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Orchestre Symphonique de Montréal|Penderecki: St. Luke Passion (Live)

Penderecki: St. Luke Passion (Live)

Orchestre Symphonique De Montreal and Kent Nagano

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Krzysztof Penderecki's St. Luke Passion of 1966 wasn't a success when it premiered at the opening of a rebuilt cathedral in West Germany. The Western avant-garde was scandalized by Penderecki's use of pure tonality, to represent religious concepts, at that. Official Polish Communism had problems with the idea of a St. Luke Passion in general, and with an explicitly devotional one like Penderecki's specifically. Over time, the work has emerged as one of Penderecki's greatest, perhaps as the beginning of his move back toward traditional, accessible styles, and perhaps as something even deeper: a work that bridges avant-garde and traditional impulses. The St. Luke Passion uses serialism, quarter tones, and a variety of extended choral techniques and textures such as howling, chattering, and giggling, all in an exceptionally vivid rendering of the Passion text. In addition to the aforementioned tonal chords, it also retains many of the conventions of the Bach Passions, and even uses a B-A-C-H motif whose pervasiveness has been debated by scholars. The international set of soloists in this live performance from the 2018 Salzburg Festival is very strong, and Kent Nagano, leading his Montreal Symphony Orchestra, catches the work's essential soberness even in the midst of all the odd sounds. However, a performance of this work really stands or falls on the performances of the choirs, and here the Kraków Philharmonic Choir and Warsaw Boys Choir really stand out, with readings of the crowd scenes that are both precise and visceral in their impact. The St. Luke Passion is looking more and more like one of the major works of the middle 20th century, and this release is a crucial step in its interpretation. BIS provides fine live sound in a crowded situation that must have been difficult.

© TiVo

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Penderecki: St. Luke Passion (Live)

Orchestre Symphonique de Montréal

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St. Luke Passion, Pt. 1 (Krzysztof Penderecki)

1
No. 1, O crux ave, spes unica (Live)
Warsaw Boys Choir
00:04:46

Orchestre Symphonique De Montreal, Orchestra, MainArtist - Kent Nagano, Conductor, MainArtist - Krzysztof PENDERECKI, Composer - Krakow Philharmonic Chorus, Choir, MainArtist - Warsaw Boys Choir, Choir, MainArtist - Carl Talbot, SoundEngineer - Robert Suff, Producer - Krzysztof Kusiel-Moroz, MainArtist - Teresa Majka-Pacanek, MainArtist

2020 BIS 2020 (P) BIS

2
No. 2, Et egressus ibat (Live)
Lucas Meachem
00:01:30

Orchestre Symphonique De Montreal, Orchestra, MainArtist - Kent Nagano, Conductor, MainArtist - Krzysztof PENDERECKI, Composer - Carl Talbot, SoundEngineer - Robert Suff, Producer - Lucas Meachem, MainArtist, AssociatedPerformer - Slawomir Holland, MainArtist, AssociatedPerformer

2020 BIS 2020 (P) BIS

3
No. 3, Deus meus (Live)
Lucas Meachem
00:03:11

Orchestre Symphonique De Montreal, Orchestra, MainArtist - Kent Nagano, Conductor, MainArtist - Krzysztof PENDERECKI, Composer - Krakow Philharmonic Chorus, Choir, MainArtist - Warsaw Boys Choir, Choir, MainArtist - Carl Talbot, SoundEngineer - Robert Suff, Producer - Lucas Meachem, MainArtist, AssociatedPerformer - Krzysztof Kusiel-Moroz, MainArtist - Teresa Majka-Pacanek, MainArtist

2020 BIS 2020 (P) BIS

4
No. 4, Domine, quis habitabit (Live)
Sarah Wegener
00:03:04

Orchestre Symphonique De Montreal, Orchestra, MainArtist - Kent Nagano, Conductor, MainArtist - Krzysztof PENDERECKI, Composer - Krakow Philharmonic Chorus, Choir, MainArtist - Sarah Wegener, MainArtist, AssociatedPerformer - Warsaw Boys Choir, Choir, MainArtist - Carl Talbot, SoundEngineer - Robert Suff, Producer - Krzysztof Kusiel-Moroz, MainArtist

