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Endymion|Lutyens: A Centennial Celebration

Lutyens: A Centennial Celebration

Endymion and James Weeks

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Ever so gradually, the music of British serialist Elisabeth Lutyens is becoming better known, thanks in large part to the periodic release of revelatory recordings on NMC. This body of work is fascinating to explore, not only because of Lutyens' historical position as an innovative (and sometimes controversial) twelve-tone composer among a bevy of tonal traditionalists, but more importantly because the high level of craft in her music is impressive and frequently awe-inspiring. Lutyens knew better than most that serial music needs to sound well, not merely look good on paper, and her skill in creating clear and accessible pieces is readily apparent on this 2006 collection of choral and chamber works. It almost doesn't matter that this is sophisticated dodecaphonic music, and that such technical devices as palindromes and other symmetrical structures are involved; Lutyens' ear was unfailing, and her counterpoint was as transparent and understandable as her harmonies were rich and evocative. The choral works -- Motet (Excerpta Tractati Logico-Philosophici), Op. 27 (1953), Magnificat and Nunc Dimittis (1965), Verses of Love (1970), and The Country of the Stars (1963) -- are perhaps the most approachable selections of this album for their clarity of line and harmonic depth, and Exaudi, led by James Weeks, delivers sensitive performances that are deeply felt and moving. The Wind Trio for flute, clarinet, and bassoon, Op. 52 (1963), the String Trio, Op. 57 (1964), and the Fantasie Trio, Op. 55 (1963), may leave less of an emotional impact because their angularity and pointillism make them seem rather cerebral; but each is a model of lucidity and precision, and all three come off well in these crisp performances by the chamber group Endymion. The oboe solo, Présages, Op. 53, is possibly the most haunting composition here, and Melinda Maxwell's performance of this moody set of variations is a fine introduction to Lutyens' work, as well as an effective opener for the program. NMC's recording is clean and well-balanced.

© TiVo

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Lutyens: A Centennial Celebration

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Présages, Op. 53 (Elisabeth Lutyens)

