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Black Sabbath|Paranoid (2012 - Remaster)

Paranoid (2012 - Remaster)

Black Sabbath

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Paranoid was not only Black Sabbath's most popular record (it was a number one smash in the U.K., and "Paranoid" and "Iron Man" both scraped the U.S. charts despite virtually nonexistent radio play), it also stands as one of the greatest and most influential heavy metal albums of all time. Paranoid refined Black Sabbath's signature sound -- crushingly loud, minor-key dirges loosely based on heavy blues-rock -- and applied it to a newly consistent set of songs with utterly memorable riffs, most of which now rank as all-time metal classics. Where the extended, multi-sectioned songs on the debut sometimes felt like aimless jams, their counterparts on Paranoid have been given focus and direction, lending an epic drama to now-standards like "War Pigs" and "Iron Man" (which sports one of the most immediately identifiable riffs in metal history). The subject matter is unrelentingly, obsessively dark, covering both supernatural/sci-fi horrors and the real-life traumas of death, war, nuclear annihilation, mental illness, drug hallucinations, and narcotic abuse. Yet Sabbath make it totally convincing, thanks to the crawling, muddled bleakness and bad-trip depression evoked so frighteningly well by their music. Even the qualities that made critics deplore the album (and the group) for years increase the overall effect -- the technical simplicity of Ozzy Osbourne's vocals and Tony Iommi's lead guitar vocabulary, the spots when the lyrics sink into melodrama or awkwardness, the lack of subtlety, and the infrequent dynamic contrast. Everything adds up to more than the sum of its parts, as though the anxieties behind the music simply demanded that the band achieve catharsis by steamrolling everything in their path, including their own limitations. Monolithic and primally powerful, Paranoid defined the sound and style of heavy metal more than any other record in rock history.

© Steve Huey /TiVo

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Paranoid (2012 - Remaster)

Black Sabbath

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1
War Pigs / Luke's Wall (2012 - Remaster)
00:07:53

Ozzy Osbourne, Vocals, Writer - Tony Iommi, Writer, Lead Guitar - Bill Ward, Drums, Writer - Rodger Bain, Producer - Black Sabbath, MainArtist - GEEZER BUTLER, Bass Guitar, Writer

© 1970 Gimcastle Ltd. under exclusive license to Sanctuary Records Group Ltd., a BMG Company ℗ 1970 Warner Records Inc.

2
Paranoid (2012 - Remaster)
00:02:46

Ozzy Osbourne, Vocals, Writer - Tony Iommi, Writer, Lead Guitar - Bill Ward, Drums, Writer - Rodger Bain, Producer - Black Sabbath, Composer, MainArtist - GEEZER BUTLER, Bass Guitar, Writer - Andy Pearce, Remastering Engineer - Brian Humphries, Engineer - Matt Wortham, Remastering Engineer - Tony Allom, Engineer

© 1970 Gimcastle Ltd. under exclusive license to Sanctuary Records Group Ltd., a BMG Company ℗ 1970 Warner Records Inc.

3
Planet Caravan (2012 - Remaster)
00:04:27

Ozzy Osbourne, Vocals, Writer - Tony Iommi, Writer, Lead Guitar - Bill Ward, Drums, Writer - Rodger Bain, Producer - Black Sabbath, MainArtist - GEEZER BUTLER, Bass Guitar, Writer - Andy Pearce, Remastering Engineer - Brian Humphries, Engineer - Matt Wortham, Remastering Engineer - Tony Allom, Engineer

© 1970 Gimcastle Ltd. under exclusive license to Sanctuary Records Group Ltd., a BMG Company ℗ 1970 Warner Records Inc.

4
Iron Man (2012 - Remaster)
00:05:53

Ozzy Osbourne, Vocals - Tony Iommi, Composer, Writer, Lead Guitar - Bill Ward, Composer, Drums, Writer - John Osbourne, Composer, Writer - Terence Butler, Composer, Writer - Dan Hersch, Remastering Engineer - Bill Inglot, Remastering Engineer - Rodger Bain, Producer - Black Sabbath, Composer, MainArtist - GEEZER BUTLER, Bass Guitar, Writer - Tom Allom, Engineer - Barry Sheffield, Engineer

© 1970 Gimcastle Ltd. under exclusive license to Sanctuary Records Group Ltd., a BMG Company ℗ 1970 Warner Records Inc.

