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Paul Bley|Partners (Instrumental)

Partners (Instrumental)

Paul Bley, Gary Peacock

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Paul Bley had known and collaborated with Gary Peacock since 1962, so by the time this duo session was recorded, one could expect that a certain degree of musical empathy would be in play. And yes, here there is plenty of the give and take of two old friends who do not go along with the mainstream jazz program. Yet one could also call this an album of twin monologues, for ten of the 15 tracks here are solo improvisations for each player, with the five duo numbers interspersed between them. Twice, a pair of Peacock's bass solos form a sandwich around a Bley solo track, setting up a symmetry that is fulfilled by the subsequent duo numbers. Moreover, on the first five minutes of the lengthy duo track "Who's Who Is It?," Bley and Peacock play their passages separately, one after another, before Peacock's free basslines stiffen sufficiently to provide a walking, swinging partner for Bley. As for other duo tracks, the CD opens with a lovely duet bearing the significant title "Again Anew," and they put together a great Latin-flavored workout on Ornette Coleman's "Latin Genetics." The parting shot "No Pun Intended" is a humorous, atonal, avant-garde, extended-techniques adventure at the opposite stylistic pole of the opening track. Without slighting Bley's contribution in the least, it is Peacock who makes the most inventive impression on this disc; his solos sustain high interest throughout -- a tough thing to pull off on the bass -- and his instrument is beautifully captured by the engineers.
© Richard S. Ginell /TiVo

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Partners (Instrumental)

Paul Bley

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1
Again Anew (Instrumental)
Paul Bley
00:06:32

Paul Bley, MainArtist, ComposerLyricist - Gary Peacock, MainArtist, ComposerLyricist

℗ 1990 Decca Records France

2
Pleaides Skirt (Instrumental)
Gary Peacock
00:02:12

Gary Peacock, MainArtist, ComposerLyricist

℗ 1990 Decca Records France

3
Octavon (Instrumental)
Paul Bley
00:02:10

Paul Bley, MainArtist, ComposerLyricist

℗ 1990 Decca Records France

4
Latin Genetics (Instrumental)
Paul Bley
00:05:04

Ornette Coleman, Composer - Paul Bley, MainArtist - Gary Peacock, MainArtist

℗ 1990 Decca Records France

5
Workinoot (Instrumental)
Gary Peacock
00:04:35

Gary Peacock, MainArtist, ComposerLyricist

℗ 1990 Decca Records France

6
Afternoon Of A Dawn (Instrumental)
Paul Bley
00:05:33

Paul Bley, MainArtist, ComposerLyricist

℗ 1990 Decca Records France

7
Hand In Hand (Instrumental)
Paul Bley
00:04:43

Paul Bley, MainArtist, ComposerLyricist - Gary Peacock, MainArtist, ComposerLyricist

℗ 1990 Decca Records France

8
Satyr Satire (Instrumental)
Gary Peacock
00:02:38

Gary Peacock, MainArtist, ComposerLyricist

℗ 1990 Decca Records France

9
Lull-A-Bye (Instrumental)
Paul Bley
00:03:29

Paul Bley, MainArtist, ComposerLyricist

℗ 1990 Decca Records France

10
Twitter Pate (Instrumental)
Gary Peacock
00:01:35

Gary Peacock, MainArtist, ComposerLyricist

℗ 1990 Decca Records France

11
Who's Who Is It? (Instrumental)
Paul Bley
00:11:37

Paul Bley, MainArtist, ComposerLyricist - Gary Peacock, MainArtist, ComposerLyricist

℗ 1990 Decca Records France

12
Gently Gently (Instrumental)
Gary Peacock
00:02:11

Gary Peacock, MainArtist, ComposerLyricist

℗ 1990 Decca Records France

13
Majestique (Instrumental)
Paul Bley
00:03:06

Paul Bley, MainArtist, ComposerLyricist

℗ 1990 Decca Records France

14
Pot Luck (Instrumental)
Gary Peacock
00:02:48

Gary Peacock, MainArtist, ComposerLyricist

℗ 1990 Decca Records France

15
No Pun Intended (Instrumental)
Paul Bley
00:03:08

Paul Bley, MainArtist, ComposerLyricist - Gary Peacock, MainArtist, ComposerLyricist

℗ 1990 Decca Records France

Resenha do Álbum

Paul Bley had known and collaborated with Gary Peacock since 1962, so by the time this duo session was recorded, one could expect that a certain degree of musical empathy would be in play. And yes, here there is plenty of the give and take of two old friends who do not go along with the mainstream jazz program. Yet one could also call this an album of twin monologues, for ten of the 15 tracks here are solo improvisations for each player, with the five duo numbers interspersed between them. Twice, a pair of Peacock's bass solos form a sandwich around a Bley solo track, setting up a symmetry that is fulfilled by the subsequent duo numbers. Moreover, on the first five minutes of the lengthy duo track "Who's Who Is It?," Bley and Peacock play their passages separately, one after another, before Peacock's free basslines stiffen sufficiently to provide a walking, swinging partner for Bley. As for other duo tracks, the CD opens with a lovely duet bearing the significant title "Again Anew," and they put together a great Latin-flavored workout on Ornette Coleman's "Latin Genetics." The parting shot "No Pun Intended" is a humorous, atonal, avant-garde, extended-techniques adventure at the opposite stylistic pole of the opening track. Without slighting Bley's contribution in the least, it is Peacock who makes the most inventive impression on this disc; his solos sustain high interest throughout -- a tough thing to pull off on the bass -- and his instrument is beautifully captured by the engineers.
© Richard S. Ginell /TiVo

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