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Hana Skarkoba|Klenau: Die Weise Von Liebe Und Tod

Klenau: Die Weise Von Liebe Und Tod

Paul Mann

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Rainer Maria Rilke wrote his extended prose poem "Die Weise von Liebe und Tod des Kornetts Christophe Rilke," in 1899, but it wasn't until a new edition appeared in 1912 that it skyrocketed in popularity and attracted the attention of many composers. Rilke felt the words of his text were music enough, and objected in general to settings of his poem, but he paradoxically gave Danish composer Paul von Klenau (1883-1946) permission to use it. Klenau's 1918 setting of the entire poem for chorus and orchestra prominently uses a baritone soloist. Klenau (who went on to adopt serial techniques and wrote a twelve-tone opera about the same time as Berg was working on Lulu) uses a Straussian post-romantic harmonic vocabulary here, but his music has an emotional objectivity and reserve more characteristic of French sensibilities of the era. His settings are pastel-hued and evocative, with genuine sensitivity to the subtleties of the text, and the lush middle section of the piece, which describes the Cornet's first romantic encounter, is particularly effective. Klenau's vocal writing tends to be metrically free and is strongly lyrical without being memorably melodic. His orchestration is inventive and highly colorful and clearly shows an awareness of the aesthetic of the Impressionists. Bo Skovhus sings the solo part with an entirely appropriate blend of understatement and passion, and with secure, ringing tone. The Czech Philharmonic Choir and Odense Symphony Orchestra, under Paul Mann, perform with shapeliness and nuanced attention to the score's detail. The sound of Dacapo's hybrid SACD is warm and atmospheric, with good balance between the voices and the orchestra.
© TiVo

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Klenau: Die Weise Von Liebe Und Tod

Hana Skarkoba

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Die Weise von LIebe und Tod des Cornets Christoph Rilke (Paul Von Klenau)

1
Reiten, reiten, reiten, durch den Tag
00:06:34

Paul Mann, Conductor - Bo Skovhus, Artist - Odense Symphony Orchestra, Orchestra - Czech Philharmonic Choir, Brno, Choir - Paul von Klenau, Composer - Hana Skarkoba, Artist, MainArtist

(C) 2007 Dacapo SACD (P) 2007 Dacapo SACD

2
Der von Langenau ruckt im Sattel
00:01:30

Paul Mann, Conductor - Bo Skovhus, Artist - Odense Symphony Orchestra, Orchestra - Czech Philharmonic Choir, Brno, Choir - Paul von Klenau, Composer - Hana Skarkoba, Artist, MainArtist

(C) 2007 Dacapo SACD (P) 2007 Dacapo SACD

3
Jemand erzahlt von seiner Mutter
00:02:16

Paul Mann, Conductor - Bo Skovhus, Artist - Odense Symphony Orchestra, Orchestra - Czech Philharmonic Choir, Brno, Choir - Paul von Klenau, Composer - Hana Skarkoba, Artist, MainArtist

(C) 2007 Dacapo SACD (P) 2007 Dacapo SACD

4
Da sind sie alle einander nah
00:00:58

Paul Mann, Conductor - Bo Skovhus, Artist - Odense Symphony Orchestra, Orchestra - Czech Philharmonic Choir, Brno, Choir - Paul von Klenau, Composer - Hana Skarkoba, Artist, MainArtist

(C) 2007 Dacapo SACD (P) 2007 Dacapo SACD

5
So reitet man in den Abend hinein
00:02:40

Paul Mann, Conductor - Bo Skovhus, Artist - Odense Symphony Orchestra, Orchestra - Czech Philharmonic Choir, Brno, Choir - Paul von Klenau, Composer - Hana Skarkoba, Artist, MainArtist

(C) 2007 Dacapo SACD (P) 2007 Dacapo SACD

6
Wachtfeuer
00:04:14

Paul Mann, Conductor - Bo Skovhus, Artist - Odense Symphony Orchestra, Orchestra - Czech Philharmonic Choir, Brno, Choir - Paul von Klenau, Composer - Hana Skarkoba, Artist, MainArtist

(C) 2007 Dacapo SACD (P) 2007 Dacapo SACD

7
Sagt der kleiner Marquis
00:03:01

Paul Mann, Conductor - Bo Skovhus, Artist - Odense Symphony Orchestra, Orchestra - Czech Philharmonic Choir, Brno, Choir - Paul von Klenau, Composer - Hana Skarkoba, Artist, MainArtist

