Composer, MainArtist - Coastal Access Music ASCAP, MusicPublisher

2008 Native Language Music 2008 Native Language Music

2
The Lucky One
00:04:52

Jeff Kashiwa, Composer, MainArtist - Dave Kochanski, Composer - Coastal Access Music ASCAP, MusicPublisher - Kokoki Music ASCAP, MusicPublisher

2008 Native Language Music 2008 Native Language Music

3
Movin' Up
00:04:07

Miles Gilderdale, Composer - Jeff Kashiwa, Composer, MainArtist - Coastal Access Music ASCAP, MusicPublisher

2008 Native Language Music 2008 Native Language Music

4
Changes
00:04:14

Jeff Kashiwa, Composer, MainArtist - Dave Kochanski, Composer - Coastal Access Music ASCAP, MusicPublisher - Kokoki Music ASCAP, MusicPublisher

2008 Native Language Music 2008 Native Language Music

5
Blue Jeans
00:05:21

Jeff Kashiwa, Composer, MainArtist - Coastal Access Music ASCAP, MusicPublisher

2008 Native Language Music 2008 Native Language Music

6
New View
00:04:46

Jeff Kashiwa, Composer, MainArtist - Coastal Access Music ASCAP, MusicPublisher

2008 Native Language Music 2008 Native Language Music

7
Forever
00:05:09

ROBERTO VALLY, Composer - LEON BISQUERA, Composer - Jeff Kashiwa, Composer, MainArtist - Mood Tropico Music BMI, MusicPublisher - Carnevali Music ASCAP, MusicPublisher - Coastal Access Music ASCAP, MusicPublisher

2008 Native Language Music 2008 Native Language Music

8
Fall
00:03:56

Jeff Kashiwa, Composer, MainArtist - Coastal Access Music ASCAP, MusicPublisher

2008 Native Language Music 2008 Native Language Music

9
One Good Turn
00:05:17

Jeff Kashiwa, Composer, MainArtist - Coastal Access Music ASCAP, MusicPublisher

2008 Native Language Music 2008 Native Language Music

10
Way Out West
00:05:03

Jeff Kashiwa, Composer, MainArtist - Coastal Access Music ASCAP, MusicPublisher

2008 Native Language Music 2008 Native Language Music

11
Once Again
00:04:02

Jeff Kashiwa, Composer, MainArtist - Coastal Access Music ASCAP, MusicPublisher

2008 Native Language Music 2008 Native Language Music

12
Remember When
00:04:29

Jeff Kashiwa, Composer, MainArtist - Coastal Access Music ASCAP, MusicPublisher

2008 Native Language Music 2008 Native Language Music

13
So Many Ways
00:04:05

Jeff Kashiwa, Composer, MainArtist - Coastal Access Music ASCAP, MusicPublisher

2008 Native Language Music 2008 Native Language Music

14
Play! (Epilogue)
00:00:50

Jeff Kashiwa, Composer, MainArtist - Coastal Access Music ASCAP, MusicPublisher

2008 Native Language Music 2008 Native Language Music

Resenha do Álbum

The liner notes on this CD refer to tenor saxophonist Jeff Kashiwa's Play as "a new creative direction in contemporary jazz." Nice try, but this music could have easily been recorded in 1997 or 1987 or even by Stanley Turrentine in 1977 rather than 2007. "Way Out West" even has a disco beat. Kashiwa plays well, he always did, but he seems only able to express one emotion which is why this type of "smooth" music is often called "happy jazz." Everything is so cheerful, vacuous, predictable and safe. The liner note writer acts as if Kashiwa is taking a big chance in stretching out on these selections, saying that he is "resisting the call to hold back on his chops in exchange of the Faustian bargain of nearly four minutes of dial time on the radio." But if that is so, why does every performance other than the brief beginning and ending tracks (which are unaccompanied tenor spots) clock in between 3:55 and 5:17? To be fair, the musicianship is fine, one appreciates the absence of drum machines and pseudo R&B singers, and this type of moderately soulful and moderately funky outing is no worse than that of dozens of other equally dull "radio friendly" smooth releases. But why pretend to be anything else?

© Scott Yanow /TiVo

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