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Depeche Mode|Music for the Masses

Music for the Masses

Depeche Mode

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Idioma disponível: inglês

Initially the title must have sounded like an incredibly pretentious boast, except that Depeche Mode then went on to do a monstrous world tour, score even more hits in America and elsewhere than ever before, and pick up a large number of name checks from emerging house and techno artists on top of all that. As for the music the masses got this time around, the opening cut, "Never Let Me Down Again," started things off wonderfully: a compressed guitar riff suddenly slamming into a huge-sounding percussion/keyboard/piano combination, anchored to a constantly repeated melodic hook, ever-building synth/orchestral parts at the song's end, and one of David Gahan's best vocals (though admittedly singing one of Martin Gore's more pedestrian lyrics). It feels huge throughout, like they taped Depeche recording at the world's largest arena show instead of in a studio. Other key singles "Strangelove" and the (literally) driving "Behind the Wheel" maintained the same blend of power and song skill, while some of the quieter numbers such as "The Things You Said" and "I Want You Now" showed musical and lyrical intimacy could easily co-exist with the big chart-busters. Add to that other winners like "To Have and to Hold," with its Russian radio broadcast start and dramatic, downward spiral of music accompanied by Gahan's subtly powerful take on a desperate Gore love lyric, and the weird, wonderful choral closer, "Pimpf," and Depeche's massive success becomes perfectly clear.

© Ned Raggett /TiVo

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Music for the Masses

Depeche Mode

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1
Never Let Me Down Again
00:04:48

Depeche Mode, Main Artist

(P) 1987 Mute Records Limited, a BMG company, under exclusive license to Sony Music Entertainment

2
The Things You Said
00:03:55

Depeche Mode, Main Artist

(P) 1987 Mute Records Limited, a BMG company, under exclusive license to Sony Music Entertainment

3
Strangelove
00:04:56

Depeche Mode, Main Artist

(P) 1987 Mute Records Limited, a BMG company, under exclusive license to Sony Music Entertainment

4
Sacred
00:04:44

Depeche Mode, Main Artist

(P) 1987 Mute Records Limited, a BMG company, under exclusive license to Sony Music Entertainment

5
Little 15
00:04:15

Depeche Mode, Main Artist

(P) 1987 Mute Records Limited, a BMG company, under exclusive license to Sony Music Entertainment

6
Behind The Wheel
00:05:18

Depeche Mode, Main Artist

(P) 1987 Mute Records Limited, a BMG company, under exclusive license to Sony Music Entertainment

7
I Want You Now
00:03:44

Depeche Mode, Main Artist

(P) 1987 Mute Records Limited, a BMG company, under exclusive license to Sony Music Entertainment

8
To Have And To Hold
00:02:51

Depeche Mode, Main Artist

(P) 1987 Mute Records Limited, a BMG company, under exclusive license to Sony Music Entertainment

9
Nothing
00:04:13

Depeche Mode, Main Artist

(P) 1987 Mute Records Limited, a BMG company, under exclusive license to Sony Music Entertainment

10
Pimpf
00:04:57

Depeche Mode, Main Artist

(P) 1987 Mute Records Limited, a BMG company, under exclusive license to Sony Music Entertainment

11
Agent Orange
00:05:04

Depeche Mode, Main Artist

(P) 1987 Venusnote Ltd. under exclusive license to Sony Music Entertainment International

12
Never Let Me Down Again (Aggro Mix)
00:04:56

Depeche Mode, Main Artist

(P) 1987 Venusnote Ltd. under exclusive license to Sony Music Entertainment International Ltd.

13
To Have and to Hold (Spanish Taster)
00:02:35

Depeche Mode, Main Artist

(P) 1987 Venusnote Ltd. under exclusive license to Sony Music Entertainment International

14
Pleasure, Little Treasure (Glitter Mix)
00:05:35

Depeche Mode, Main Artist

(P) 1987 Venusnote Ltd. under exclusive license to Sony Music Entertainment International Ltd.

Resenha do Álbum

Initially the title must have sounded like an incredibly pretentious boast, except that Depeche Mode then went on to do a monstrous world tour, score even more hits in America and elsewhere than ever before, and pick up a large number of name checks from emerging house and techno artists on top of all that. As for the music the masses got this time around, the opening cut, "Never Let Me Down Again," started things off wonderfully: a compressed guitar riff suddenly slamming into a huge-sounding percussion/keyboard/piano combination, anchored to a constantly repeated melodic hook, ever-building synth/orchestral parts at the song's end, and one of David Gahan's best vocals (though admittedly singing one of Martin Gore's more pedestrian lyrics). It feels huge throughout, like they taped Depeche recording at the world's largest arena show instead of in a studio. Other key singles "Strangelove" and the (literally) driving "Behind the Wheel" maintained the same blend of power and song skill, while some of the quieter numbers such as "The Things You Said" and "I Want You Now" showed musical and lyrical intimacy could easily co-exist with the big chart-busters. Add to that other winners like "To Have and to Hold," with its Russian radio broadcast start and dramatic, downward spiral of music accompanied by Gahan's subtly powerful take on a desperate Gore love lyric, and the weird, wonderful choral closer, "Pimpf," and Depeche's massive success becomes perfectly clear.

© Ned Raggett /TiVo

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