(C) 2007 Dacapo SACD (P) 2007 Dacapo SACD

8
Einmal, am Morgen, ist ein Reiter da
00:02:46

Paul Mann, Conductor - Bo Skovhus, Artist - Odense Symphony Orchestra, Orchestra - Czech Philharmonic Choir, Brno, Choir - Paul von Klenau, Composer - Hana Skarkoba, Artist, MainArtist

(C) 2007 Dacapo SACD (P) 2007 Dacapo SACD

9
Ein Tag durch den Tross
00:01:24

Paul Mann, Conductor - Bo Skovhus, Artist - Odense Symphony Orchestra, Orchestra - Czech Philharmonic Choir, Brno, Choir - Paul von Klenau, Composer - Hana Skarkoba, Artist, MainArtist

(C) 2007 Dacapo SACD (P) 2007 Dacapo SACD

10
Endlich vor Spork
00:02:38

Paul Mann, Conductor - Bo Skovhus, Artist - Odense Symphony Orchestra, Orchestra - Czech Philharmonic Choir, Brno, Choir - Paul von Klenau, Composer - Hana Skarkoba, Artist, MainArtist

(C) 2007 Dacapo SACD (P) 2007 Dacapo SACD

11
Die Kompagnie liegt jenseits der Raab
00:02:33

Paul Mann, Conductor - Bo Skovhus, Artist - Odense Symphony Orchestra, Orchestra - Czech Philharmonic Choir, Brno, Choir - Paul von Klenau, Composer - Hana Skarkoba, Artist, MainArtist

(C) 2007 Dacapo SACD (P) 2007 Dacapo SACD

12
Der von Langenau schreibt einen Brief
00:02:10

Paul Mann, Conductor - Bo Skovhus, Artist - Odense Symphony Orchestra, Orchestra - Czech Philharmonic Choir, Brno, Choir - Paul von Klenau, Composer - Hana Skarkoba, Artist, MainArtist

(C) 2007 Dacapo SACD (P) 2007 Dacapo SACD

13
Sie reiten uber einen erschlagenen Bauern
00:01:24

Paul Mann, Conductor - Bo Skovhus, Artist - Odense Symphony Orchestra, Orchestra - Czech Philharmonic Choir, Brno, Choir - Paul von Klenau, Composer - Hana Skarkoba, Artist, MainArtist

(C) 2007 Dacapo SACD (P) 2007 Dacapo SACD

14
Rast! Gast sein einmal
00:03:12

Paul Mann, Conductor - Bo Skovhus, Artist - Odense Symphony Orchestra, Orchestra - Czech Philharmonic Choir, Brno, Choir - Paul von Klenau, Composer - Hana Skarkoba, Artist, MainArtist

(C) 2007 Dacapo SACD (P) 2007 Dacapo SACD

15
Als Mahl beganns
00:02:31

Paul Mann, Conductor - Bo Skovhus, Artist - Odense Symphony Orchestra, Orchestra - Czech Philharmonic Choir, Brno, Choir - Paul von Klenau, Composer - Hana Skarkoba, Artist, MainArtist

(C) 2007 Dacapo SACD (P) 2007 Dacapo SACD

16
Und Einer steht und staunt
00:02:30

Paul Mann, Conductor - Bo Skovhus, Artist - Odense Symphony Orchestra, Orchestra - Czech Philharmonic Choir, Brno, Choir - Paul von Klenau, Composer - Hana Skarkoba, Artist, MainArtist

(C) 2007 Dacapo SACD (P) 2007 Dacapo SACD

17
Einer, der weisse Seide tragt
00:04:26

Paul Mann, Conductor - Bo Skovhus, Artist - Odense Symphony Orchestra, Orchestra - Czech Philharmonic Choir, Brno, Choir - Paul von Klenau, Composer - Hana Skarkoba, Artist, MainArtist

(C) 2007 Dacapo SACD (P) 2007 Dacapo SACD

18
Hast du vergessen, dass du mein Page bist
00:03:30

Paul Mann, Conductor - Bo Skovhus, Artist - Odense Symphony Orchestra, Orchestra - Czech Philharmonic Choir, Brno, Choir - Paul von Klenau, Composer - Hana Skarkoba, Artist, MainArtist

(C) 2007 Dacapo SACD (P) 2007 Dacapo SACD

19
Langsam lischt das Schloss aus
00:01:54

Paul Mann, Conductor - Bo Skovhus, Artist - Odense Symphony Orchestra, Orchestra - Czech Philharmonic Choir, Brno, Choir - Paul von Klenau, Composer - Hana Skarkoba, Artist, MainArtist

