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Lars Frederiksen And The Bastards|Lars Frederiksen And The Bastards

Lars Frederiksen And The Bastards

Lars Frederiksen And The Bastards

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It looks more complicated onscreen than it is in reality. Singer/guitarist Lars Frederiksen sat down with his Rancid bandmate Tim Armstrong and wrote a batch of songs mostly about his youthful experiences in his hometown Campbell, CA. Frederiksen then recruited a group -- bassist Big Jay, drummer Scott Abels, and the ubiquitous Unknown Bastard on backing vocals -- and recorded the songs with Armstrong overseeing production duties. Obviously, stylistically, Bastards remains fairly close to the Rancid mothership. The change in rhythm section inevitably forces the group's sound to be more riff-driven, as Rancid bassist Matt Freeman isn't present to help carry the melody. Even so, at least four of the tracks would fit nicely within the main group's own back catalog. Least likely to make that cut, however, are the two cover songs: an almost jangly version of Billy Bragg's "To Have and Have Not" and the old Motown classic "Leavin' Here," which was previously resurrected by Motorhead. There's other surprises in store as well, such as the Western tinge of "Campbell, CA" and the hints of swampy slide guitar found in "Subterranean." All told, Bastards finds both Frederiksen and Armstrong writing a bit outside the box, just kicking back and kicking around new ideas. An old adage claims you can't ever go home again, but the guitarist isn't so much going home as recreating a sense of time, place, and mood. The album crackles with the exhilaration of early adulthood, when all things seem possible, and one can get away with anything via the virtues of youth alone, fed by heightened emotions, frustrations, and occasional lapses into hopelessness. It's a fine tribute to Frederiksen's old friend and comrade in arms, the late Ben, who provided the inspiration for this project.

© Jo-Ann Greene /TiVo

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Lars Frederiksen And The Bastards

Lars Frederiksen And The Bastards

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1
Intro
00:00:13

Tim Armstrong, Writer - Lars Frederiksen And The Bastards, MainArtist - Lars Fredericksen, Writer - You're A Rattlesnake (ASCAP), MusicPublisher

2001 Hellcat Records 2001 Hellcat Records

2
Dead Americans
00:02:06

Tim Armstrong, Writer - Lars Frederiksen And The Bastards, MainArtist - Lars Fredericksen, Writer - You're A Rattlesnake (ASCAP), MusicPublisher

2001 Hellcat Records 2001 Hellcat Records

3
6 Foot 5
00:02:18

Tim Armstrong, Writer - Lars Frederiksen And The Bastards, MainArtist - Lars Fredericksen, Writer - You're A Rattlesnake (ASCAP), MusicPublisher

2001 Hellcat Records 2001 Hellcat Records

4
To Have And To Have Not
00:02:46

Lars Frederiksen And The Bastards, MainArtist - B. Bragg, Writer - BMG SONGS INC. (ASCAP), MusicPublisher

2001 Hellcat Records 2001 Hellcat Records

5
Army Of Zombies
00:02:39

Tim Armstrong, Writer - Lars Frederiksen And The Bastards, MainArtist - Lars Fredericksen, Writer - You're A Rattlesnake (ASCAP), MusicPublisher

2001 Hellcat Records 2001 Hellcat Records

6
Campbell California
00:02:17

Tim Armstrong, Writer - Lars Frederiksen And The Bastards, MainArtist - Lars Fredericksen, Writer - You're A Rattlesnake (ASCAP), MusicPublisher

2001 Hellcat Records 2001 Hellcat Records

7
Wine And Roses
00:03:21

Tim Armstrong, Writer - Lars Frederiksen And The Bastards, MainArtist - Lars Fredericksen, Writer - You're A Rattlesnake (ASCAP), MusicPublisher

2001 Hellcat Records 2001 Hellcat Records

8
Anti Social
00:02:06

Tim Armstrong, Writer - Lars Frederiksen And The Bastards, MainArtist - Lars Fredericksen, Writer - You're A Rattlesnake (ASCAP), MusicPublisher

2001 Hellcat Records 2001 Hellcat Records

9
Ten Plagues Of Egypt
00:02:30

Tim Armstrong, Writer - Lars Frederiksen And The Bastards, MainArtist - Lars Fredericksen, Writer - You're A Rattlesnake (ASCAP), MusicPublisher

2001 Hellcat Records 2001 Hellcat Records

10
Leavin' Here
00:02:40

B. HOLLAND, Writer - L. DOZIER, Writer - Lars Frederiksen And The Bastards, MainArtist - E. Holland, Writer - Stone Agate Music (BMI), MusicPublisher

2001 Hellcat Records 2001 Hellcat Records

11
Subterranean
00:04:06

Tim Armstrong, Writer - Lars Frederiksen And The Bastards, MainArtist - Lars Fredericksen, Writer - You're A Rattlesnake (ASCAP), MusicPublisher

2001 Hellcat Records 2001 Hellcat Records

12
Skunx
00:03:06

Tim Armstrong, Writer - Lars Frederiksen And The Bastards, MainArtist - Lars Fredericksen, Writer - You're A Rattlesnake (ASCAP), MusicPublisher

2001 Hellcat Records 2001 Hellcat Records

13
Vietnam
00:04:07

Tim Armstrong, Writer - Lars Frederiksen And The Bastards, MainArtist - Lars Fredericksen, Writer - You're A Rattlesnake (ASCAP), MusicPublisher

2001 Hellcat Records 2001 Hellcat Records

Resenha do Álbum

It looks more complicated onscreen than it is in reality. Singer/guitarist Lars Frederiksen sat down with his Rancid bandmate Tim Armstrong and wrote a batch of songs mostly about his youthful experiences in his hometown Campbell, CA. Frederiksen then recruited a group -- bassist Big Jay, drummer Scott Abels, and the ubiquitous Unknown Bastard on backing vocals -- and recorded the songs with Armstrong overseeing production duties. Obviously, stylistically, Bastards remains fairly close to the Rancid mothership. The change in rhythm section inevitably forces the group's sound to be more riff-driven, as Rancid bassist Matt Freeman isn't present to help carry the melody. Even so, at least four of the tracks would fit nicely within the main group's own back catalog. Least likely to make that cut, however, are the two cover songs: an almost jangly version of Billy Bragg's "To Have and Have Not" and the old Motown classic "Leavin' Here," which was previously resurrected by Motorhead. There's other surprises in store as well, such as the Western tinge of "Campbell, CA" and the hints of swampy slide guitar found in "Subterranean." All told, Bastards finds both Frederiksen and Armstrong writing a bit outside the box, just kicking back and kicking around new ideas. An old adage claims you can't ever go home again, but the guitarist isn't so much going home as recreating a sense of time, place, and mood. The album crackles with the exhilaration of early adulthood, when all things seem possible, and one can get away with anything via the virtues of youth alone, fed by heightened emotions, frustrations, and occasional lapses into hopelessness. It's a fine tribute to Frederiksen's old friend and comrade in arms, the late Ben, who provided the inspiration for this project.

© Jo-Ann Greene /TiVo

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