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No, "La Spagnoletta" is not the name of a composer: it's the first piece on this album, which probably dates back to the late 16th century, and which provided many musicians with the raw material for fantasias, partitas, caprices, arias and all the conceivable musical forms then in vogue. We start with Giovan Battista Ferrini (1601-1674) and his Tastata per cembalo La Spagnoletta, followed by one of the "clearer" pieces, which takes up the source, The Old Spagnoletta by Giles Farnaby (1563-1640). Frescobaldi himself gets involved with his Capriccio VI sopra la Spagnoletta, while Johann Speth (1664-1719) throws in his Partite divers sopra la Spagnioletta and finally Bernardo Storace (1637-1707) his Aria sopra la Spagnoletta.
So, clearly, this theme was one of the great sources of melodic inspirations of our times, a little like the Folie d’Espagne has inspired some five hundred composers in the years since it was written, right down to the present day. If the career of the La Spagnoletta as an inspirational piece didn't last as long, that's probably because it was pretty melodically complex. Cécile Mansuy plays on a unique Italian harpsichord with a "short octave" (that is, a layout of notes in the lower octave which differs from the normal system, so as to group together the most frequently-played notes), as well as split keys, in the style of various early-17th century instruments. Split keys? What’s that? A split-key keyboard is one in which certain notes, here E flat and D sharp on the one hand and G sharp and A flat on the other, each have a key to themselves – whereas on a piano they share the same key and are therefore treated as being identical. On split-key harpsichords, the musician can play on the organic difference in the respective functions of these notes; in reality, they are not acoustically identical: D sharp being a ninth higher than E flat, and the same for the others. That made it possible to avoid the sensation of hitting bum notes in a time before the "well-tempered" clavier had been developed. © SM/Qobuz
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Copyright Control, MusicPublisher - Giovan Battista Ferrini, Composer - Cécile Mansuy, MainArtist
2018 Outhere Music France 2018 Cécile Mansuy, under exclusive licence to Outhere Music France
La Spagnoletta (Giovan Battista Ferrini)
Copyright Control, MusicPublisher - Giovan Battista Ferrini, Composer - Cécile Mansuy, MainArtist
2018 Outhere Music France 2018 Cécile Mansuy, under exclusive licence to Outhere Music France
Copyright Control, MusicPublisher - Giovan Battista Ferrini, Composer - Cécile Mansuy, MainArtist
2018 Outhere Music France 2018 Cécile Mansuy, under exclusive licence to Outhere Music France
Copyright Control, MusicPublisher - Giovan Battista Ferrini, Composer - Cécile Mansuy, MainArtist
2018 Outhere Music France 2018 Cécile Mansuy, under exclusive licence to Outhere Music France
Copyright Control, MusicPublisher - Giovan Battista Ferrini, Composer - Cécile Mansuy, MainArtist
2018 Outhere Music France 2018 Cécile Mansuy, under exclusive licence to Outhere Music France
Copyright Control, MusicPublisher - Giovan Battista Ferrini, Composer - Cécile Mansuy, MainArtist
2018 Outhere Music France 2018 Cécile Mansuy, under exclusive licence to Outhere Music France
Copyright Control, MusicPublisher - William BYRD, Composer - Cécile Mansuy, MainArtist
2018 Outhere Music France 2018 Cécile Mansuy, under exclusive licence to Outhere Music France
Copyright Control, MusicPublisher - Giles Farnaby, Composer - Cécile Mansuy, MainArtist
2018 Outhere Music France 2018 Cécile Mansuy, under exclusive licence to Outhere Music France
Copyright Control, MusicPublisher - Giles Farnaby, Composer - Cécile Mansuy, MainArtist
2018 Outhere Music France 2018 Cécile Mansuy, under exclusive licence to Outhere Music France
Copyright Control, MusicPublisher - Giles Farnaby, Composer - Cécile Mansuy, MainArtist
2018 Outhere Music France 2018 Cécile Mansuy, under exclusive licence to Outhere Music France
Copyright Control, MusicPublisher - Girolamo Frescobaldi, Composer - Cécile Mansuy, MainArtist
2018 Outhere Music France 2018 Cécile Mansuy, under exclusive licence to Outhere Music France
Copyright Control, MusicPublisher - Girolamo Frescobaldi, Composer - Cécile Mansuy, MainArtist
2018 Outhere Music France 2018 Cécile Mansuy, under exclusive licence to Outhere Music France
Copyright Control, MusicPublisher - Girolamo Frescobaldi, Composer - Cécile Mansuy, MainArtist
2018 Outhere Music France 2018 Cécile Mansuy, under exclusive licence to Outhere Music France
Copyright Control, MusicPublisher - Girolamo Frescobaldi, Composer - Cécile Mansuy, MainArtist
2018 Outhere Music France 2018 Cécile Mansuy, under exclusive licence to Outhere Music France
Copyright Control, MusicPublisher - Johann Speth, Composer - Cécile Mansuy, MainArtist
2018 Outhere Music France 2018 Cécile Mansuy, under exclusive licence to Outhere Music France
