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When Gioachino Rossini died in 1868, Giuseppe Verdi proposed to his publisher that a group of Italy's top composers get together to write a requiem mass in his honor. Verdi himself contributed the concluding Libera me, a powerful first draft for the parallel section in his own Requiem a few years later. One thing that's striking about the rest of the roster is that all are almost completely unknown today; the few other big names of the day did not participate (the aging Saverio Mercadante turned Verdi down, while Amilcare Ponchielli and Arrigo Boito had not yet really made their reputations). Even more striking is the high quality of most of the music. The initial performance was shelved, apparently due to Verdi's lack of follow-up, and to squabbling among the lesser principals, but inferior music doesn't seem to have contributed to this. Yes, the Verdi Libera me stands head and shoulders above the rest, but any number of the other sections, if heard alone and without context, might make you wonder which early Verdi opera they came from. Many, naturally enough, are conceived of as little operatic arias or scenes, and the composers achieve structures that are distinct from Verdi's even if less intense. Sample the Lux aeterna of Teodulo Mabellini (who ended up leading a males-only performance of Mozart's Requiem in D minor, K. 626, at Santa Croce after the Verdi project fell through), with its vivid realization of the appearance of perpetual light. The work has been recorded once before, by historical-instrument specialist Helmuth Rilling, but it benefits from the approach of conductor Riccardo Chailly and the Coro e Orchestra del Teatro alla Scala, who grasp the dramatic quality of most of the pieces. The singers will not set the stage on fire, and the boxy La Scala sound is typical of the venue. But this is certainly recommended to anyone interested in Verdi and his milieu.
© TiVo
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Messa per Rossini (Antonio Buzzolla)
Coro del Teatro Carlo Felice - Orchestra del Teatro alla Scala di Milano - Riccardo Chailly, Conductor - Antonio Buzzolla, Composer
℗ 2018 Decca Music Group Limited
Coro del Teatro Carlo Felice - Orchestra del Teatro alla Scala di Milano - Riccardo Chailly, Conductor - Antonio Bazzini, Composer
℗ 2018 Decca Music Group Limited
Simone Piazzola, Baritone - Coro del Teatro Carlo Felice - Orchestra del Teatro alla Scala di Milano - Riccardo Chailly, Conductor - Carlo Pedrotti, Composer
℗ 2018 Decca Music Group Limited
Veronica Simeoni, Mezzo-Soprano - María José Siri, Soprano - Orchestra del Teatro alla Scala di Milano - Riccardo Chailly, Conductor - Antonio Cagnoni, Composer
℗ 2018 Decca Music Group Limited
María José Siri, Soprano - Veronica Simeoni, Mezzo-Soprano - Simone Piazzola, Baritone - Riccardo Zanellato, Bass - Orchestra del Teatro alla Scala di Milano - Riccardo Chailly, Conductor - Federico Ricci, Composer
℗ 2018 Decca Music Group Limited
Giorgio Berrugi, Tenor - Coro del Teatro Carlo Felice - Orchestra del Teatro alla Scala di Milano - Riccardo Chailly, Conductor - Alessandro Nini, Composer
℗ 2018 Decca Music Group Limited
Riccardo Zanellato, Bass - Coro del Teatro Carlo Felice - Orchestra del Teatro alla Scala di Milano - Riccardo Chailly, Conductor - Raimondo Boucheron, Composer
℗ 2018 Decca Music Group Limited
Coro del Teatro Carlo Felice - Orchestra del Teatro alla Scala di Milano - Riccardo Chailly, Conductor - Carlo Coccia, Composer
℗ 2018 Decca Music Group Limited
María José Siri, Soprano - Giorgio Berrugi, Tenor - Simone Piazzola, Baritone - Riccardo Zanellato, Bass - Coro del Teatro Carlo Felice - Orchestra del Teatro alla Scala di Milano - Riccardo Chailly, Conductor - Gaetano Gaspari, Composer
℗ 2018 Decca Music Group Limited
María José Siri, Soprano - Coro del Teatro Carlo Felice - Orchestra del Teatro alla Scala di Milano - Riccardo Chailly, Conductor - Pietro Platania, Composer
℗ 2018 Decca Music Group Limited
Veronica Simeoni, Mezzo-Soprano - Orchestra del Teatro alla Scala di Milano - Riccardo Chailly, Conductor - Lauro Rossi, Composer
℗ 2018 Decca Music Group Limited
Giorgio Berrugi, Tenor - Simone Piazzola, Baritone - Riccardo Zanellato, Bass - Orchestra del Teatro alla Scala di Milano - Riccardo Chailly, Conductor - Teodulo Mabellini, Composer
℗ 2018 Decca Music Group Limited
María José Siri, Soprano - Coro del Teatro Carlo Felice - Orchestra del Teatro alla Scala di Milano - Riccardo Chailly, Conductor - Giuseppe Verdi, Composer
℗ 2018 Decca Music Group Limited
Resenha do Álbum
When Gioachino Rossini died in 1868, Giuseppe Verdi proposed to his publisher that a group of Italy's top composers get together to write a requiem mass in his honor. Verdi himself contributed the concluding Libera me, a powerful first draft for the parallel section in his own Requiem a few years later. One thing that's striking about the rest of the roster is that all are almost completely unknown today; the few other big names of the day did not participate (the aging Saverio Mercadante turned Verdi down, while Amilcare Ponchielli and Arrigo Boito had not yet really made their reputations). Even more striking is the high quality of most of the music. The initial performance was shelved, apparently due to Verdi's lack of follow-up, and to squabbling among the lesser principals, but inferior music doesn't seem to have contributed to this. Yes, the Verdi Libera me stands head and shoulders above the rest, but any number of the other sections, if heard alone and without context, might make you wonder which early Verdi opera they came from. Many, naturally enough, are conceived of as little operatic arias or scenes, and the composers achieve structures that are distinct from Verdi's even if less intense. Sample the Lux aeterna of Teodulo Mabellini (who ended up leading a males-only performance of Mozart's Requiem in D minor, K. 626, at Santa Croce after the Verdi project fell through), with its vivid realization of the appearance of perpetual light. The work has been recorded once before, by historical-instrument specialist Helmuth Rilling, but it benefits from the approach of conductor Riccardo Chailly and the Coro e Orchestra del Teatro alla Scala, who grasp the dramatic quality of most of the pieces. The singers will not set the stage on fire, and the boxy La Scala sound is typical of the venue. But this is certainly recommended to anyone interested in Verdi and his milieu.
© TiVo
Detalhes da gravação original : Recording Location: Teatro alla Scala, Milan, 8–15 November 2017 (Live Recording)
Sobre o álbum
- 1 disco(s) - 13 faixa(s)
- Duração total: 01:40:36
- 1 Folheto digital
- Artista principal: Riccardo Chailly
- Compositor: Various Composers
- Gravadora: Decca Music Group Ltd.
- Área: Italie
- Género: Clássica Música vocal sagrada Missas, Paixões, Requiems
- Época: Música Romântica
© 2018 Decca Music Group Limited ℗ 2018 Decca Music Group Limited
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