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Cécile Mansuy|La Spagnoletta, Selva di variazioni & diverse composizioni per il cimbalo

La Spagnoletta, Selva di variazioni & diverse composizioni per il cimbalo

Cécile Mansuy

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No, "La Spagnoletta" is not the name of a composer: it's the first piece on this album, which probably dates back to the late 16th century, and which provided many musicians with the raw material for fantasias, partitas, caprices, arias and all the conceivable musical forms then in vogue. We start with Giovan Battista Ferrini (1601-1674) and his Tastata per cembalo La Spagnoletta, followed by one of the "clearer" pieces, which takes up the source, The Old Spagnoletta by Giles Farnaby (1563-1640). Frescobaldi himself gets involved with his Capriccio VI sopra la Spagnoletta, while Johann Speth (1664-1719) throws in his Partite divers sopra la Spagnioletta and finally Bernardo Storace (1637-1707) his Aria sopra la Spagnoletta.

So, clearly, this theme was one of the great sources of melodic inspirations of our times, a little like the Folie d’Espagne has inspired some five hundred composers in the years since it was written, right down to the present day. If the career of the La Spagnoletta as an inspirational piece didn't last as long, that's probably because it was pretty melodically complex. Cécile Mansuy plays on a unique Italian harpsichord with a "short octave" (that is, a layout of notes in the lower octave which differs from the normal system, so as to group together the most frequently-played notes), as well as split keys, in the style of various early-17th century instruments. Split keys? What’s that? A split-key keyboard is one in which certain notes, here E flat and D sharp on the one hand and G sharp and A flat on the other, each have a key to themselves – whereas on a piano they share the same key and are therefore treated as being identical. On split-key harpsichords, the musician can play on the organic difference in the respective functions of these notes; in reality, they are not acoustically identical: D sharp being a ninth higher than E flat, and the same for the others. That made it possible to avoid the sensation of hitting bum notes in a time before the "well-tempered" clavier had been developed. © SM/Qobuz

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La Spagnoletta, Selva di variazioni & diverse composizioni per il cimbalo

Cécile Mansuy

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1
Tastata per cembalo
00:02:37

Copyright Control, MusicPublisher - Giovan Battista Ferrini, Composer - Cécile Mansuy, MainArtist

2018 Outhere Music France 2018 Cécile Mansuy, under exclusive licence to Outhere Music France

La Spagnoletta (Giovan Battista Ferrini)

2
I. Prima
00:00:40

Copyright Control, MusicPublisher - Giovan Battista Ferrini, Composer - Cécile Mansuy, MainArtist

2018 Outhere Music France 2018 Cécile Mansuy, under exclusive licence to Outhere Music France

3
II. Seconda
00:00:43

Copyright Control, MusicPublisher - Giovan Battista Ferrini, Composer - Cécile Mansuy, MainArtist

2018 Outhere Music France 2018 Cécile Mansuy, under exclusive licence to Outhere Music France

4
Corrente
00:01:10

Copyright Control, MusicPublisher - Giovan Battista Ferrini, Composer - Cécile Mansuy, MainArtist

2018 Outhere Music France 2018 Cécile Mansuy, under exclusive licence to Outhere Music France

5
Ciaccone
00:00:34

Copyright Control, MusicPublisher - Giovan Battista Ferrini, Composer - Cécile Mansuy, MainArtist

2018 Outhere Music France 2018 Cécile Mansuy, under exclusive licence to Outhere Music France

6
Galiarda
00:00:34

Copyright Control, MusicPublisher - Giovan Battista Ferrini, Composer - Cécile Mansuy, MainArtist

2018 Outhere Music France 2018 Cécile Mansuy, under exclusive licence to Outhere Music France

7
Fitzwilliam Virginal Book, Vol. II: Galliard, F 166
00:01:32

Copyright Control, MusicPublisher - William BYRD, Composer - Cécile Mansuy, MainArtist

