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Connie Dover|If Ever I Return

If Ever I Return

Connie Dover

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Idioma disponível: inglês

Connie Dover has a voice that rings like a crystal bell. Whether singing cowboy songs or forlorn Irish love ballads, she can make angels appear and dance in your head. But while critics across the country have rhapsodized about her voice, what is often overlooked is her ability to write strikingly beautiful original music in traditional idioms (an ability overlooked probably because you would rarely guess that her original tunes aren't ageless folk melodies). On this disc, she sets the Gaelic poem "Fear an Bhata" to a lovely, haunting tune and also offers a stately air dedicated to the memory of her paternal grandmother. Elsewhere, she covers such traditional fare as "Lady Keith's Lament," a song of longing for the return of the Scottish monarchy, and the heartbroken "How Can I Live at the Top of the Mountain?" She sings in French on "La Fontaine" (set to another original tune) and comes up with an interesting major-key arrangement of the traditional Appalachian song "Shady Grove." This disc finds her using a bit more percussion and synthesizer than usual, a move which might cause some die-hard traditionalists to raise an eyebrow, but her exquisite singing will erase any doubts.
© Rick Anderson /TiVo

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If Ever I Return

Connie Dover

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1
Fear an Bhata
00:03:13

Connie Dover, MainArtist - Music: Connie Dover; Lyrics: Traditional Irish, Composer

1997 Connie Dover 1997 Connie Dover

2
Lady Keith's Lament
00:04:55

Connie Dover, MainArtist - public domain, arranged by Connie Dover, Composer

1997 Connie Dover 1997 Connie Dover

3
Peggy and the Soldier
00:04:32

Connie Dover, MainArtist - public domain, arranged by Connie Dover, Composer

1997 Connie Dover 1997 Connie Dover

4
Ned of the Hill
00:07:22

Connie Dover, MainArtist - public domain, arranged by Connie Dover, Composer

1997 Connie Dover 1997 Connie Dover

5
The Holland Handkerchief
00:07:55

Connie Dover, MainArtist - public domain, arranged by Connie Dover, Composer

1997 Connie Dover 1997 Connie Dover

6
La Fontaine
00:04:39

Connie Dover, MainArtist - Music: Connie Dover; Lyrics: Traditional French, Composer

1997 Connie Dover 1997 Connie Dover

7
Mally Leigh
00:04:16

Connie Dover, MainArtist - public domain, arranged by Connie Dover, Composer

1997 Connie Dover 1997 Connie Dover

8
Who Will Comfort Me?
00:07:01

Connie Dover, MainArtist - Music: Brian Keane; Lyrics: Connie Dover, Composer

1997 Connie Dover 1997 Connie Dover

9
Shady Grove
00:03:59

Connie Dover, MainArtist - public domain, arranged by Connie Dover, Composer

1997 Connie Dover 1997 Connie Dover

10
Miss Lillian Williams
00:04:56

Connie Dover, Composer, MainArtist

1997 Connie Dover 1997 Connie Dover

11
How Can I Live at the Top of the Mountain?
00:08:20

Connie Dover, MainArtist - pubic domain, arranged by Connie Dover; Instrumental Air (Lightly Swims the Swan): Phil Cunningham, Composer

1997 Connie Dover 1997 Connie Dover

Resenha do Álbum

Connie Dover has a voice that rings like a crystal bell. Whether singing cowboy songs or forlorn Irish love ballads, she can make angels appear and dance in your head. But while critics across the country have rhapsodized about her voice, what is often overlooked is her ability to write strikingly beautiful original music in traditional idioms (an ability overlooked probably because you would rarely guess that her original tunes aren't ageless folk melodies). On this disc, she sets the Gaelic poem "Fear an Bhata" to a lovely, haunting tune and also offers a stately air dedicated to the memory of her paternal grandmother. Elsewhere, she covers such traditional fare as "Lady Keith's Lament," a song of longing for the return of the Scottish monarchy, and the heartbroken "How Can I Live at the Top of the Mountain?" She sings in French on "La Fontaine" (set to another original tune) and comes up with an interesting major-key arrangement of the traditional Appalachian song "Shady Grove." This disc finds her using a bit more percussion and synthesizer than usual, a move which might cause some die-hard traditionalists to raise an eyebrow, but her exquisite singing will erase any doubts.
© Rick Anderson /TiVo

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