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Tal & Groethuysen|J.S. Bach & Reinhard Febel: 18 Studies on 'The Art of Fugue'

J.S. Bach & Reinhard Febel: 18 Studies on 'The Art of Fugue'

Tal & Groethuysen

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The two-piano (and piano four-hands) duo of Yaara Tal and Andreas Groethuysen has a gift for finding intriguing but obscure repertory, and they do it again here with composer Reinhard Febel's Studies on Bach's The Art of Fugue. Listeners briefly dipping into this may raise several objections, the most prominent being that Bach's The Art of Fugue, BWV 1080, is arguably the most perfect piece of polyphony in existence and needs no adornment. For former music theory students, the music may bring to mind youthful attempts and failures to set chorale tunes with anything like the elegance Bach applied, but consider the work as a whole, and intriguing facets reveal themselves. Like Bach's original fugues, Febel's studies become more complex as they proceed, and he is careful to balance the intricacy of the new material (always in the second piano) against the original. He adds not only melodic elaboration but also deepening tonality (verging on atonality in one fugue), a new high register, and new rhythms, many of them syncopated. The overall effect is one of systematic exploration of the potentialities of the original material in a modern context, something that, it turns out, is in the Bachian spirit. The studies won't be to all tastes, but they definitely do not represent random scrawls on a masterpiece. An over-intimate sound that lends a harsh edge to the upper register is a disincentive to an otherwise interesting experiment.

© TiVo

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J.S. Bach & Reinhard Febel: 18 Studies on 'The Art of Fugue'

Tal & Groethuysen

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Studies for 2 Pianos on "The Art of Fugue", BWV 1080 by J.S. Bach (Reinhard Febel)

1
Studie 1: Nicht zu langsam (Contrapunctus 1)
00:05:35

Tal & Groethuysen, MainArtist, AssociatedPerformer - Johann Sebastian Bach, Composer - Reinhard Febel, Composer - Walburga Dahmen, Engineer - Stephan Hahn, Engineer - Astrid Großmann-Hudasch, Engineer

(P) 2020 A production of WDR mediagroup under exclusive license to Sony Music Entertainment Germany GmbH

2
Studie 2: Sehr schnell (Contrapunctus 2)
00:02:25

Tal & Groethuysen, MainArtist, AssociatedPerformer - Johann Sebastian Bach, Composer - Reinhard Febel, Composer - Walburga Dahmen, Engineer - Stephan Hahn, Engineer - Astrid Großmann-Hudasch, Engineer

(P) 2020 A production of WDR mediagroup under exclusive license to Sony Music Entertainment Germany GmbH

3
Studie 3: Leicht schwebend, nicht zu langsam (Contrapunctus 3)
00:04:00

Tal & Groethuysen, MainArtist, AssociatedPerformer - Johann Sebastian Bach, Composer - Reinhard Febel, Composer - Walburga Dahmen, Engineer - Stephan Hahn, Engineer - Astrid Großmann-Hudasch, Engineer

(P) 2020 A production of WDR mediagroup under exclusive license to Sony Music Entertainment Germany GmbH

4
Studie 4: Nicht zu langsam (Contrapunctus 4)
00:03:34

Tal & Groethuysen, MainArtist, AssociatedPerformer - Johann Sebastian Bach, Composer - Reinhard Febel, Composer - Walburga Dahmen, Engineer - Stephan Hahn, Engineer - Astrid Großmann-Hudasch, Engineer

(P) 2020 A production of WDR mediagroup under exclusive license to Sony Music Entertainment Germany GmbH

5
Studie 5: Langsam (Contrapunctus 5)
00:04:25

Tal & Groethuysen, MainArtist, AssociatedPerformer - Johann Sebastian Bach, Composer - Reinhard Febel, Composer - Walburga Dahmen, Engineer - Stephan Hahn, Engineer - Astrid Großmann-Hudasch, Engineer

(P) 2020 A production of WDR mediagroup under exclusive license to Sony Music Entertainment Germany GmbH