2020 BIS 2020 (P) BIS

5
No. 5, Adhuc eo loquente (Live)
Lucas Meachem
00:02:34

Orchestre Symphonique De Montreal, Orchestra, MainArtist - Kent Nagano, Conductor, MainArtist - Krzysztof PENDERECKI, Composer - Krakow Philharmonic Chorus, Choir, MainArtist - Warsaw Boys Choir, Choir, MainArtist - Carl Talbot, SoundEngineer - Robert Suff, Producer - Lucas Meachem, MainArtist, AssociatedPerformer - Slawomir Holland, MainArtist, AssociatedPerformer - Krzysztof Kusiel-Moroz, MainArtist - Teresa Majka-Pacanek, MainArtist

2020 BIS 2020 (P) BIS

6
No. 6, Ierusalem, Ierusalem (Live)
Warsaw Boys Choir
00:01:09

Orchestre Symphonique De Montreal, Orchestra, MainArtist - Kent Nagano, Conductor, MainArtist - Krzysztof PENDERECKI, Composer - Krakow Philharmonic Chorus, Choir, MainArtist - Warsaw Boys Choir, Choir, MainArtist - Carl Talbot, SoundEngineer - Robert Suff, Producer - Krzysztof Kusiel-Moroz, MainArtist - Teresa Majka-Pacanek, MainArtist

2020 BIS 2020 (P) BIS

7
No. 7, Ut quid, Domine (Live)
Warsaw Boys Choir
00:01:02

Kent Nagano, Conductor, MainArtist - Krzysztof PENDERECKI, Composer - Krakow Philharmonic Chorus, Choir, MainArtist - Warsaw Boys Choir, Choir, MainArtist - Carl Talbot, SoundEngineer - Robert Suff, Producer - Krzysztof Kusiel-Moroz, MainArtist - Teresa Majka-Pacanek, MainArtist

2020 BIS 2020 (P) BIS

8
No. 8, Comprehendentes autem (Live)
Sarah Wegener
00:02:03

Orchestre Symphonique De Montreal, Orchestra, MainArtist - Matthew Rose, MainArtist, AssociatedPerformer - Kent Nagano, Conductor, MainArtist - Krzysztof PENDERECKI, Composer - Krakow Philharmonic Chorus, Choir, MainArtist - Sarah Wegener, MainArtist, AssociatedPerformer - Warsaw Boys Choir, Choir, MainArtist - Carl Talbot, SoundEngineer - Robert Suff, Producer - Slawomir Holland, MainArtist, AssociatedPerformer - Krzysztof Kusiel-Moroz, MainArtist - Teresa Majka-Pacanek, MainArtist

2020 BIS 2020 (P) BIS

9
No. 9, Iudica me (Live)
Matthew Rose
00:00:52

Orchestre Symphonique De Montreal, Orchestra, MainArtist - Matthew Rose, MainArtist, AssociatedPerformer - Kent Nagano, Conductor, MainArtist - Krzysztof PENDERECKI, Composer - Carl Talbot, SoundEngineer - Robert Suff, Producer

2020 BIS 2020 (P) BIS

10
No. 10, Et viri, qui tenebant illum (Live)
Lucas Meachem
00:02:06

Orchestre Symphonique De Montreal, Orchestra, MainArtist - Kent Nagano, Conductor, MainArtist - Krzysztof PENDERECKI, Composer - Krakow Philharmonic Chorus, Choir, MainArtist - Warsaw Boys Choir, Choir, MainArtist - Carl Talbot, SoundEngineer - Robert Suff, Producer - Lucas Meachem, MainArtist, AssociatedPerformer - Slawomir Holland, MainArtist, AssociatedPerformer - Krzysztof Kusiel-Moroz, MainArtist - Teresa Majka-Pacanek, MainArtist

