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Idioma disponível: inglês
Imagine how R&B fans would have felt if, in the early 1990s, 1960s soul goddess Carla Thomas had come out of retirement to return to the charts with a hip-hop influenced remake of one of the Stax smashes she was famous for. Unfortunately, that didn't really happen, but something comparable did happen in reggae in the early 1990s, when Dawn Penn (who had left the music industry in 1970) returned to the charts with a remake of her 1960s smash "You Don't Love Me (No, No, No)." Thankfully, Penn's voice has held up well over the years, and she's in generally good form on 1994's No, No, No, her first full-length album after her comeback. Though the production of Sly Dunbar, Steely & Clevie, and others is slick and high tech, and some of the material has a strong urban contemporary flavor -- especially "I'll Do It Again" and "Samfi Boy" -- much of the CD recalls the type of rocksteady style that Penn was known for in the 1960s. To be sure, "The First Cut Is the Deepest," "Keep in Touch," and a cover of Smokey Robinson's "I Want a Love I Can See" are a lot slicker, glossier, and more produced than Penn's Studio One recordings of the late 1960s. But the rocksteady influence is prominent nonetheless. Although No, No, No isn't as strong as it could have been, it's a respectable, decent effort, and it certainly is nice to see Penn recording again after so many years.
© Alex Henderson /TiVo
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Robinson, Writer - Dawn Penn, Performance, MainArtist
© 2005 Warner Stategic Marketing ℗ 1994 Atlantic Recording Corp.for the United States and WEA International for the world outside of the United States.
Steven Stanley, Mixer - Handel Tucker, Keyboards - Clevie, Producer - Steely, Producer - Craig Kallman, ExecutiveProducer - Glen Brownie, Bass - Errol Brown, Mixer - KEITH GRANT, Engineer - Sly Dunbar, Producer, Drums - J.C. Lodge, Background Vocals - NADINE SUTHERLAND, Background Vocals - Brian Gold, Background Vocals - Prilly Hamilton, Background Vocals - Dawn Penn, Composer, Lyricist, Vocals, MainArtist - Ken Lewis, Engineer - David Cole, Engineer - Rick Essig, Masterer - Sharon Forrester, Background Vocals - Stanrick, Background Vocals - Cleveland "Clevie" Browne, Arranger, Drums, Percussion, Background Vocals, Drum Programmer - Wycliffe "Steely" Johnson, Mixer, Arranger, Keyboards, Organ, Piano, Bass - Tony Gold, Background Vocals - Basil Marshall, ExecutiveProducer - Clive "Azul" Hunt, Arranger, Keyboards, Instruments - Collin "Bulbie" York, Keyboards - Computer Paul, Drums - Corin Pennington, AssistantEngineer - Dalton Brownie, Guitar - Delroy "Fatta" Pottinger, Engineer - Dylan Powe, Drums, Percussion, Writer, ExecutiveProducer - Fatta Marshall, Mixer, Engineer - Geoffrey Chung, Producer, Mixer, Arranger, Keyboards - Guitsy, Guitar - Harry T., Drums, Percussion - Michael "Ibo" Cooper, Trumpet - Mikey Wallace, Background Vocals - Paul Hussey, Mixer, Engineer - Skyjuice, Percussion - Wayne Armond, Guitar, Background Vocals - Bobby Digital, Mixer - Clive Hunt, Writer - Dean Stephens, Vocals - Mikey Chung, Guitar - Robbie Shakespeare, Bass - Shane Brown, Engineer
© 2005 Warner Stategic Marketing ℗ 1994 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States
Clevie, Producer - Steely, Producer - ELLAS MCDANIEL, Writer - Dawn Penn, Composer, MainArtist - Willie C Cobbs, Composer, Writer - Duke Reid, Writer - Euwart McDaniel, Writer
© 2005 Warner Stategic Marketing ℗ 1994 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States
Dawn Penn, Vocals, MainArtist - Horace Swaby, Writer
© 2005 Warner Stategic Marketing ℗ 2004 Atlantic Recording Corp.for the United States and WEA International for the world outside of the United States.
