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Croydon Philharmonic Choir|Maconchy: Héloïse and Abelard (Live)

Maconchy: Héloïse and Abelard (Live)

James Gaddarn, English Symphony Orchestra, Croydon Philharmonic Choir

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Nothing could be more telling in terms of what audiences want vs. what they have been served than the success of the Lyrita label's series of historical recordings of British music. With little publicity and budget, the label has unearthed performances of, in most cases, completely unfamiliar music from the 1950s through the 1970s, and buyers have been lapping them up. Consider Elizabeth Maconchy, a composer known for her chamber music if at all. Héloïse and Abelard, based on the medieval correspondence recounting the romance between the young nun Héloïse and her teacher, has hardly been performed since its late-1970s premiere. The work is designated as an oratorio, but an imaginative director could perhaps stage it as a chamber opera, so passionate is its vocal writing; the Croydon Philharmonic Choir serves mostly as a frame for the passionate affair of Héloïse and Abelard, and the strictures placed upon it by Héloïse's uncle, the canon Fulbert. This isn't an extraordinary performance; Tom McDonnell as Abelard is too straitlaced, and the BBC broadcast sound from 1979 is no more than adequate. The grandeur of the work comes through, however, and ought to inspire a repeat performance.

© TiVo

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Maconchy: Héloïse and Abelard (Live)

Croydon Philharmonic Choir

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Héloïse and Abelard, Scene 1 (Dame Elisabeth Maconchy)

1
In the Pleasant Spring-Time (Live)
Croydon Philharmonic Choir
00:03:58

Elizabeth Maconchy, Composer - English Symphony Orchestra, Orchestra - Croydon Philharmonic Choir, Choir, MainArtist - James Gaddarn, Conductor

(C) 2018 Lyrita (P) 2018 Lyrita

Héloïse and Abelard, Scene 2 (Dame Elisabeth Maconchy)

2
So Farewell, No More for Today - This Charming Girl (Live)
Hannah Francis
00:08:18

Tom McDonnell, Artist - Philip Langridge, Artist - Elizabeth Maconchy, Composer - English Symphony Orchestra, Orchestra - Hannah Francis, Artist, MainArtist - Croydon Philharmonic Choir, Choir - James Gaddarn, Conductor

(C) 2018 Lyrita (P) 2018 Lyrita

Héloïse and Abelard, Scene 3 (Dame Elisabeth Maconchy)

3
Ah My Beloved Niece (Live)
Hannah Francis
00:09:31

Tom McDonnell, Artist - Philip Langridge, Artist - Elizabeth Maconchy, Composer - English Symphony Orchestra, Orchestra - Hannah Francis, Artist, MainArtist - Croydon Philharmonic Choir, Choir - James Gaddarn, Conductor

(C) 2018 Lyrita (P) 2018 Lyrita

Héloïse and Abelard (Dame Elisabeth Maconchy)

4
Interlude (Live)
English Symphony Orchestra
00:02:38

Elizabeth Maconchy, Composer - English Symphony Orchestra, Orchestra, MainArtist - James Gaddarn, Conductor

(C) 2018 Lyrita (P) 2018 Lyrita

Héloïse and Abelard, Scene 4 (Dame Elisabeth Maconchy)

5
Sleep Sound - Abelard! (Live)
Hannah Francis
00:14:45

Tom McDonnell, Artist - Elizabeth Maconchy, Composer - English Symphony Orchestra, Orchestra - Hannah Francis, Artist, MainArtist - Croydon Philharmonic Choir, Choir - James Gaddarn, Conductor

(C) 2018 Lyrita (P) 2018 Lyrita

Héloïse and Abelard, Scene 5 (Dame Elisabeth Maconchy)

6
Abelard, False Abelard! (Live)
Philip Langridge
00:03:16

Philip Langridge, Artist, MainArtist - Elizabeth Maconchy, Composer - English Symphony Orchestra, Orchestra - James Gaddarn, Conductor

(C) 2018 Lyrita (P) 2018 Lyrita

7
Ah, Abelard, Peter Aberlard (Live)
Croydon Philharmonic Choir
00:05:07

Elizabeth Maconchy, Composer - English Symphony Orchestra, Orchestra - Croydon Philharmonic Choir, Choir, MainArtist - James Gaddarn, Conductor

(C) 2018 Lyrita (P) 2018 Lyrita

Héloïse and Abelard, Scene 6 (Dame Elisabeth Maconchy)

8
Let Christians Offer Praises (Live)
Hannah Francis
00:02:11

Elizabeth Maconchy, Composer - English Symphony Orchestra, Orchestra - Hannah Francis, Artist, MainArtist - Croydon Philharmonic Choir, Choir - James Gaddarn, Conductor

(C) 2018 Lyrita (P) 2018 Lyrita

9
Héloïse, Our Beloved Héloïse (Live)
Hannah Francis
00:07:25

Elizabeth Maconchy, Composer - English Symphony Orchestra, Orchestra - Hannah Francis, Artist, MainArtist - Croydon Philharmonic Choir, Choir - James Gaddarn, Conductor

(C) 2018 Lyrita (P) 2018 Lyrita

Héloïse and Abelard, Scene 7 (Dame Elisabeth Maconchy)

10
O Quanta Qualia (Live)
Croydon Philharmonic Choir
00:03:45

Elizabeth Maconchy, Composer - English Symphony Orchestra, Orchestra - Croydon Philharmonic Choir, Choir, MainArtist - James Gaddarn, Conductor

(C) 2018 Lyrita (P) 2018 Lyrita

Héloïse and Abelard, Scene 8 (Dame Elisabeth Maconchy)

11
Buried at Thy Side (Live)
Tom McDonnell
00:03:22

Tom McDonnell, Artist, MainArtist - Elizabeth Maconchy, Composer - English Symphony Orchestra, Orchestra - James Gaddarn, Conductor

(C) 2018 Lyrita (P) 2018 Lyrita

Héloïse and Abelard, Scene 9 (Dame Elisabeth Maconchy)

12
Let Him Rest from His Sad Labour and Love (Live)
Hannah Francis
00:07:46

Elizabeth Maconchy, Composer - English Symphony Orchestra, Orchestra - Hannah Francis, Artist, MainArtist - Croydon Philharmonic Choir, Choir - James Gaddarn, Conductor

(C) 2018 Lyrita (P) 2018 Lyrita

Resenha do Álbum

Nothing could be more telling in terms of what audiences want vs. what they have been served than the success of the Lyrita label's series of historical recordings of British music. With little publicity and budget, the label has unearthed performances of, in most cases, completely unfamiliar music from the 1950s through the 1970s, and buyers have been lapping them up. Consider Elizabeth Maconchy, a composer known for her chamber music if at all. Héloïse and Abelard, based on the medieval correspondence recounting the romance between the young nun Héloïse and her teacher, has hardly been performed since its late-1970s premiere. The work is designated as an oratorio, but an imaginative director could perhaps stage it as a chamber opera, so passionate is its vocal writing; the Croydon Philharmonic Choir serves mostly as a frame for the passionate affair of Héloïse and Abelard, and the strictures placed upon it by Héloïse's uncle, the canon Fulbert. This isn't an extraordinary performance; Tom McDonnell as Abelard is too straitlaced, and the BBC broadcast sound from 1979 is no more than adequate. The grandeur of the work comes through, however, and ought to inspire a repeat performance.

© TiVo

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