2020 BIS 2020 (P) BIS

11
No. 11, Ierusalem, Ierusalem (Live)
Sarah Wegener
00:00:54

Orchestre Symphonique De Montreal, Orchestra, MainArtist - Kent Nagano, Conductor, MainArtist - Krzysztof PENDERECKI, Composer - Sarah Wegener, MainArtist, AssociatedPerformer - Carl Talbot, SoundEngineer - Robert Suff, Producer

2020 BIS 2020 (P) BIS

12
No. 12, Miserere mei, Deus (Live)
Warsaw Boys Choir
00:03:22

Kent Nagano, Conductor, MainArtist - Krzysztof PENDERECKI, Composer - Krakow Philharmonic Chorus, Choir, MainArtist - Warsaw Boys Choir, Choir, MainArtist - Carl Talbot, SoundEngineer - Robert Suff, Producer - Krzysztof Kusiel-Moroz, MainArtist - Teresa Majka-Pacanek, MainArtist

2020 BIS 2020 (P) BIS

13
No. 13, Et surgens omnis (Live)
Lucas Meachem
00:04:37

Orchestre Symphonique De Montreal, Orchestra, MainArtist - Matthew Rose, MainArtist, AssociatedPerformer - Kent Nagano, Conductor, MainArtist - Krzysztof PENDERECKI, Composer - Krakow Philharmonic Chorus, Choir, MainArtist - Warsaw Boys Choir, Choir, MainArtist - Carl Talbot, SoundEngineer - Robert Suff, Producer - Lucas Meachem, MainArtist, AssociatedPerformer - Slawomir Holland, MainArtist, AssociatedPerformer - Krzysztof Kusiel-Moroz, MainArtist - Teresa Majka-Pacane, MainArtist

2020 BIS 2020 (P) BIS

St. Luke Passion, Pt. 2 (Krzysztof Penderecki)

14
No. 14, Et in pulverem mortis (Live)
Warsaw Boys Choir
00:00:40

Orchestre Symphonique De Montreal, Orchestra, MainArtist - Kent Nagano, Conductor, MainArtist - Krzysztof PENDERECKI, Composer - Krakow Philharmonic Chorus, Choir, MainArtist - Warsaw Boys Choir, Choir, MainArtist - Carl Talbot, SoundEngineer - Robert Suff, Producer - Krzysztof Kusiel-Moroz, MainArtist - Teresa Majka-Pacane, MainArtist

2020 BIS 2020 (P) BIS

15
No. 15, Et baiulans (Live)
Slawomir Holland
00:00:12

Orchestre Symphonique De Montreal, Orchestra, MainArtist - Kent Nagano, Conductor, MainArtist - Krzysztof PENDERECKI, Composer - Carl Talbot, SoundEngineer - Robert Suff, Producer - Slawomir Holland, MainArtist, AssociatedPerformer

2020 BIS 2020 (P) BIS

16
No. 16, Popule meus (Live)
Warsaw Boys Choir
00:07:12

Orchestre Symphonique De Montreal, Orchestra, MainArtist - Kent Nagano, Conductor, MainArtist - Krzysztof PENDERECKI, Composer - Krakow Philharmonic Chorus, Choir, MainArtist - Warsaw Boys Choir, Choir, MainArtist - Carl Talbot, SoundEngineer - Robert Suff, Producer - Krzysztof Kusiel-Moroz, MainArtist - Teresa Majka-Pacane, MainArtist

2020 BIS 2020 (P) BIS

17
No. 17, Ibi crucifixerunt eum (Live)
Slawomir Holland
00:01:23

Orchestre Symphonique De Montreal, Orchestra, MainArtist - Kent Nagano, Conductor, MainArtist - Krzysztof PENDERECKI, Composer - Carl Talbot, SoundEngineer - Robert Suff, Producer - Slawomir Holland, MainArtist, AssociatedPerformer