Penn, Writer - Dawn Penn, Performance, MainArtist - Rowe, Writer - Hunt, Writer
© 2005 Warner Stategic Marketing ℗ 1994 Atlantic Recording Corp.for the United States and WEA International for the world outside of the United States.
Dawn Penn, Performance, MainArtist - Georgiou, Writer
© 2005 Warner Stategic Marketing ℗ 1994 Atlantic Recording Corp.for the United States and WEA International for the world outside of the United States.
Dawn Penn, Performance, MainArtist - Pinkney, Writer
© 2005 Warner Stategic Marketing ℗ 1994 Atlantic Recording Corp.for the United States and WEA International for the world outside of the United States.
Penn, Writer - Dawn Penn, Performance, MainArtist
© 2005 Warner Stategic Marketing ℗ 1994 Atlantic Recording Corp.for the United States and WEA International for the world outside of the United States.
Penn, Writer - Dawn Penn, Performance, MainArtist - Chung, Writer - Digital, Writer
© 2005 Warner Stategic Marketing ℗ 1994 Atlantic Recording Corp.for the United States and WEA International for the world outside of the United States.
Cunningham, Writer - Dawn Penn, Performance, MainArtist - Chin, Writer
© 2005 Warner Stategic Marketing ℗ 1994 Atlantic Recording Corp.for the United States and WEA International for the world outside of the United States.
Dawn Penn, Performance, MainArtist - Sutherland, Writer - Browne/Browne, Writer
© 2005 Warner Stategic Marketing ℗ 1994 Atlantic Recording Corp.for the United States and WEA International for the world outside of the United States.
Penn, Writer - Dawn Penn, Performance, MainArtist
© 2005 Warner Stategic Marketing ℗ 1994 Atlantic Recording Corp.for the United States and WEA International for the world outside of the United States.
ELLAS MCDANIEL, Writer - Craig Kallman, ExecutiveProducer - Dawn Penn, Composer, Performance, MainArtist - Basil Marshall, ExecutiveProducer - Dylan Powe, ExecutiveProducer - Willie C Cobbs, Composer, Writer - Steely and Clevie, Producer - Duke Reid, Writer - Euwart McDaniel, Writer
© 2005 Warner Stategic Marketing ℗ 1994 Big Beat Records, Inc.
Resenha do Álbum
Imagine how R&B fans would have felt if, in the early 1990s, 1960s soul goddess Carla Thomas had come out of retirement to return to the charts with a hip-hop influenced remake of one of the Stax smashes she was famous for. Unfortunately, that didn't really happen, but something comparable did happen in reggae in the early 1990s, when Dawn Penn (who had left the music industry in 1970) returned to the charts with a remake of her 1960s smash "You Don't Love Me (No, No, No)." Thankfully, Penn's voice has held up well over the years, and she's in generally good form on 1994's No, No, No, her first full-length album after her comeback. Though the production of Sly Dunbar, Steely & Clevie, and others is slick and high tech, and some of the material has a strong urban contemporary flavor -- especially "I'll Do It Again" and "Samfi Boy" -- much of the CD recalls the type of rocksteady style that Penn was known for in the 1960s. To be sure, "The First Cut Is the Deepest," "Keep in Touch," and a cover of Smokey Robinson's "I Want a Love I Can See" are a lot slicker, glossier, and more produced than Penn's Studio One recordings of the late 1960s. But the rocksteady influence is prominent nonetheless. Although No, No, No isn't as strong as it could have been, it's a respectable, decent effort, and it certainly is nice to see Penn recording again after so many years.
© Alex Henderson /TiVo
Sobre o álbum
- 1 disco(s) - 13 faixa(s)
- Duração total: 00:57:35
- Artistas principais: Dawn Penn
- Compositor: Various Composers
- Gravadora: Rhino Atlantic
- Género: Pop
© 2005 Warner Stategic Marketing ℗ 2005 Warner Strategic Marketing
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