(C) 2007 Dacapo SACD (P) 2007 Dacapo SACD

20
Die Turmstube ist dunkel
00:01:54

Paul Mann, Conductor - Bo Skovhus, Artist - Odense Symphony Orchestra, Orchestra - Czech Philharmonic Choir, Brno, Choir - Paul von Klenau, Composer - Hana Skarkoba, Artist, MainArtist

(C) 2007 Dacapo SACD (P) 2007 Dacapo SACD

21
Im Vorsaal uber einem Sessel
00:06:22

Paul Mann, Conductor - Bo Skovhus, Artist - Odense Symphony Orchestra, Orchestra - Czech Philharmonic Choir, Brno, Choir - Paul von Klenau, Composer - Hana Skarkoba, Artist, MainArtist

(C) 2007 Dacapo SACD (P) 2007 Dacapo SACD

22
War ein Fernster offen?
00:01:05

Paul Mann, Conductor - Bo Skovhus, Artist - Odense Symphony Orchestra, Orchestra - Czech Philharmonic Choir, Brno, Choir - Paul von Klenau, Composer - Hana Skarkoba, Artist, MainArtist

(C) 2007 Dacapo SACD (P) 2007 Dacapo SACD

23
Ist das der Morgen?
00:02:02

Paul Mann, Conductor - Bo Skovhus, Artist - Odense Symphony Orchestra, Orchestra - Czech Philharmonic Choir, Brno, Choir - Paul von Klenau, Composer - Hana Skarkoba, Artist, MainArtist

(C) 2007 Dacapo SACD (P) 2007 Dacapo SACD

24
Aber die Fahne ist nicht dabei
00:00:58

Paul Mann, Conductor - Bo Skovhus, Artist - Odense Symphony Orchestra, Orchestra - Czech Philharmonic Choir, Brno, Choir - Paul von Klenau, Composer - Hana Skarkoba, Artist, MainArtist

(C) 2007 Dacapo SACD (P) 2007 Dacapo SACD

25
Er lauft um die Wette
00:01:31

Paul Mann, Conductor - Bo Skovhus, Artist - Odense Symphony Orchestra, Orchestra - Czech Philharmonic Choir, Brno, Choir - Paul von Klenau, Composer - Hana Skarkoba, Artist, MainArtist

(C) 2007 Dacapo SACD (P) 2007 Dacapo SACD

26
Der von Langenau ist tief im Feind
00:02:27

Paul Mann, Conductor - Bo Skovhus, Artist - Odense Symphony Orchestra, Orchestra - Czech Philharmonic Choir, Brno, Choir - Paul von Klenau, Composer - Hana Skarkoba, Artist, MainArtist

(C) 2007 Dacapo SACD (P) 2007 Dacapo SACD

27
Der Waffenrock ist im Schlosse verbrannt
00:02:42

Paul Mann, Conductor - Bo Skovhus, Artist - Odense Symphony Orchestra, Orchestra - Czech Philharmonic Choir, Brno, Choir - Paul von Klenau, Composer - Hana Skarkoba, Artist, MainArtist

(C) 2007 Dacapo SACD (P) 2007 Dacapo SACD

Resenha do Álbum

Rainer Maria Rilke wrote his extended prose poem "Die Weise von Liebe und Tod des Kornetts Christophe Rilke," in 1899, but it wasn't until a new edition appeared in 1912 that it skyrocketed in popularity and attracted the attention of many composers. Rilke felt the words of his text were music enough, and objected in general to settings of his poem, but he paradoxically gave Danish composer Paul von Klenau (1883-1946) permission to use it. Klenau's 1918 setting of the entire poem for chorus and orchestra prominently uses a baritone soloist. Klenau (who went on to adopt serial techniques and wrote a twelve-tone opera about the same time as Berg was working on Lulu) uses a Straussian post-romantic harmonic vocabulary here, but his music has an emotional objectivity and reserve more characteristic of French sensibilities of the era. His settings are pastel-hued and evocative, with genuine sensitivity to the subtleties of the text, and the lush middle section of the piece, which describes the Cornet's first romantic encounter, is particularly effective. Klenau's vocal writing tends to be metrically free and is strongly lyrical without being memorably melodic. His orchestration is inventive and highly colorful and clearly shows an awareness of the aesthetic of the Impressionists. Bo Skovhus sings the solo part with an entirely appropriate blend of understatement and passion, and with secure, ringing tone. The Czech Philharmonic Choir and Odense Symphony Orchestra, under Paul Mann, perform with shapeliness and nuanced attention to the score's detail. The sound of Dacapo's hybrid SACD is warm and atmospheric, with good balance between the voices and the orchestra.
© TiVo

Sobre o álbum

(C) 2007 Dacapo SACD (P) 2007 Dacapo SACD

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