2018 Outhere Music France 2018 Cécile Mansuy, under exclusive licence to Outhere Music France

8
The Old Spagnoletta
00:00:57

Copyright Control, MusicPublisher - Giles Farnaby, Composer - Cécile Mansuy, MainArtist

2018 Outhere Music France 2018 Cécile Mansuy, under exclusive licence to Outhere Music France

9
Spagnoletta
00:02:11

Copyright Control, MusicPublisher - Giles Farnaby, Composer - Cécile Mansuy, MainArtist

2018 Outhere Music France 2018 Cécile Mansuy, under exclusive licence to Outhere Music France

10
Fantasia
00:07:00

Copyright Control, MusicPublisher - Giles Farnaby, Composer - Cécile Mansuy, MainArtist

2018 Outhere Music France 2018 Cécile Mansuy, under exclusive licence to Outhere Music France

11
Capriccio VI sopra la Spagnoletta F 4.06
00:06:04

Copyright Control, MusicPublisher - Girolamo Frescobaldi, Composer - Cécile Mansuy, MainArtist

2018 Outhere Music France 2018 Cécile Mansuy, under exclusive licence to Outhere Music France

12
Gagliarda Seconda, F 3.28
00:00:49

Copyright Control, MusicPublisher - Girolamo Frescobaldi, Composer - Cécile Mansuy, MainArtist

2018 Outhere Music France 2018 Cécile Mansuy, under exclusive licence to Outhere Music France

13
Canzona Prima, F 3.13
00:04:09

Copyright Control, MusicPublisher - Girolamo Frescobaldi, Composer - Cécile Mansuy, MainArtist

2018 Outhere Music France 2018 Cécile Mansuy, under exclusive licence to Outhere Music France

14
Corrente e Ciaccona, F 2.33
00:01:11

Copyright Control, MusicPublisher - Girolamo Frescobaldi, Composer - Cécile Mansuy, MainArtist

2018 Outhere Music France 2018 Cécile Mansuy, under exclusive licence to Outhere Music France

15
Toccata decima, oder Zehendes Musikalisches Blumen-Feld
00:02:26

Copyright Control, MusicPublisher - Johann Speth, Composer - Cécile Mansuy, MainArtist

2018 Outhere Music France 2018 Cécile Mansuy, under exclusive licence to Outhere Music France

Partite diverse sopra la Spagnioletta (Johann Speth)

16
I. Partita
00:00:24

Copyright Control, MusicPublisher - Johann Speth, Composer - Cécile Mansuy, MainArtist

2018 Outhere Music France 2018 Cécile Mansuy, under exclusive licence to Outhere Music France

17
II. Partita
00:00:24

Copyright Control, MusicPublisher - Johann Speth, Composer - Cécile Mansuy, MainArtist

2018 Outhere Music France 2018 Cécile Mansuy, under exclusive licence to Outhere Music France

18
III. Partita
00:00:23

Copyright Control, MusicPublisher - Johann Speth, Composer - Cécile Mansuy, MainArtist

2018 Outhere Music France 2018 Cécile Mansuy, under exclusive licence to Outhere Music France

19
IV. Partita
00:00:24

Copyright Control, MusicPublisher - Johann Speth, Composer - Cécile Mansuy, MainArtist

2018 Outhere Music France 2018 Cécile Mansuy, under exclusive licence to Outhere Music France

20
V. Partita
00:00:23

Copyright Control, MusicPublisher - Johann Speth, Composer - Cécile Mansuy, MainArtist

2018 Outhere Music France 2018 Cécile Mansuy, under exclusive licence to Outhere Music France

21
VI. Partita
00:00:28

Copyright Control, MusicPublisher - Johann Speth, Composer - Cécile Mansuy, MainArtist

2018 Outhere Music France 2018 Cécile Mansuy, under exclusive licence to Outhere Music France

22
Ricercar
00:05:45

Copyright Control, MusicPublisher - Bernardo Storace, Composer - Cécile Mansuy, MainArtist