1
Recitativo. Lento
Melinda Maxwell
00:01:40

Melinda Maxwell, MainArtist, AssociatedPerformer - Elisabeth Lutyens, Composer

2012 NMC Recordings 2012 (P) NMC Recordings

2
Variation 1, Allegro
Melinda Maxwell
00:00:59

Melinda Maxwell, MainArtist, AssociatedPerformer - Elisabeth Lutyens, Composer

2012 NMC Recordings 2012 (P) NMC Recordings

3
Variation 2, Moderato
Melinda Maxwell
00:01:05

Melinda Maxwell, MainArtist, AssociatedPerformer - Elisabeth Lutyens, Composer

2012 NMC Recordings 2012 (P) NMC Recordings

4
Variation 3, Allegro
Melinda Maxwell
00:00:54

Melinda Maxwell, MainArtist, AssociatedPerformer - Elisabeth Lutyens, Composer

2012 NMC Recordings 2012 (P) NMC Recordings

5
Variation 4, Adagio
Melinda Maxwell
00:01:39

Melinda Maxwell, MainArtist, AssociatedPerformer - Elisabeth Lutyens, Composer

2012 NMC Recordings 2012 (P) NMC Recordings

6
Variation 5
Melinda Maxwell
00:00:56

Melinda Maxwell, MainArtist, AssociatedPerformer - Elisabeth Lutyens, Composer

2012 NMC Recordings 2012 (P) NMC Recordings

7
Variation 6, Allegro
Melinda Maxwell
00:00:47

Melinda Maxwell, MainArtist, AssociatedPerformer - Elisabeth Lutyens, Composer

2012 NMC Recordings 2012 (P) NMC Recordings

8
Variation 7, Liberamente
Melinda Maxwell
00:01:14

Melinda Maxwell, MainArtist, AssociatedPerformer - Elisabeth Lutyens, Composer

2012 NMC Recordings 2012 (P) NMC Recordings

9
Coda
Melinda Maxwell
00:01:21

Melinda Maxwell, MainArtist, AssociatedPerformer - Elisabeth Lutyens, Composer

2012 NMC Recordings 2012 (P) NMC Recordings

10
Motet, Op. 27 "Excerpta Tractatus Logico-Philosophici"
Juliet Fraser
00:09:46

Elisabeth Lutyens, Composer - James Weeks, Conductor, MainArtist - Tom Williams, MainArtist, AssociatedPerformer - Ludwig Wittgenstein, Lyricist - Jimmy Holliday, MainArtist, AssociatedPerformer - Exaudi, Choir, MainArtist - Juliet Fraser, MainArtist, AssociatedPerformer - Jonathan Bungard, MainArtist, AssociatedPerformer

2012 NMC Recordings 2012 (P) NMC Recordings

Wind Trio, Op. 52 (Elisabeth Lutyens)

11
Improvisation I. Moderato
Endymion
00:01:14

Elisabeth Lutyens, Composer - Endymion, Ensemble, MainArtist

2012 NMC Recordings 2012 (P) NMC Recordings

12
Interlude I. Andante
Endymion
00:00:41

Elisabeth Lutyens, Composer - Endymion, Ensemble, MainArtist

2012 NMC Recordings 2012 (P) NMC Recordings

13
Improvisation II. Allegro
Endymion
00:01:22

Elisabeth Lutyens, Composer - Endymion, Ensemble, MainArtist

2012 NMC Recordings 2012 (P) NMC Recordings

14
Interlude II. Lento
Endymion
00:00:36

Elisabeth Lutyens, Composer - Endymion, Ensemble, MainArtist

2012 NMC Recordings 2012 (P) NMC Recordings

15
Improvisation III. Molto allegro
Endymion
00:01:47

Elisabeth Lutyens, Composer - Endymion, Ensemble, MainArtist

2012 NMC Recordings 2012 (P) NMC Recordings

16
Interlude III. Adagio
Endymion
00:00:45

Elisabeth Lutyens, Composer - Endymion, Ensemble, MainArtist

2012 NMC Recordings 2012 (P) NMC Recordings

17
Improvisation IV. Commodo
Endymion
00:01:14

Elisabeth Lutyens, Composer - Endymion, Ensemble, MainArtist

2012 NMC Recordings 2012 (P) NMC Recordings

18
Interlude IV. Moderato
Endymion
00:00:34

Elisabeth Lutyens, Composer - Endymion, Ensemble, MainArtist

2012 NMC Recordings 2012 (P) NMC Recordings

19
Improvisation V. Alla breve
Endymion
00:01:39

Elisabeth Lutyens, Composer - Endymion, Ensemble, MainArtist

2012 NMC Recordings 2012 (P) NMC Recordings

Magnificat and Nunc Dimittis (Elisabeth Lutyens)

20
Magnificat
EXAUDI
00:05:01

Anonymous, Lyricist - Elisabeth Lutyens, Composer - James Weeks, Conductor, MainArtist - Exaudi, Choir, MainArtist

2012 NMC Recordings 2012 (P) NMC Recordings

21
Nunc Dimittis
EXAUDI
00:02:40

Anonymous, Lyricist - Elisabeth Lutyens, Composer - James Weeks, Conductor, MainArtist - Exaudi, Choir, MainArtist

2012 NMC Recordings 2012 (P) NMC Recordings

String Trio, Op. 57 (Elisabeth Lutyens)