6
Studie 6: Langsam (Contrapunctus 6 per Diminutionem in Stylo Francese)
00:07:04

Tal & Groethuysen, MainArtist, AssociatedPerformer - Johann Sebastian Bach, Composer - Reinhard Febel, Composer - Walburga Dahmen, Engineer - Stephan Hahn, Engineer - Astrid Großmann-Hudasch, Engineer

(P) 2020 A production of WDR mediagroup under exclusive license to Sony Music Entertainment Germany GmbH

7
Studie 7: Nicht zu schnell (Contrapunctus 7 per Augmentationem et Diminutionem)
00:03:15

Tal & Groethuysen, MainArtist, AssociatedPerformer - Johann Sebastian Bach, Composer - Reinhard Febel, Composer - Walburga Dahmen, Engineer - Stephan Hahn, Engineer - Astrid Großmann-Hudasch, Engineer

(P) 2020 A production of WDR mediagroup under exclusive license to Sony Music Entertainment Germany GmbH

8
Studie 8: Nicht zu langsam (Contrapunctus 8)
00:05:29

Tal & Groethuysen, MainArtist, AssociatedPerformer - Johann Sebastian Bach, Composer - Reinhard Febel, Composer - Walburga Dahmen, Engineer - Stephan Hahn, Engineer - Astrid Großmann-Hudasch, Engineer

(P) 2020 A production of WDR mediagroup under exclusive license to Sony Music Entertainment Germany GmbH

9
Studie 9: Sehr schnell (Contrapunctus 9 alla Duodecima)
00:02:28

Tal & Groethuysen, MainArtist, AssociatedPerformer - Johann Sebastian Bach, Composer - Reinhard Febel, Composer - Walburga Dahmen, Engineer - Stephan Hahn, Engineer - Astrid Großmann-Hudasch, Engineer

(P) 2020 A production of WDR mediagroup under exclusive license to Sony Music Entertainment Germany GmbH

10
Studie 10: Schnell (Contrapunctus 10 alla Decima)
00:04:41

Tal & Groethuysen, MainArtist, AssociatedPerformer - Johann Sebastian Bach, Composer - Reinhard Febel, Composer - Walburga Dahmen, Engineer - Stephan Hahn, Engineer - Astrid Großmann-Hudasch, Engineer

(P) 2020 A production of WDR mediagroup under exclusive license to Sony Music Entertainment Germany GmbH

11
Studie 11: Prestissimo possibile (Contrapunctus 11)
00:03:13

Tal & Groethuysen, MainArtist, AssociatedPerformer - Johann Sebastian Bach, Composer - Reinhard Febel, Composer - Walburga Dahmen, Engineer - Stephan Hahn, Engineer - Astrid Großmann-Hudasch, Engineer

(P) 2020 A production of WDR mediagroup under exclusive license to Sony Music Entertainment Germany GmbH

DISCO 2

1
Studie 12: Langsam (Contrapunctus 12 Rectus+Inversus)
00:04:17

Tal & Groethuysen, MainArtist, AssociatedPerformer - Johann Sebastian Bach, Composer - Reinhard Febel, Composer - Walburga Dahmen, Engineer - Stephan Hahn, Engineer - Astrid Großmann-Hudasch, Engineer

(P) 2020 A production of WDR mediagroup under exclusive license to Sony Music Entertainment Germany GmbH

2
Studie 12a: Nicht zu langsam (Contrapunctus 12 Rectus+Inversus)
00:02:53

Tal & Groethuysen, MainArtist, AssociatedPerformer - Johann Sebastian Bach, Composer - Reinhard Febel, Composer - Walburga Dahmen, Engineer - Stephan Hahn, Engineer - Astrid Großmann-Hudasch, Engineer

(P) 2020 A production of WDR mediagroup under exclusive license to Sony Music Entertainment Germany GmbH

3
Studie 13: Prestissimo possibile (Contrapunctus 13 Rectus+Inversus)
00:02:01

Tal & Groethuysen, MainArtist, AssociatedPerformer - Johann Sebastian Bach, Composer - Reinhard Febel, Composer - Walburga Dahmen, Engineer - Stephan Hahn, Engineer - Astrid Großmann-Hudasch, Engineer

(P) 2020 A production of WDR mediagroup under exclusive license to Sony Music Entertainment Germany GmbH