5
Electric Funeral (2012 - Remaster)
00:04:48

Ozzy Osbourne, Vocals, Writer - Tony Iommi, Writer, Lead Guitar - Bill Ward, Drums, Writer - Rodger Bain, Producer - Black Sabbath, Composer, MainArtist - GEEZER BUTLER, Bass Guitar, Writer - Andy Pearce, Remastering Engineer - Tom Allom, Engineer - Brian Humphries, Engineer - Matt Wortham, Remastering Engineer

© 1970 Gimcastle Ltd. under exclusive license to Sanctuary Records Group Ltd., a BMG Company ℗ 1970 Warner Records Inc.

6
Hand of Doom (2012 - Remaster)
00:07:06

Ozzy Osbourne, Vocals, Writer - Tony Iommi, Writer, Lead Guitar - Bill Ward, Drums, Writer - Rodger Bain, Producer - Black Sabbath, MainArtist - GEEZER BUTLER, Bass Guitar, Writer - Andy Pearce, Remastering Engineer - Brian Humphries, Engineer - Matt Wortham, Remastering Engineer - Tony Allom, Engineer

© 1970 Gimcastle Ltd. under exclusive license to Sanctuary Records Group Ltd., a BMG Company ℗ 1970 Warner Records Inc.

7
Rat Salad (2012 - Remaster)
00:02:28

Ozzy Osbourne, Vocals, Writer - Tony Iommi, Writer, Lead Guitar - Bill Ward, Drums, Writer - Rodger Bain, Producer - Black Sabbath, Composer, MainArtist - GEEZER BUTLER, Bass Guitar, Writer - Andy Pearce, Remastering Engineer - Matt Wortham, Remastering Engineer

© 1970 Gimcastle Ltd. under exclusive license to Sanctuary Records Group Ltd., a BMG Company ℗ 1970 Warner Records Inc.

8
Jack the Stripper / Fairies Wear Boots (2012 - Remaster)
00:06:14

Ozzy Osbourne, Vocals, Writer - Tony Iommi, Writer, Lead Guitar - Bill Ward, Drums, Writer - Rodger Bain, Producer - Black Sabbath, MainArtist - GEEZER BUTLER, Bass Guitar, Writer - Andy Pearce, Remastering Engineer

© 1970 Gimcastle Ltd. under exclusive license to Sanctuary Records Group Ltd., a BMG Company ℗ 1970 Warner Records Inc.

Resenha do Álbum

Paranoid was not only Black Sabbath's most popular record (it was a number one smash in the U.K., and "Paranoid" and "Iron Man" both scraped the U.S. charts despite virtually nonexistent radio play), it also stands as one of the greatest and most influential heavy metal albums of all time. Paranoid refined Black Sabbath's signature sound -- crushingly loud, minor-key dirges loosely based on heavy blues-rock -- and applied it to a newly consistent set of songs with utterly memorable riffs, most of which now rank as all-time metal classics. Where the extended, multi-sectioned songs on the debut sometimes felt like aimless jams, their counterparts on Paranoid have been given focus and direction, lending an epic drama to now-standards like "War Pigs" and "Iron Man" (which sports one of the most immediately identifiable riffs in metal history). The subject matter is unrelentingly, obsessively dark, covering both supernatural/sci-fi horrors and the real-life traumas of death, war, nuclear annihilation, mental illness, drug hallucinations, and narcotic abuse. Yet Sabbath make it totally convincing, thanks to the crawling, muddled bleakness and bad-trip depression evoked so frighteningly well by their music. Even the qualities that made critics deplore the album (and the group) for years increase the overall effect -- the technical simplicity of Ozzy Osbourne's vocals and Tony Iommi's lead guitar vocabulary, the spots when the lyrics sink into melodrama or awkwardness, the lack of subtlety, and the infrequent dynamic contrast. Everything adds up to more than the sum of its parts, as though the anxieties behind the music simply demanded that the band achieve catharsis by steamrolling everything in their path, including their own limitations. Monolithic and primally powerful, Paranoid defined the sound and style of heavy metal more than any other record in rock history.

© Steve Huey /TiVo

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