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Steve Reich|New Sounds In Electronic Music

New Sounds In Electronic Music

Steve Reich, Richard Maxfield & Pauline Oliveros

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Idioma disponível: inglês

One of the most beautifully pressed vinyls of electronic music with 3 important works: Steve Reich "Come Out" (see Reich's Early Works), Richard Maxfield "Night Music," and Pauline Oliveros "I of IV." Maxfield's "Night Music" is an exquisite pre-synthesizer electronic music made -- like his pieces "Sine Music" (1959) and "Trinity Piece" (1960) -- with only the supersonic bias signal of a tape recorder and a supersonic sawtooth waveform from an oscilloscope producing audio range difference tone "ghosts". Identical in feeling to a response to the sound of birds and insects on a summer night in a city park. "I of IV" is a good example of Oliveros' earlier electronic music using a configuration of tape recorders patched into each other with magnetic tape spliced in loops so that a form of "automatic generation" system was created by feedback. Similar to Richard Maxfield, Oliveros used bias frequencies of tape recorders and difference, or lower "ghost tones" produced by the interference of very high frequencies.

© "Blue" Gene Tyranny /TiVo

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New Sounds In Electronic Music

Steve Reich

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1
Richard Maxfield - Night Music
Richard Maxfield
00:09:05

Richard Maxfield, Composer, MainArtist, AssociatedPerformer

Originally released 1967. All rights reserved by Columbia Records, a division of Sony Music Entertainment

2
Steve Reich - Come Out
Steve Reich
00:12:53

Steve Reich, Composer, MainArtist, AssociatedPerformer

Originally released 1967. All rights reserved by Columbia Records, a division of Sony Music Entertainment

3
Pauline Oliveros - I of IV
Pauline Oliveros
00:20:31

Pauline Oliveros, Composer, MainArtist, AssociatedPerformer

Originally released 1967. All rights reserved by Columbia Records, a division of Sony Music Entertainment

Resenha do Álbum

One of the most beautifully pressed vinyls of electronic music with 3 important works: Steve Reich "Come Out" (see Reich's Early Works), Richard Maxfield "Night Music," and Pauline Oliveros "I of IV." Maxfield's "Night Music" is an exquisite pre-synthesizer electronic music made -- like his pieces "Sine Music" (1959) and "Trinity Piece" (1960) -- with only the supersonic bias signal of a tape recorder and a supersonic sawtooth waveform from an oscilloscope producing audio range difference tone "ghosts". Identical in feeling to a response to the sound of birds and insects on a summer night in a city park. "I of IV" is a good example of Oliveros' earlier electronic music using a configuration of tape recorders patched into each other with magnetic tape spliced in loops so that a form of "automatic generation" system was created by feedback. Similar to Richard Maxfield, Oliveros used bias frequencies of tape recorders and difference, or lower "ghost tones" produced by the interference of very high frequencies.

© "Blue" Gene Tyranny /TiVo

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