22
I. Molto moderato - Poco allegro - Meno mosso
Endymion
00:03:13

Elisabeth Lutyens, Composer - Endymion, Ensemble, MainArtist

2012 NMC Recordings 2012 (P) NMC Recordings

23
II. Lento
Endymion
00:01:37

Elisabeth Lutyens, Composer - Endymion, Ensemble, MainArtist

2012 NMC Recordings 2012 (P) NMC Recordings

24
III. Poco presto
Endymion
00:01:56

Elisabeth Lutyens, Composer - Endymion, Ensemble, MainArtist

2012 NMC Recordings 2012 (P) NMC Recordings

25
IV. Allegretto
Endymion
00:01:21

Elisabeth Lutyens, Composer - Endymion, Ensemble, MainArtist

2012 NMC Recordings 2012 (P) NMC Recordings

26
V. Recitative - Intro
Endymion
00:04:17

Elisabeth Lutyens, Composer - Endymion, Ensemble, MainArtist

2012 NMC Recordings 2012 (P) NMC Recordings

27
Verses of Love
EXAUDI
00:06:07

ben jonson, Lyricist - Elisabeth Lutyens, Composer - James Weeks, Conductor, MainArtist - Exaudi, Choir, MainArtist

2012 NMC Recordings 2012 (P) NMC Recordings

Fantasie Trio, Op. 55 (Elisabeth Lutyens)

28
I. —
Endymion
00:04:15

Elisabeth Lutyens, Composer - Endymion, Ensemble, MainArtist

2012 NMC Recordings 2012 (P) NMC Recordings

29
II. —
Endymion
00:04:01

Elisabeth Lutyens, Composer - Endymion, Ensemble, MainArtist

2012 NMC Recordings 2012 (P) NMC Recordings

30
III. —
Endymion
00:03:34

Elisabeth Lutyens, Composer - Endymion, Ensemble, MainArtist

2012 NMC Recordings 2012 (P) NMC Recordings

31
The Country of the Stars, Op. 50
Julia Doyle
00:08:23

Elisabeth Lutyens, Composer - Ruth Massey, MainArtist, AssociatedPerformer - James Weeks, Conductor, MainArtist - Julia Doyle, MainArtist, AssociatedPerformer - Exaudi, Choir, MainArtist - Stephen Jeffes, MainArtist, AssociatedPerformer - Jonathan Saunders, MainArtist, AssociatedPerformer - Anicius Manlius Severinus Boethius, Lyricist

2012 NMC Recordings 2012 (P) NMC Recordings

Resenha do Álbum

Ever so gradually, the music of British serialist Elisabeth Lutyens is becoming better known, thanks in large part to the periodic release of revelatory recordings on NMC. This body of work is fascinating to explore, not only because of Lutyens' historical position as an innovative (and sometimes controversial) twelve-tone composer among a bevy of tonal traditionalists, but more importantly because the high level of craft in her music is impressive and frequently awe-inspiring. Lutyens knew better than most that serial music needs to sound well, not merely look good on paper, and her skill in creating clear and accessible pieces is readily apparent on this 2006 collection of choral and chamber works. It almost doesn't matter that this is sophisticated dodecaphonic music, and that such technical devices as palindromes and other symmetrical structures are involved; Lutyens' ear was unfailing, and her counterpoint was as transparent and understandable as her harmonies were rich and evocative. The choral works -- Motet (Excerpta Tractati Logico-Philosophici), Op. 27 (1953), Magnificat and Nunc Dimittis (1965), Verses of Love (1970), and The Country of the Stars (1963) -- are perhaps the most approachable selections of this album for their clarity of line and harmonic depth, and Exaudi, led by James Weeks, delivers sensitive performances that are deeply felt and moving. The Wind Trio for flute, clarinet, and bassoon, Op. 52 (1963), the String Trio, Op. 57 (1964), and the Fantasie Trio, Op. 55 (1963), may leave less of an emotional impact because their angularity and pointillism make them seem rather cerebral; but each is a model of lucidity and precision, and all three come off well in these crisp performances by the chamber group Endymion. The oboe solo, Présages, Op. 53, is possibly the most haunting composition here, and Melinda Maxwell's performance of this moody set of variations is a fine introduction to Lutyens' work, as well as an effective opener for the program. NMC's recording is clean and well-balanced.

© TiVo

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