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A Bu|Nikolai Kapustin / A Bu: New Memories

Nikolai Kapustin / A Bu: New Memories

A Bu

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Idioma disponível: inglês

The Russian composer Nikolai Kapustin (1937-2020), who died at the beginning of the pandemic-related cultural hiatus which has been unique with regard to world history, was able to experience considerable appreciation in his last two decades, which recently gained more and more momentum. Coming from the best Soviet aristocracy of piano teaching - Kapustin was a pupil of a pupil of Horowitz's teacher Blumenfeld and then studied with the great Alexander Goldenweiser until 1961 -, he was denied great recognition in the Soviet Union.

As with many great piano composers since Chopin, the cycle of Concert Etudes from the middle of his life is particularly suitable for an introduction to this world of works. Kapustin's typical reference to jazz, which probably kept him from greater success in the Soviet years, is based on the highly individual, deliberate adaptation of stylistic elements. He got to know jazz greats such as Ellington, Basie, Cole, Garner, Peterson and others through records and the radio and picked out what suited him. The extremely sensitive, not monotonously hammering as is so often the case, approach of the Chinese pianist A Bu, who is also trained in jazz, is pleasing with regard to interpretation, and he demonstrates his affinity for Kapustin's music through two samples of his own work. © Wergo

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1
Fantasie “Sleeping in a Dream”, Op. 7
00:07:29

Schott Music GmbH & Co. KG, Mainz, MusicPublisher - A Bu, Composer, MainArtist

(C) 2022 Wergo (P) 2022 Wergo

2
Variations for Piano, Op. 41
00:07:23

Nikolai Kapustin, Composer - Schott Music GmbH & Co. KG, Mainz, MusicPublisher - A Bu, MainArtist

(C) 2022 Wergo (P) 2022 Wergo

3
Concert Studies (Etudes) for Piano, Op. 40: I. Prelude
00:02:13

Nikolai Kapustin, Composer - Schott Music GmbH & Co. KG, Mainz, MusicPublisher - A Bu, MainArtist

(C) 2022 Wergo (P) 2022 Wergo

4
Concert Studies (Etudes) for Piano, Op. 40: II. Reveriek
00:03:11

Nikolai Kapustin, Composer - Schott Music GmbH & Co. KG, Mainz, MusicPublisher - A Bu, MainArtist

(C) 2022 Wergo (P) 2022 Wergo

5
Concert Studies (Etudes) for Piano, Op. 40: III. Toccatina
00:02:18

Nikolai Kapustin, Composer - Schott Music GmbH & Co. KG, Mainz, MusicPublisher - A Bu, MainArtist

(C) 2022 Wergo (P) 2022 Wergo

6
Concert Studies (Etudes) for Piano, Op. 40: IV. Reminiscence
00:04:31

Nikolai Kapustin, Composer - Schott Music GmbH & Co. KG, Mainz, MusicPublisher - A Bu, MainArtist

(C) 2022 Wergo (P) 2022 Wergo

7
Concert Studies (Etudes) for Piano, Op. 40: V. Raillery
00:02:31

Nikolai Kapustin, Composer - Schott Music GmbH & Co. KG, Mainz, MusicPublisher - A Bu, MainArtist

(C) 2022 Wergo (P) 2022 Wergo

8
Concert Studies (Etudes) for Piano, Op. 40: VI. Pastoral
00:02:39

Nikolai Kapustin, Composer - Schott Music GmbH & Co. KG, Mainz, MusicPublisher - A Bu, MainArtist

(C) 2022 Wergo (P) 2022 Wergo

9
Concert Studies (Etudes) for Piano, Op. 40: VII. Intermezzo
00:03:51

Nikolai Kapustin, Composer - Schott Music GmbH & Co. KG, Mainz, MusicPublisher - A Bu, MainArtist

(C) 2022 Wergo (P) 2022 Wergo

10
Concert Studies (Etudes) for Piano, Op. 40: VIII. Finale
00:02:36

Nikolai Kapustin, Composer - Schott Music GmbH & Co. KG, Mainz, MusicPublisher - A Bu, MainArtist

(C) 2022 Wergo (P) 2022 Wergo

11
Piano Sonata No. 1 “Pinus”: I. Vivace
00:04:06

Schott Music GmbH & Co. KG, Mainz, MusicPublisher - A Bu, Composer, MainArtist

(C) 2022 Wergo (P) 2022 Wergo

12
Piano Sonata No. 1 “Pinus”: II. Moderato
00:04:22

Schott Music GmbH & Co. KG, Mainz, MusicPublisher - A Bu, Composer, MainArtist

(C) 2022 Wergo (P) 2022 Wergo

13
Piano Sonata No. 1 “Pinus”: III. Scherzo
00:03:13

Schott Music GmbH & Co. KG, Mainz, MusicPublisher - A Bu, Composer, MainArtist

(C) 2022 Wergo (P) 2022 Wergo

14
Piano Sonata No. 1 “Pinus”: IV. Finale. Allegro molto – L’istesso tempo
00:05:23

Schott Music GmbH & Co. KG, Mainz, MusicPublisher - A Bu, Composer, MainArtist

(C) 2022 Wergo (P) 2022 Wergo

Resenha do Álbum

The Russian composer Nikolai Kapustin (1937-2020), who died at the beginning of the pandemic-related cultural hiatus which has been unique with regard to world history, was able to experience considerable appreciation in his last two decades, which recently gained more and more momentum. Coming from the best Soviet aristocracy of piano teaching - Kapustin was a pupil of a pupil of Horowitz's teacher Blumenfeld and then studied with the great Alexander Goldenweiser until 1961 -, he was denied great recognition in the Soviet Union.

As with many great piano composers since Chopin, the cycle of Concert Etudes from the middle of his life is particularly suitable for an introduction to this world of works. Kapustin's typical reference to jazz, which probably kept him from greater success in the Soviet years, is based on the highly individual, deliberate adaptation of stylistic elements. He got to know jazz greats such as Ellington, Basie, Cole, Garner, Peterson and others through records and the radio and picked out what suited him. The extremely sensitive, not monotonously hammering as is so often the case, approach of the Chinese pianist A Bu, who is also trained in jazz, is pleasing with regard to interpretation, and he demonstrates his affinity for Kapustin's music through two samples of his own work. © Wergo

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