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John Abercrombie|November

November

John Abercrombie, Marc Johnson, Peter Erskine, John Surman

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This 1993 recording of John Abercrombie's trio with a guest appearance by British saxophone giant and composer John Surman is, without question, a trademark ECM session. There's the spacious, pristine, icy production by label boss Manfred Eicher from his studio in Oslo. Next, all the players are ECM staples with the exception of Erskine, who plays everything from pop jazz to classical music. But there are many things that distinguish it as well. For one, Surman is playing here with a fire not heard since the early '70s. Whether he is blowing a baritone or soprano saxophone or his bass clarinet, he's cutting loose. There are long, looping lines that quote everyone from John Carter to Jim Pepper to Eric Dolphy and Ben Webster. His willingness to seek out the heart of dissonance inspires his bandmates, particularly on "The Cat's Back." From a nuanced, eerie wail to a Native American folk melody to smoky phraseology taken from "Chelsea Bridge," Surman pulls out all the stops and then puts them back in to make the tune whisper. Abercrombie doesn't exactly take a back seat on this date, but he does showcase his expansive knowledge of Tal Farlow's harmonic palette by playing extended chords either inside the melody or as a dissonant counterpoint to Surman. Other standouts include the title track with its strange, even alien, crosstalk between Johnson's bowed bass and Abercormbie's short, knotted leads. On Surman's ballad "Ogeda," too, Abercrombie investigates the manner in which the jazz tradition celebrates dissonant harmonies while using a kind of lyrical improvisation to keep the tune gently swinging. It's a solid session from beginning to end, but one still wishes Eicher would take his hands off the sound controls a bit, allowing some of the rawness that each of these players shows in live settings to enter the studio.

© Thom Jurek /TiVo

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November

John Abercrombie

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1
The Cat's Back
00:06:24

Marc Johnson, Composer, Bass Guitar, MainArtist, AssociatedPerformer - John Abercrombie, Composer, Guitar, MainArtist, AssociatedPerformer - Jan Erik Kongshaug, Recording Engineer, StudioPersonnel - Peter Erskine, Composer, Drums, MainArtist, AssociatedPerformer - John Surman, Composer, Baritone Saxophone, MainArtist, AssociatedPerformer - Manfred Eicher, Producer

℗ 1993 ECM Records GmbH, under exclusive license to Universal Music Classics & Jazz - a division of Universal Music GmbH

2
J.S.
00:06:10

Marc Johnson, Bass Guitar, MainArtist, AssociatedPerformer - John Abercrombie, Composer, Guitar, MainArtist, AssociatedPerformer - Jan Erik Kongshaug, Recording Engineer, StudioPersonnel - Peter Erskine, Drums, MainArtist, AssociatedPerformer - John Surman, Baritone Saxophone, MainArtist, AssociatedPerformer - Manfred Eicher, Producer

℗ 1993 ECM Records GmbH, under exclusive license to Universal Music Classics & Jazz - a division of Universal Music GmbH

3
Right Brain Patrol
00:09:02

Marc Johnson, Composer, Bass Guitar, MainArtist, AssociatedPerformer - John Abercrombie, Guitar, MainArtist, AssociatedPerformer - Jan Erik Kongshaug, Recording Engineer, StudioPersonnel - Peter Erskine, Drums, MainArtist, AssociatedPerformer - John Surman, Baritone Saxophone, MainArtist, AssociatedPerformer - Manfred Eicher, Producer

℗ 1993 ECM Records GmbH, under exclusive license to Universal Music Classics & Jazz - a division of Universal Music GmbH

4
Prelude
00:03:28

Marc Johnson, Bass Guitar, MainArtist, AssociatedPerformer - John Abercrombie, Composer, Guitar, MainArtist, AssociatedPerformer - Jan Erik Kongshaug, Recording Engineer, StudioPersonnel - Peter Erskine, Drums, MainArtist, AssociatedPerformer - John Surman, Baritone Saxophone, MainArtist, AssociatedPerformer - Manfred Eicher, Producer

℗ 1993 ECM Records GmbH, under exclusive license to Universal Music Classics & Jazz - a division of Universal Music GmbH

5
November
00:08:28

Marc Johnson, Composer, Bass Guitar, MainArtist, AssociatedPerformer - John Abercrombie, Composer, Guitar, MainArtist, AssociatedPerformer - Jan Erik Kongshaug, Recording Engineer, StudioPersonnel - Peter Erskine, Composer, Drums, MainArtist, AssociatedPerformer - John Surman, Baritone Saxophone, MainArtist, AssociatedPerformer - Manfred Eicher, Producer

℗ 1993 ECM Records GmbH, under exclusive license to Universal Music Classics & Jazz - a division of Universal Music GmbH

6
Rise And Fall
00:05:18

Marc Johnson, Bass Guitar, MainArtist, AssociatedPerformer - John Abercrombie, Guitar, MainArtist, AssociatedPerformer - Jan Erik Kongshaug, Recording Engineer, StudioPersonnel - Peter Erskine, Composer, Drums, MainArtist, AssociatedPerformer - John Surman, Baritone Saxophone, MainArtist, AssociatedPerformer - Manfred Eicher, Producer

℗ 1993 ECM Records GmbH, under exclusive license to Universal Music Classics & Jazz - a division of Universal Music GmbH