2020 BIS 2020 (P) BIS

18
No. 18, Crux fidelis (Live)
Sarah Wegener
00:04:19

Orchestre Symphonique De Montreal, Orchestra, MainArtist - Kent Nagano, Conductor, MainArtist - Krzysztof PENDERECKI, Composer - Krakow Philharmonic Chorus, Choir, MainArtist - Sarah Wegener, MainArtist, AssociatedPerformer - Warsaw Boys Choir, Choir, MainArtist - Carl Talbot, SoundEngineer - Robert Suff, Producer - Krzysztof Kusiel-Moroz, Orchestra, MainArtist - Teresa Majka-Pacane, MainArtist

2020 BIS 2020 (P) BIS

19
No. 19, Iesus autem dicebat (Live)
Lucas Meachem
00:00:54

Orchestre Symphonique De Montreal, Orchestra, MainArtist - Kent Nagano, Conductor, MainArtist - Krzysztof PENDERECKI, Composer - Krakow Philharmonic Chorus, Choir, MainArtist - Warsaw Boys Choir, Choir, MainArtist - Carl Talbot, SoundEngineer - Robert Suff, Producer - Lucas Meachem, MainArtist, AssociatedPerformer - Slawomir Holland, MainArtist, AssociatedPerformer - Krzysztof Kusiel-Moroz, MainArtist - Teresa Majka-Pacane, MainArtist

2020 BIS 2020 (P) BIS

20
No. 20, In pulverem mortis (Live)
Warsaw Boys Choir
00:04:49

Orchestre Symphonique De Montreal, Orchestra - Kent Nagano, Conductor, MainArtist - Krzysztof PENDERECKI, Composer - Krakow Philharmonic Chorus, Choir, MainArtist - Warsaw Boys Choir, Choir, MainArtist - Carl Talbot, SoundEngineer - Robert Suff, Producer - Krzysztof Kusiel-Moroz, MainArtist - Teresa Majka-Pacane, MainArtist

2020 BIS 2020 (P) BIS

21
No. 21, Et stabat populus (Live)
Slawomir Holland
00:01:28

Orchestre Symphonique De Montreal, Orchestra, MainArtist - Kent Nagano, Conductor, MainArtist - Krzysztof PENDERECKI, Composer - Krakow Philharmonic Chorus, Choir, MainArtist - Warsaw Boys Choir, Choir, MainArtist - Carl Talbot, SoundEngineer - Robert Suff, Producer - Slawomir Holland, MainArtist, AssociatedPerformer - Krzysztof Kusiel-Moroz, MainArtist - Teresa Majka-Pacan, MainArtist

2020 BIS 2020 (P) BIS

22
No. 22, Unus autem de his (Live)
Lucas Meachem
00:01:42

Orchestre Symphonique De Montreal, Orchestra, MainArtist - Matthew Rose, MainArtist, AssociatedPerformer - Kent Nagano, Conductor, MainArtist - Krzysztof PENDERECKI, Composer - Krakow Philharmonic Chorus, Choir, MainArtist - Warsaw Boys Choir, Choir, MainArtist - Carl Talbot, SoundEngineer - Robert Suff, Producer - Lucas Meachem, MainArtist, AssociatedPerformer - Slawomir Holland, MainArtist, AssociatedPerformer - Krzysztof Kusiel-Moroz, MainArtist - Teresa Majka-Pacan, MainArtist

2020 BIS 2020 (P) BIS

23
No. 23, Stabant autem iuxta crucem (Live)
Lucas Meachem
00:01:01

Orchestre Symphonique De Montreal, Orchestra, MainArtist - Kent Nagano, Conductor, MainArtist - Krzysztof PENDERECKI, Composer - Carl Talbot, SoundEngineer - Robert Suff, Producer - Lucas Meachem, MainArtist, AssociatedPerformer - Slawomir Holland, MainArtist, AssociatedPerformer