Partite diverse sopra la Spagnioletta (Johann Speth)
Copyright Control, MusicPublisher - Johann Speth, Composer - Cécile Mansuy, MainArtist
2018 Outhere Music France 2018 Cécile Mansuy, under exclusive licence to Outhere Music France
Copyright Control, MusicPublisher - Johann Speth, Composer - Cécile Mansuy, MainArtist
2018 Outhere Music France 2018 Cécile Mansuy, under exclusive licence to Outhere Music France
Copyright Control, MusicPublisher - Johann Speth, Composer - Cécile Mansuy, MainArtist
2018 Outhere Music France 2018 Cécile Mansuy, under exclusive licence to Outhere Music France
Copyright Control, MusicPublisher - Johann Speth, Composer - Cécile Mansuy, MainArtist
2018 Outhere Music France 2018 Cécile Mansuy, under exclusive licence to Outhere Music France
Copyright Control, MusicPublisher - Johann Speth, Composer - Cécile Mansuy, MainArtist
2018 Outhere Music France 2018 Cécile Mansuy, under exclusive licence to Outhere Music France
Copyright Control, MusicPublisher - Johann Speth, Composer - Cécile Mansuy, MainArtist
2018 Outhere Music France 2018 Cécile Mansuy, under exclusive licence to Outhere Music France
Copyright Control, MusicPublisher - Bernardo Storace, Composer - Cécile Mansuy, MainArtist
2018 Outhere Music France 2018 Cécile Mansuy, under exclusive licence to Outhere Music France
Copyright Control, MusicPublisher - Bernardo Storace, Composer - Cécile Mansuy, MainArtist
2018 Outhere Music France 2018 Cécile Mansuy, under exclusive licence to Outhere Music France
Copyright Control, MusicPublisher - Bernardo Storace, Composer - Cécile Mansuy, MainArtist
2018 Outhere Music France 2018 Cécile Mansuy, under exclusive licence to Outhere Music France
Copyright Control, MusicPublisher - Bernardo Storace, Composer - Cécile Mansuy, MainArtist
2018 Outhere Music France 2018 Cécile Mansuy, under exclusive licence to Outhere Music France
Copyright Control, MusicPublisher - Bernardo Storace, Composer - Cécile Mansuy, MainArtist
2018 Outhere Music France 2018 Cécile Mansuy, under exclusive licence to Outhere Music France
Copyright Control, MusicPublisher - Bernardo Storace, Composer - Cécile Mansuy, MainArtist
2018 Outhere Music France 2018 Cécile Mansuy, under exclusive licence to Outhere Music France
Copyright Control, MusicPublisher - Bernardo Storace, Composer - Cécile Mansuy, MainArtist
2018 Outhere Music France 2018 Cécile Mansuy, under exclusive licence to Outhere Music France
Copyright Control, MusicPublisher - Bernardo Storace, Composer - Cécile Mansuy, MainArtist
2018 Outhere Music France 2018 Cécile Mansuy, under exclusive licence to Outhere Music France
Resenha do Álbum
No, "La Spagnoletta" is not the name of a composer: it's the first piece on this album, which probably dates back to the late 16th century, and which provided many musicians with the raw material for fantasias, partitas, caprices, arias and all the conceivable musical forms then in vogue. We start with Giovan Battista Ferrini (1601-1674) and his Tastata per cembalo La Spagnoletta, followed by one of the "clearer" pieces, which takes up the source, The Old Spagnoletta by Giles Farnaby (1563-1640). Frescobaldi himself gets involved with his Capriccio VI sopra la Spagnoletta, while Johann Speth (1664-1719) throws in his Partite divers sopra la Spagnioletta and finally Bernardo Storace (1637-1707) his Aria sopra la Spagnoletta.
So, clearly, this theme was one of the great sources of melodic inspirations of our times, a little like the Folie d’Espagne has inspired some five hundred composers in the years since it was written, right down to the present day. If the career of the La Spagnoletta as an inspirational piece didn't last as long, that's probably because it was pretty melodically complex. Cécile Mansuy plays on a unique Italian harpsichord with a "short octave" (that is, a layout of notes in the lower octave which differs from the normal system, so as to group together the most frequently-played notes), as well as split keys, in the style of various early-17th century instruments. Split keys? What’s that? A split-key keyboard is one in which certain notes, here E flat and D sharp on the one hand and G sharp and A flat on the other, each have a key to themselves – whereas on a piano they share the same key and are therefore treated as being identical. On split-key harpsichords, the musician can play on the organic difference in the respective functions of these notes; in reality, they are not acoustically identical: D sharp being a ninth higher than E flat, and the same for the others. That made it possible to avoid the sensation of hitting bum notes in a time before the "well-tempered" clavier had been developed. © SM/Qobuz
Sobre o álbum
- 1 disco(s) - 29 faixa(s)
- Duração total: 00:58:32
- 1 Folheto digital
- Artistas principais: Cécile Mansuy
- Compositor: Various Composers
- Gravadora: Arcana
- Género: Clássica
2018 Outhere Music France 2018 Cécile Mansuy, under exclusive licence to Outhere Music France
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