7
John's Waltz
00:05:42

Marc Johnson, Bass Guitar, MainArtist, AssociatedPerformer - John Abercrombie, Composer, Guitar, MainArtist, AssociatedPerformer - Jan Erik Kongshaug, Recording Engineer, StudioPersonnel - Peter Erskine, Drums, MainArtist, AssociatedPerformer - John Surman, Baritone Saxophone, MainArtist, AssociatedPerformer - Manfred Eicher, Producer

℗ 1993 ECM Records GmbH, under exclusive license to Universal Music Classics & Jazz - a division of Universal Music GmbH

8
Ogeda
00:04:38

Marc Johnson, Bass Guitar, MainArtist, AssociatedPerformer - John Abercrombie, Guitar, MainArtist, AssociatedPerformer - Jan Erik Kongshaug, Recording Engineer, StudioPersonnel - Peter Erskine, Drums, MainArtist, AssociatedPerformer - John Surman, Composer, Baritone Saxophone, MainArtist, AssociatedPerformer - Manfred Eicher, Producer

℗ 1993 ECM Records GmbH, under exclusive license to Universal Music Classics & Jazz - a division of Universal Music GmbH

9
Tuesday Afternoon
00:02:59

Marc Johnson, Composer, Bass Guitar, MainArtist, AssociatedPerformer - John Abercrombie, Guitar, MainArtist, AssociatedPerformer - Jan Erik Kongshaug, Recording Engineer, StudioPersonnel - Peter Erskine, Composer, Drums, MainArtist, AssociatedPerformer - John Surman, Baritone Saxophone, MainArtist, AssociatedPerformer - Manfred Eicher, Producer

℗ 1993 ECM Records GmbH, under exclusive license to Universal Music Classics & Jazz - a division of Universal Music GmbH

10
To Be
00:05:22

Marc Johnson, Bass Guitar, MainArtist, AssociatedPerformer - John Abercrombie, Composer, Guitar, MainArtist, AssociatedPerformer - Jan Erik Kongshaug, Recording Engineer, StudioPersonnel - Peter Erskine, Drums, MainArtist, AssociatedPerformer - John Surman, Baritone Saxophone, MainArtist, AssociatedPerformer - Manfred Eicher, Producer

℗ 1993 ECM Records GmbH, under exclusive license to Universal Music Classics & Jazz - a division of Universal Music GmbH

11
Come Rain Or Come Shine
00:06:04

Johnny Mercer, Author - Harold Arlen, Composer - Marc Johnson, Bass Guitar, MainArtist, AssociatedPerformer - John Abercrombie, Guitar, MainArtist, AssociatedPerformer - Jan Erik Kongshaug, Recording Engineer, StudioPersonnel - Peter Erskine, Drums, MainArtist, AssociatedPerformer - John Surman, Baritone Saxophone, MainArtist, AssociatedPerformer - Manfred Eicher, Producer

℗ 1993 ECM Records GmbH, under exclusive license to Universal Music Classics & Jazz - a division of Universal Music GmbH

12
Big Music
00:05:44

Marc Johnson, Bass Guitar, MainArtist, AssociatedPerformer - John Abercrombie, Composer, Guitar, MainArtist, AssociatedPerformer - Jan Erik Kongshaug, Recording Engineer, StudioPersonnel - Peter Erskine, Drums, MainArtist, AssociatedPerformer - John Surman, Baritone Saxophone, MainArtist, AssociatedPerformer - Manfred Eicher, Producer

℗ 1993 ECM Records GmbH, under exclusive license to Universal Music Classics & Jazz - a division of Universal Music GmbH

Resenha do Álbum

This 1993 recording of John Abercrombie's trio with a guest appearance by British saxophone giant and composer John Surman is, without question, a trademark ECM session. There's the spacious, pristine, icy production by label boss Manfred Eicher from his studio in Oslo. Next, all the players are ECM staples with the exception of Erskine, who plays everything from pop jazz to classical music. But there are many things that distinguish it as well. For one, Surman is playing here with a fire not heard since the early '70s. Whether he is blowing a baritone or soprano saxophone or his bass clarinet, he's cutting loose. There are long, looping lines that quote everyone from John Carter to Jim Pepper to Eric Dolphy and Ben Webster. His willingness to seek out the heart of dissonance inspires his bandmates, particularly on "The Cat's Back." From a nuanced, eerie wail to a Native American folk melody to smoky phraseology taken from "Chelsea Bridge," Surman pulls out all the stops and then puts them back in to make the tune whisper. Abercrombie doesn't exactly take a back seat on this date, but he does showcase his expansive knowledge of Tal Farlow's harmonic palette by playing extended chords either inside the melody or as a dissonant counterpoint to Surman. Other standouts include the title track with its strange, even alien, crosstalk between Johnson's bowed bass and Abercormbie's short, knotted leads. On Surman's ballad "Ogeda," too, Abercrombie investigates the manner in which the jazz tradition celebrates dissonant harmonies while using a kind of lyrical improvisation to keep the tune gently swinging. It's a solid session from beginning to end, but one still wishes Eicher would take his hands off the sound controls a bit, allowing some of the rawness that each of these players shows in live settings to enter the studio.

© Thom Jurek /TiVo

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