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Art Pepper|No Limit

No Limit

Art Pepper

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Art Pepper's third recording in his comeback years was recorded in a studio but has the emotional intensity and chance-taking improvisations of his live concerts of the period. Joined by his regular group (pianist George Cables, bassist Tony Dumas, and drummer Carl Burnett), Pepper performs lengthy versions of three of his originals (including the modal "My Laurie") and "Ballad of the Sad Young Men." "Mambo de la Pinta" is a little unusual because Pepper overdubbed himself on tenor to join his alto in the ensembles. Throughout this album (and during his final ten years), Art Pepper played every note as if it might be his last one. The passion displayed on this particular album is enough of a reason by itself to acquire it.

© Scott Yanow /TiVo

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1
Rita San
00:07:55

Tony Dumas, Upright Bass, AssociatedPerformer - George Cables, Piano, AssociatedPerformer - Art Pepper, Alto Saxophone, Tenor Saxophone, MainArtist, AssociatedPerformer, ComposerLyricist - Carl Burnette, Drums, AssociatedPerformer - John Koenig, Producer, Recording Producer - Lester Koenig, Producer, Recording Producer - Phil De Lancie, Mastering Engineer, StudioPersonnel

℗ 1978 Contemporary Records

2
Ballad Of The Sad Young Men
00:08:42

Frances Landesman, ComposerLyricist - Tony Dumas, Upright Bass, AssociatedPerformer - George Cables, Piano, AssociatedPerformer - Art Pepper, Alto Saxophone, Tenor Saxophone, MainArtist, AssociatedPerformer - Carl Burnette, Drums, AssociatedPerformer - Thomas J. Wolf Jr., ComposerLyricist - John Koenig, Producer, Recording Producer - Lester Koenig, Producer, Recording Producer - Phil De Lancie, Mastering Engineer, StudioPersonnel

℗ 1978 Contemporary Records

3
My Laurie
00:09:24

Tony Dumas, Upright Bass, AssociatedPerformer - George Cables, Piano, AssociatedPerformer - Art Pepper, Alto Saxophone, Tenor Saxophone, MainArtist, AssociatedPerformer, ComposerLyricist - Carl Burnette, Drums, AssociatedPerformer - John Koenig, Producer, Recording Producer - Lester Koenig, Producer, Recording Producer - Phil De Lancie, Mastering Engineer, StudioPersonnel

℗ 1978 Contemporary Records

4
Mambo De La Pinta
00:12:39

Tony Dumas, Upright Bass, AssociatedPerformer - George Cables, Piano, AssociatedPerformer - Art Pepper, Alto Saxophone, Tenor Saxophone, MainArtist, AssociatedPerformer, ComposerLyricist - Carl Burnette, Drums, AssociatedPerformer - John Koenig, Producer, Recording Producer - Lester Koenig, Producer, Recording Producer - Phil De Lancie, Mastering Engineer, StudioPersonnel

℗ 1978 Contemporary Records

5
No Limit
00:12:38

Tony Dumas, Upright Bass, AssociatedPerformer - George Cables, Piano, AssociatedPerformer - Art Pepper, Alto Saxophone, Tenor Saxophone, MainArtist, AssociatedPerformer, ComposerLyricist - Carl Burnette, Drums, AssociatedPerformer - John Koenig, Producer, Recording Producer - Lester Koenig, Producer, Recording Producer - Phil De Lancie, Mastering Engineer, StudioPersonnel

℗ 1990 Contemporary Records

Resenha do Álbum

Art Pepper's third recording in his comeback years was recorded in a studio but has the emotional intensity and chance-taking improvisations of his live concerts of the period. Joined by his regular group (pianist George Cables, bassist Tony Dumas, and drummer Carl Burnett), Pepper performs lengthy versions of three of his originals (including the modal "My Laurie") and "Ballad of the Sad Young Men." "Mambo de la Pinta" is a little unusual because Pepper overdubbed himself on tenor to join his alto in the ensembles. Throughout this album (and during his final ten years), Art Pepper played every note as if it might be his last one. The passion displayed on this particular album is enough of a reason by itself to acquire it.

© Scott Yanow /TiVo

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