4
Studie 13a: Schnell (Contrapunctus 13 Rectus+Inversus)
00:02:06

Tal & Groethuysen, MainArtist, AssociatedPerformer - Johann Sebastian Bach, Composer - Reinhard Febel, Composer - Walburga Dahmen, Engineer - Stephan Hahn, Engineer - Astrid Großmann-Hudasch, Engineer

(P) 2020 A production of WDR mediagroup under exclusive license to Sony Music Entertainment Germany GmbH

5
Studie 14: Nicht zu langsam (Canon in Hypodiatesseron per Augmentationem in Contrario Motu)
00:08:53

Tal & Groethuysen, MainArtist, AssociatedPerformer - Johann Sebastian Bach, Composer - Reinhard Febel, Composer - Walburga Dahmen, Engineer - Stephan Hahn, Engineer - Astrid Großmann-Hudasch, Engineer

(P) 2020 A production of WDR mediagroup under exclusive license to Sony Music Entertainment Germany GmbH

6
Studie 15: Schnell (Canon in Hypodiapason - Canon alla Ottava)
00:03:41

Tal & Groethuysen, MainArtist, AssociatedPerformer - Johann Sebastian Bach, Composer - Reinhard Febel, Composer - Walburga Dahmen, Engineer - Stephan Hahn, Engineer - Astrid Großmann-Hudasch, Engineer

(P) 2020 A production of WDR mediagroup under exclusive license to Sony Music Entertainment Germany GmbH

7
Studie 16: Nicht zu schnell (Canon alla Decima. Contrapunto alla Terza)
00:05:16

Tal & Groethuysen, MainArtist, AssociatedPerformer - Johann Sebastian Bach, Composer - Reinhard Febel, Composer - Walburga Dahmen, Engineer - Stephan Hahn, Engineer - Astrid Großmann-Hudasch, Engineer

(P) 2020 A production of WDR mediagroup under exclusive license to Sony Music Entertainment Germany GmbH

8
Studie 17: Presto feroce (Canon alla Duodecima in Contrapunto alla Quinta)
00:02:41

Tal & Groethuysen, MainArtist, AssociatedPerformer - Johann Sebastian Bach, Composer - Reinhard Febel, Composer - Walburga Dahmen, Engineer - Stephan Hahn, Engineer - Astrid Großmann-Hudasch, Engineer

(P) 2020 A production of WDR mediagroup under exclusive license to Sony Music Entertainment Germany GmbH

9
Studie 18: Maestoso, ma molto calmo (Fuga a 3 (4) Soggetti)
00:15:11

Tal & Groethuysen, MainArtist, AssociatedPerformer - Johann Sebastian Bach, Composer - Reinhard Febel, Composer - Walburga Dahmen, Engineer - Stephan Hahn, Engineer - Astrid Großmann-Hudasch, Engineer

(P) 2020 A production of WDR mediagroup under exclusive license to Sony Music Entertainment Germany GmbH

Resenha do Álbum

The two-piano (and piano four-hands) duo of Yaara Tal and Andreas Groethuysen has a gift for finding intriguing but obscure repertory, and they do it again here with composer Reinhard Febel's Studies on Bach's The Art of Fugue. Listeners briefly dipping into this may raise several objections, the most prominent being that Bach's The Art of Fugue, BWV 1080, is arguably the most perfect piece of polyphony in existence and needs no adornment. For former music theory students, the music may bring to mind youthful attempts and failures to set chorale tunes with anything like the elegance Bach applied, but consider the work as a whole, and intriguing facets reveal themselves. Like Bach's original fugues, Febel's studies become more complex as they proceed, and he is careful to balance the intricacy of the new material (always in the second piano) against the original. He adds not only melodic elaboration but also deepening tonality (verging on atonality in one fugue), a new high register, and new rhythms, many of them syncopated. The overall effect is one of systematic exploration of the potentialities of the original material in a modern context, something that, it turns out, is in the Bachian spirit. The studies won't be to all tastes, but they definitely do not represent random scrawls on a masterpiece. An over-intimate sound that lends a harsh edge to the upper register is a disincentive to an otherwise interesting experiment.

© TiVo

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