2018 Outhere Music France 2018 Cécile Mansuy, under exclusive licence to Outhere Music France

23
Aria sopra la Spagnoletta: I. Prima Parte
00:01:25

Copyright Control, MusicPublisher - Bernardo Storace, Composer - Cécile Mansuy, MainArtist

2018 Outhere Music France 2018 Cécile Mansuy, under exclusive licence to Outhere Music France

24
Aria sopra la Spagnoletta: II. Seconda Parte
00:01:28

Copyright Control, MusicPublisher - Bernardo Storace, Composer - Cécile Mansuy, MainArtist

2018 Outhere Music France 2018 Cécile Mansuy, under exclusive licence to Outhere Music France

25
Aria sopra la Spagnoletta: III. Terza Parte
00:01:06

Copyright Control, MusicPublisher - Bernardo Storace, Composer - Cécile Mansuy, MainArtist

2018 Outhere Music France 2018 Cécile Mansuy, under exclusive licence to Outhere Music France

26
Aria sopra la Spagnoletta: IV. Quarta Parte
00:01:20

Copyright Control, MusicPublisher - Bernardo Storace, Composer - Cécile Mansuy, MainArtist

2018 Outhere Music France 2018 Cécile Mansuy, under exclusive licence to Outhere Music France

27
Aria sopra la Spagnoletta: V. Quinta Parte
00:01:37

Copyright Control, MusicPublisher - Bernardo Storace, Composer - Cécile Mansuy, MainArtist

2018 Outhere Music France 2018 Cécile Mansuy, under exclusive licence to Outhere Music France

28
Aria sopra la Spagnoletta: VI. Sesta e ultima Parte
00:01:56

Copyright Control, MusicPublisher - Bernardo Storace, Composer - Cécile Mansuy, MainArtist

2018 Outhere Music France 2018 Cécile Mansuy, under exclusive licence to Outhere Music France

29
Passacagli sopra A la mi re
00:08:52

Copyright Control, MusicPublisher - Bernardo Storace, Composer - Cécile Mansuy, MainArtist

2018 Outhere Music France 2018 Cécile Mansuy, under exclusive licence to Outhere Music France

Resenha do Álbum

No, "La Spagnoletta" is not the name of a composer: it's the first piece on this album, which probably dates back to the late 16th century, and which provided many musicians with the raw material for fantasias, partitas, caprices, arias and all the conceivable musical forms then in vogue. We start with Giovan Battista Ferrini (1601-1674) and his Tastata per cembalo La Spagnoletta, followed by one of the "clearer" pieces, which takes up the source, The Old Spagnoletta by Giles Farnaby (1563-1640). Frescobaldi himself gets involved with his Capriccio VI sopra la Spagnoletta, while Johann Speth (1664-1719) throws in his Partite divers sopra la Spagnioletta and finally Bernardo Storace (1637-1707) his Aria sopra la Spagnoletta.

So, clearly, this theme was one of the great sources of melodic inspirations of our times, a little like the Folie d’Espagne has inspired some five hundred composers in the years since it was written, right down to the present day. If the career of the La Spagnoletta as an inspirational piece didn't last as long, that's probably because it was pretty melodically complex. Cécile Mansuy plays on a unique Italian harpsichord with a "short octave" (that is, a layout of notes in the lower octave which differs from the normal system, so as to group together the most frequently-played notes), as well as split keys, in the style of various early-17th century instruments. Split keys? What’s that? A split-key keyboard is one in which certain notes, here E flat and D sharp on the one hand and G sharp and A flat on the other, each have a key to themselves – whereas on a piano they share the same key and are therefore treated as being identical. On split-key harpsichords, the musician can play on the organic difference in the respective functions of these notes; in reality, they are not acoustically identical: D sharp being a ninth higher than E flat, and the same for the others. That made it possible to avoid the sensation of hitting bum notes in a time before the "well-tempered" clavier had been developed. © SM/Qobuz

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Capriccio sopra il genio del Bach giovanissimo

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