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Bad Livers|Horses in the Mines

Horses in the Mines

Bad Livers

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Idioma disponível: inglês

For their second album, the Bad Livers have turned in another fine batch of tunes, but this time they've traded the crisp Paul Leary production of the first album for a slightly more murky mix, where the vocals sometimes get a bit lost. The instruments come through just fine, and once again Danny Barnes is in fine form on both guitar and banjo. The songs are topnotch. In particular, the playing and arrangement (for banjo, guitar, dobro, and mandolin) on "He Didn't Say a Word to Me" are exquisite. They also do a wonderful job with the Kentucky Colonels' "Blue Ridge Express." "Clawhammer Fish" and "Where They Do Not Know My Name" really showcase Barnes' banjo technique, and "Horses in the Mines" is a slow country-blues with slide banjo. But they also start taking some slightly experimental chances as well, hinting at what's to come on subsequent albums. About halfway through the album, "New Bad Liver Singer" is a goof-off track with someone's dog (uncredited!) howling along with a harmonica. Following that is "High, Lonesome, Dead and Gone," a song in three parts where you can clearly hear a television set droning on behind the band. The treated vocals on "Shot at a Bird, Hit Me a Stump" and "Puke Grub" pretty much guarantee that a career playing bluegrass festivals is not in the cards. Horses in the Mines is a small step in the evolution of the Bad Livers. While it has a largely traditional sound, its production and experimental tendencies are likely to further alienate any potential traditional bluegrass fans they may have courted, but fans of other bands on the indie label Quarterstick are just as likely to admire their DIY ethic and don't-care attitude. Ironically, this would be their last recording for Quarterstick before moving to the traditional bluegrass label Sugar Hill.
© Sean Westergaard /TiVo

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Horses in the Mines

Bad Livers

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1
Where They Do Not Know My Name
00:02:57

Bad Livers, Artist, MainArtist - (Edward D. Barnes) Minner Bucket Publishing (BMI), MusicPublisher

1994 Quarterstick Records 1994 Quarterstick Records

2
Turpentine Willie
00:04:05

Bad Livers, Artist, MainArtist - (Edward D. Barnes) Minner Bucket Publishing (BMI), MusicPublisher

1994 Quarterstick Records 1994 Quarterstick Records

3
Old Folk's Shuffle
00:02:59

Bad Livers, Artist, MainArtist - (Edward D. Barnes) Minner Bucket Publishing (BMI), MusicPublisher

1994 Quarterstick Records 1994 Quarterstick Records

4
Horses in the Mines
00:05:10

Bad Livers, Artist, MainArtist - (Edward D. Barnes) Minner Bucket Publishing (BMI), MusicPublisher

1994 Quarterstick Records 1994 Quarterstick Records

5
Time and Time Again
00:03:34

Bad Livers, Artist, MainArtist - (Edward D. Barnes) Minner Bucket Publishing (BMI), MusicPublisher

1994 Quarterstick Records 1994 Quarterstick Records

6
Clawhammer Fish
00:01:48

Bad Livers, Artist, MainArtist - (Edward D. Barnes) Minner Bucket Publishing (BMI), MusicPublisher

1994 Quarterstick Records 1994 Quarterstick Records

7
New Bad Liver Singer
00:01:07

Bad Livers, Artist, MainArtist - (Edward D. Barnes) Minner Bucket Publishing (BMI), MusicPublisher

1994 Quarterstick Records 1994 Quarterstick Records

8
High, Lonesome, Dead and Gone
00:04:44

Bad Livers, Artist, MainArtist - (Edward D. Barnes) Minner Bucket Publishing (BMI), MusicPublisher

1994 Quarterstick Records 1994 Quarterstick Records

9
Blue Ridge Express
00:02:46

Bad Livers, Artist, MainArtist - (Ed Shelton/Kentucky Colonel) (BMI), MusicPublisher

1994 Quarterstick Records 1994 Quarterstick Records

10
Shot at a Bird, Hit Me a Stump
00:02:04

Bad Livers, Artist, MainArtist - (Edward D. Barnes) Minner Bucket Publishing (BMI), MusicPublisher

1994 Quarterstick Records 1994 Quarterstick Records

11
Chainsaw Therapy
00:02:40

Bad Livers, Artist, MainArtist - (Ralph White III) Minner Bucket Publishing (BMI), MusicPublisher

1994 Quarterstick Records 1994 Quarterstick Records

12
He Didn't Say a Word
00:03:55

Bad Livers, Artist, MainArtist - (Edward D. Barnes) Minner Bucket Publishing (BMI), MusicPublisher

1994 Quarterstick Records 1994 Quarterstick Records

13
Puke Grub
00:03:14

Bad Livers, Artist, MainArtist - (Edward D. Barnes) Minner Bucket Publishing (BMI), MusicPublisher

1994 Quarterstick Records 1994 Quarterstick Records

14
Yearning
00:03:28

Bad Livers, Artist, MainArtist - (Edward D. Barnes) Minner Bucket Publishing (BMI), MusicPublisher

1994 Quarterstick Records 1994 Quarterstick Records

15
Stevejames
00:03:17

Bad Livers, Artist, MainArtist - (Edward D. Barnes) Minner Bucket Publishing (BMI), MusicPublisher

1994 Quarterstick Records 1994 Quarterstick Records

16
Let's Forgive Each Other
00:03:13

Bad Livers, Artist, MainArtist - (Edward D. Barnes) Minner Bucket Publishing (BMI), MusicPublisher

1994 Quarterstick Records 1994 Quarterstick Records

Resenha do Álbum

For their second album, the Bad Livers have turned in another fine batch of tunes, but this time they've traded the crisp Paul Leary production of the first album for a slightly more murky mix, where the vocals sometimes get a bit lost. The instruments come through just fine, and once again Danny Barnes is in fine form on both guitar and banjo. The songs are topnotch. In particular, the playing and arrangement (for banjo, guitar, dobro, and mandolin) on "He Didn't Say a Word to Me" are exquisite. They also do a wonderful job with the Kentucky Colonels' "Blue Ridge Express." "Clawhammer Fish" and "Where They Do Not Know My Name" really showcase Barnes' banjo technique, and "Horses in the Mines" is a slow country-blues with slide banjo. But they also start taking some slightly experimental chances as well, hinting at what's to come on subsequent albums. About halfway through the album, "New Bad Liver Singer" is a goof-off track with someone's dog (uncredited!) howling along with a harmonica. Following that is "High, Lonesome, Dead and Gone," a song in three parts where you can clearly hear a television set droning on behind the band. The treated vocals on "Shot at a Bird, Hit Me a Stump" and "Puke Grub" pretty much guarantee that a career playing bluegrass festivals is not in the cards. Horses in the Mines is a small step in the evolution of the Bad Livers. While it has a largely traditional sound, its production and experimental tendencies are likely to further alienate any potential traditional bluegrass fans they may have courted, but fans of other bands on the indie label Quarterstick are just as likely to admire their DIY ethic and don't-care attitude. Ironically, this would be their last recording for Quarterstick before moving to the traditional bluegrass label Sugar Hill.
© Sean Westergaard /TiVo

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