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Joseph Middleton|Mahler Songs

Mahler Songs

Joseph Middleton & Sarah Connolly

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Idioma disponível: inglês

The art song might seem to present Mahler's style in miniature, but actually song pervaded his output. Some of the vocal movements in his symphonies use his songs directly, and beyond this, his interests in and treatments of German poetry set the tone for a major strand of his work, in general. Consider the grim Kindertotenlieder ("Songs on the Deaths of Children"), setting texts by Friedrich Rückert. Mezzo-soprano Sarah Connolly, recently recovered from cancer surgery when this recording was made in 2021, seems to find resonance in these, and her voice, always persuasive in Mahler, has a rather uncannily fragile quality in these quiet songs. In the bigger songs from the Rückert-Lieder and Lieder eines fahrenden Gesellen sets, Connolly has to apply a lot of vibrato by this time; listeners' reaction to this will vary, but she is nowhere less than emotionally honest and engaged here. Sample Wenn dein Mütterlein from the Kindertotenlieder, truly heartbreaking in Connolly's hands. Joseph Middleton, always a top-notch accompanist, outdoes himself here, introducing hints of the hidden psychological currents that make these songs so absorbing. A fine entry in Connolly's late-career turn toward Mahler specialization, this made classical best-seller lists in the summer of 2023.

© James Manheim /TiVo

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Mahler Songs

Joseph Middleton

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1
Rückert-Lieder (Version for Voice & Piano): II. Ich atmet' einen linden Duft!
00:02:40

Gustav Mahler, Composer - PUBLIC DOMAIN, MusicPublisher - Sarah Connolly, MainArtist - Joseph Middleton, MainArtist

(C) 2023 Signum Classics (P) 2023 Signum Records

2
Rückert-Lieder (Version for Voice & Piano): I. Blicke mir nicht in die Lieder!
00:01:33

Gustav Mahler, Composer - PUBLIC DOMAIN, MusicPublisher - Sarah Connolly, MainArtist - Joseph Middleton, MainArtist

(C) 2023 Signum Classics (P) 2023 Signum Records

3
Rückert-Lieder (Version for Voice & Piano): IV. Um Mitternacht
00:06:24

Gustav Mahler, Composer - PUBLIC DOMAIN, MusicPublisher - Sarah Connolly, MainArtist - Joseph Middleton, MainArtist

(C) 2023 Signum Classics (P) 2023 Signum Records

4
Rückert-Lieder (Version for Voice & Piano): V. Liebst du um Schönheit
00:02:30

Gustav Mahler, Composer - PUBLIC DOMAIN, MusicPublisher - Sarah Connolly, MainArtist - Joseph Middleton, MainArtist

(C) 2023 Signum Classics (P) 2023 Signum Records

5
Rückert-Lieder (Version for Voice & Piano): III. Ich bin der Welt abhanden gekommen
00:07:07

Gustav Mahler, Composer - PUBLIC DOMAIN, MusicPublisher - Sarah Connolly, MainArtist - Joseph Middleton, MainArtist

(C) 2023 Signum Classics (P) 2023 Signum Records

6
Lieder eines fahrenden Gesellen (Version for Voice & Piano): No. 1, Wenn mein Schatz Hochzeit macht
00:03:51

Gustav Mahler, Composer - PUBLIC DOMAIN, MusicPublisher - Sarah Connolly, MainArtist - Joseph Middleton, MainArtist

(C) 2023 Signum Classics (P) 2023 Signum Records

7
Lieder eines fahrenden Gesellen (Version for Voice & Piano): No. 2, Ging heut morgen übers Feld
00:04:25

Gustav Mahler, Composer - PUBLIC DOMAIN, MusicPublisher - Sarah Connolly, MainArtist - Joseph Middleton, MainArtist

(C) 2023 Signum Classics (P) 2023 Signum Records

8
Lieder eines fahrenden Gesellen (Version for Voice & Piano): No. 3, Ich hab' ein glühend Messer
00:03:21

Gustav Mahler, Composer - PUBLIC DOMAIN, MusicPublisher - Sarah Connolly, MainArtist - Joseph Middleton, MainArtist

(C) 2023 Signum Classics (P) 2023 Signum Records

9
Lieder eines fahrenden Gesellen (Version for Voice & Piano): No. 4, Die zwei blauen Augen von meinem Schatz
00:06:00

Gustav Mahler, Composer - PUBLIC DOMAIN, MusicPublisher - Sarah Connolly, MainArtist - Joseph Middleton, MainArtist

(C) 2023 Signum Classics (P) 2023 Signum Records

10
Kindertotenlieder (Version for Voice & Piano): No. 1, Nun will die Sonn' so hell aufgeh'n
00:05:08

Gustav Mahler, Composer - PUBLIC DOMAIN, MusicPublisher - Sarah Connolly, MainArtist - Joseph Middleton, MainArtist

(C) 2023 Signum Classics (P) 2023 Signum Records

11
Kindertotenlieder (Version for Voice & Piano): No. 2, Nun seh' ich wohl, warum so dunkle Flammen
00:04:50

Gustav Mahler, Composer - PUBLIC DOMAIN, MusicPublisher - Sarah Connolly, MainArtist - Joseph Middleton, MainArtist

(C) 2023 Signum Classics (P) 2023 Signum Records

12
Kindertotenlieder (Version for Voice & Piano): No. 3, Wenn dein Mütterlein
00:04:29

Gustav Mahler, Composer - PUBLIC DOMAIN, MusicPublisher - Sarah Connolly, MainArtist - Joseph Middleton, MainArtist

(C) 2023 Signum Classics (P) 2023 Signum Records

13
Kindertotenlieder (Version for Voice & Piano): No. 4, Oft denk' ich, sie sind nur ausgegangen
00:02:46

Gustav Mahler, Composer - PUBLIC DOMAIN, MusicPublisher - Sarah Connolly, MainArtist - Joseph Middleton, MainArtist

(C) 2023 Signum Classics (P) 2023 Signum Records

14
Kindertotenlieder (Version for Voice & Piano): No. 5, In diesem Wetter
00:06:12

Gustav Mahler, Composer - PUBLIC DOMAIN, MusicPublisher - Sarah Connolly, MainArtist - Joseph Middleton, MainArtist

(C) 2023 Signum Classics (P) 2023 Signum Records

Resenha do Álbum

The art song might seem to present Mahler's style in miniature, but actually song pervaded his output. Some of the vocal movements in his symphonies use his songs directly, and beyond this, his interests in and treatments of German poetry set the tone for a major strand of his work, in general. Consider the grim Kindertotenlieder ("Songs on the Deaths of Children"), setting texts by Friedrich Rückert. Mezzo-soprano Sarah Connolly, recently recovered from cancer surgery when this recording was made in 2021, seems to find resonance in these, and her voice, always persuasive in Mahler, has a rather uncannily fragile quality in these quiet songs. In the bigger songs from the Rückert-Lieder and Lieder eines fahrenden Gesellen sets, Connolly has to apply a lot of vibrato by this time; listeners' reaction to this will vary, but she is nowhere less than emotionally honest and engaged here. Sample Wenn dein Mütterlein from the Kindertotenlieder, truly heartbreaking in Connolly's hands. Joseph Middleton, always a top-notch accompanist, outdoes himself here, introducing hints of the hidden psychological currents that make these songs so absorbing. A fine entry in Connolly's late-career turn toward Mahler specialization, this made classical best-seller lists in the summer of 2023.

© James Manheim /TiVo

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