2020 BIS 2020 (P) BIS

24
No. 24, Stabat mater (Live)
Warsaw Boys Choir
00:05:47

Orchestre Symphonique De Montreal, Orchestra - Kent Nagano, Conductor, MainArtist - Krzysztof PENDERECKI, Composer - Krakow Philharmonic Chorus, Choir, MainArtist - Warsaw Boys Choir, Choir, MainArtist - Carl Talbot, SoundEngineer - Robert Suff, Producer - Krzysztof Kusiel-Moroz, MainArtist - Teresa Majka-Pacan, MainArtist

2020 BIS 2020 (P) BIS

25
No. 25, Erat autem fere hora sexta (Live)
Lucas Meachem
00:01:28

Orchestre Symphonique De Montreal, Orchestra, MainArtist - Kent Nagano, Conductor, MainArtist - Krzysztof PENDERECKI, Composer - Krakow Philharmonic Chorus, Choir, MainArtist - Warsaw Boys Choir, Choir, MainArtist - Carl Talbot, SoundEngineer - Robert Suff, Producer - Lucas Meachem, MainArtist, AssociatedPerformer - Slawomir Holland, MainArtist, AssociatedPerformer - Krzysztof Kusiel-Moroz, MainArtist - Teresa Majka-Pacan, MainArtist

2020 BIS 2020 (P) BIS

26
No. 26, Alla breve (Live)
Orchestre Symphonique de Montréal
00:01:00

Orchestre Symphonique De Montreal, Orchestra, MainArtist - Kent Nagano, Conductor, MainArtist - Krzysztof PENDERECKI, Composer - Carl Talbot, SoundEngineer - Robert Suff, Producer

2020 BIS 2020 (P) BIS

27
No. 27, In pulverem mortis... In te, Domine, speravi (Live)
Sarah Wegener
00:03:34

Orchestre Symphonique De Montreal, Orchestra, MainArtist - Matthew Rose, MainArtist, AssociatedPerformer - Kent Nagano, Conductor, MainArtist - Krzysztof PENDERECKI, Composer - Krakow Philharmonic Chorus, Choir, MainArtist - Sarah Wegener, MainArtist, AssociatedPerformer - Warsaw Boys Choir, Choir, MainArtist - Carl Talbot, SoundEngineer - Robert Suff, Producer - Lucas Meachem, MainArtist, AssociatedPerformer - Krzysztof Kusiel-Moroz, MainArtist - Teresa Majka-Pacan, MainArtist

2020 BIS 2020 (P) BIS

Resenha do Álbum

Krzysztof Penderecki's St. Luke Passion of 1966 wasn't a success when it premiered at the opening of a rebuilt cathedral in West Germany. The Western avant-garde was scandalized by Penderecki's use of pure tonality, to represent religious concepts, at that. Official Polish Communism had problems with the idea of a St. Luke Passion in general, and with an explicitly devotional one like Penderecki's specifically. Over time, the work has emerged as one of Penderecki's greatest, perhaps as the beginning of his move back toward traditional, accessible styles, and perhaps as something even deeper: a work that bridges avant-garde and traditional impulses. The St. Luke Passion uses serialism, quarter tones, and a variety of extended choral techniques and textures such as howling, chattering, and giggling, all in an exceptionally vivid rendering of the Passion text. In addition to the aforementioned tonal chords, it also retains many of the conventions of the Bach Passions, and even uses a B-A-C-H motif whose pervasiveness has been debated by scholars. The international set of soloists in this live performance from the 2018 Salzburg Festival is very strong, and Kent Nagano, leading his Montreal Symphony Orchestra, catches the work's essential soberness even in the midst of all the odd sounds. However, a performance of this work really stands or falls on the performances of the choirs, and here the Kraków Philharmonic Choir and Warsaw Boys Choir really stand out, with readings of the crowd scenes that are both precise and visceral in their impact. The St. Luke Passion is looking more and more like one of the major works of the middle 20th century, and this release is a crucial step in its interpretation. BIS provides fine live sound in a crowded situation that must have been difficult.

© TiVo

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