Streaming ilimitado
Escute agora este álbum em alta qualidade nos nossos aplicativos
Iniciar meu período de teste e começar a escutar este álbumCurta este álbum nos aplicativos Qobuz com a sua assinatura
AssinarCurta este álbum nos aplicativos Qobuz com a sua assinatura
For all that the previous album was called Vini Reilly, Obey the Time was in fact Durutti's most specifically Reilly-only release yet. Even percussion stalwart Mitchell only appeared on one track this time around, the fine, subtly uplifting punch of "Art and Freight," partially due to where Reilly's head was at this time around. Inspired by the late-'80s acid house revolution in England, with his native Manchester firmly at ground zero, Reilly aimed to combine that with his usual guitar approach to see what would happen. Where in nearly any other hands this would have been a pathetic crossover disaster waiting to happen, the end results are gratifyingly like what his compatriots in New Order did the previous year with Technique, synthesizing up-to-date styles to create something distinctly different. Even a title like "Spanish Reggae," which sounds like something out of world music hell, turns out to be both accurate and not a nightmare, with light flamenco snippets and other electric guitar work from Reilly fed through heavy dub echo over a slow, just menacing enough modern dancehall rhythm. While most of the percussion patterns Reilly creates aren't specifically acid in sound, reflecting more hard-slamming electro and synth-funk from earlier years, there's enough of the cusp-of-the-'90s about everything to show he wasn't dating himself. Keyboard stabs, as on "Fridays," clearly show techno's favoring of stuttering, choppy melodies, while Reilly's own knack for what suits a song best means sometimes it's more gentle acoustica and other times full-on electric shimmer and drive. "Hotel of the Lake, 1990" demonstrates his skills well, with a steady beat and clean, funky guitar and bass work accompanied by whooshing, minimal synth loops and, reappearing throughout the song, a classically Durutti five-note guitar melody with deep echo. Other numbers like the gently dramatic "The Warmest Rain" make Obey the Time another fine Durutti release. The 1998 reissue includes a 1990 dance mix by Together and, in an interesting discographical switcheroo, a moody jungle remix of "My Last Kiss" from 1998's Time Was...Gigantic album called, in a knowing nod to New Order's "The Perfect Kiss," "Kiss of Def."
© Ned Raggett /TiVo
Você está escutando amostras.
Escute mais de 100 milhões de músicas com um plano de streaming ilimitado.
Escute esta playlist e mais de 100 milhões de músicas com os nossos planos de streaming ilimitado.
A partir de 8,99€/mês
The Durutti Column, Composer, MainArtist - Vini Reilly, Composer
© 1990 London Records Ltd ℗ 1990 London Music Stream Ltd. LC77554
The Durutti Column, Composer, MainArtist - Vini Reilly, Composer
© 1990 London Records Ltd ℗ 1990 London Music Stream Ltd. LC77554
The Durutti Column, Composer, MainArtist - Vini Reilly, Composer
© 1990 London Records Ltd ℗ 1990 London Music Stream Ltd. LC77554
The Durutti Column, Composer, MainArtist - Vini Reilly, Composer
© 1990 London Records Ltd ℗ 1990 London Music Stream Ltd. LC77554
The Durutti Column, Composer, MainArtist - Vini Reilly, Composer
© 1990 London Records Ltd ℗ 1990 London Music Stream Ltd. LC77554
The Durutti Column, Composer, MainArtist - Vini Reilly, Composer
© 1990 London Records Ltd ℗ 1990 London Music Stream Ltd. LC77554
The Durutti Column, Composer, MainArtist - Vini Reilly, Composer
© 1990 London Records Ltd ℗ 1990 London Music Stream Ltd. LC77554
The Durutti Column, Composer, MainArtist - Vini Reilly, Composer
© 1990 London Records Ltd ℗ 1990 London Music Stream Ltd. LC77554
The Durutti Column, Composer, MainArtist - Vini Reilly, Composer
© 1990 London Records Ltd ℗ 1990 London Music Stream Ltd. LC77554
The Durutti Column, Composer, MainArtist - Vini Reilly, Composer
© 1990 London Records Ltd ℗ 1990 London Music Stream Ltd. LC77554
The Durutti Column, Composer, MainArtist - Vini Reilly, Composer - Together, Remixer - Remixer: Together, Remixer
© 1990 London Records Ltd ℗ 1990 London Music Stream Ltd. LC77554
The Durutti Column, Composer, MainArtist - Vini Reilly, Composer
© 1990 London Records Ltd ℗ 1990 London Music Stream Ltd. LC77554
The Durutti Column, Composer, MainArtist - Vini Reilly, Composer - Keir Stewart, Composer
© 1990 London Records Ltd ℗ 1990 London Music Stream Ltd. LC77554
Resenha do Álbum
For all that the previous album was called Vini Reilly, Obey the Time was in fact Durutti's most specifically Reilly-only release yet. Even percussion stalwart Mitchell only appeared on one track this time around, the fine, subtly uplifting punch of "Art and Freight," partially due to where Reilly's head was at this time around. Inspired by the late-'80s acid house revolution in England, with his native Manchester firmly at ground zero, Reilly aimed to combine that with his usual guitar approach to see what would happen. Where in nearly any other hands this would have been a pathetic crossover disaster waiting to happen, the end results are gratifyingly like what his compatriots in New Order did the previous year with Technique, synthesizing up-to-date styles to create something distinctly different. Even a title like "Spanish Reggae," which sounds like something out of world music hell, turns out to be both accurate and not a nightmare, with light flamenco snippets and other electric guitar work from Reilly fed through heavy dub echo over a slow, just menacing enough modern dancehall rhythm. While most of the percussion patterns Reilly creates aren't specifically acid in sound, reflecting more hard-slamming electro and synth-funk from earlier years, there's enough of the cusp-of-the-'90s about everything to show he wasn't dating himself. Keyboard stabs, as on "Fridays," clearly show techno's favoring of stuttering, choppy melodies, while Reilly's own knack for what suits a song best means sometimes it's more gentle acoustica and other times full-on electric shimmer and drive. "Hotel of the Lake, 1990" demonstrates his skills well, with a steady beat and clean, funky guitar and bass work accompanied by whooshing, minimal synth loops and, reappearing throughout the song, a classically Durutti five-note guitar melody with deep echo. Other numbers like the gently dramatic "The Warmest Rain" make Obey the Time another fine Durutti release. The 1998 reissue includes a 1990 dance mix by Together and, in an interesting discographical switcheroo, a moody jungle remix of "My Last Kiss" from 1998's Time Was...Gigantic album called, in a knowing nod to New Order's "The Perfect Kiss," "Kiss of Def."
© Ned Raggett /TiVo
Sobre o álbum
- 1 disco(s) - 13 faixa(s)
- Duração total: 01:02:17
- Artistas principais: The Durutti Column
- Compositor: Various Composers
- Gravadora: London Music Stream - Because Music
- Género: Rock Alternativo & Indie
© 1990 London Records Ltd ℗ 1990 London Records Ltd
Melhorar as informações do álbum