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Elvira Bill|Heinichen: 2 Passion Oratorios

Heinichen: 2 Passion Oratorios

Michael Alexander Willens, Die Kölner Akademie

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Idioma disponível: inglês

The Passion Music Johann David Heinichen wrote for the Dresden court is a document of cultural and confessional openness of the Saxon residence, and his two Italian oratorios heard here are surrogates of large-scale Passion music.

Come? S'imbruna il ciel - composed in 1728 - is the latest of the "sepolcri", his other Passion L'aride tempie ignude the first of the "sepolcri" to survive from Heinichen in Dresden. Both texts are by Stefano Pallavicino, who had been active at the Dresden court since 1719.

In the first-mentioned Passion, the meditation on the Passion event recurs to the experience of the earthquake that, according to biblical accounts, occurred immediately after the death of Jesus. The description of the violent natural events gives Mary the Mother of God, John (Jesus' favorite disciple), and Mary Magdalene an opportunity to reflect on their relationship to the Crucified. Different aspects of affection and love are thematized.

The meditation on the Passion event in the second-named Passion is designed as an allegorical play of death (Morte) and hope (Speranza), divine love (Amor divino) and penance (Poenitenza), and follows an easily comprehensible dramaturgy. The affinity to opera seria is evident in both passions not only in the arrangement of the pieces. The keys, gestures and instrumentation also correspond to the models familiar from baroque musical theater. Full of affect! © CPO

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Heinichen: 2 Passion Oratorios

Elvira Bill

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Come? S'imbruna il ciel! Occhi piangete!, S. 29 (Johann David Heinichen)

1
Come? S'imbrune il ciel
Elena Harsányi
00:02:41

Johann David Heinichen, Composer - Michael Alexander Willens, Conductor, MainArtist - Elvira Bill, Artist, MainArtist - Mirko Ludwig, Artist, MainArtist - Die Kölner Akademie, Orchestra, MainArtist - Elena Harsányi, Artist, MainArtist

(C) 2022 CPO (P) 2022 CPO

2
E lumi e cor non ha chi lagrimar
Elena Harsányi
00:00:51

Johann David Heinichen, Composer - Michael Alexander Willens, Conductor, MainArtist - Andreas Wolf, Artist, MainArtist - Elvira Bill, Artist, MainArtist - Mirko Ludwig, Artist, MainArtist - Die Kölner Akademie, Orchestra, MainArtist - Elena Harsányi, Artist, MainArtist

(C) 2022 CPO (P) 2022 CPO

3
Ben ha cor di Giudeo
Elena Harsányi
00:01:21

Johann David Heinichen, Composer - Michael Alexander Willens, Conductor, MainArtist - Die Kölner Akademie, Orchestra, MainArtist - Elena Harsányi, Artist, MainArtist

(C) 2022 CPO (P) 2022 CPO

4
Mio Gesù, dolce adorato
Elena Harsányi
00:03:42

Johann David Heinichen, Composer - Michael Alexander Willens, Conductor, MainArtist - Die Kölner Akademie, Orchestra, MainArtist - Elena Harsányi, Artist, MainArtist

(C) 2022 CPO (P) 2022 CPO

5
Che miro?
Elena Harsányi
00:01:06

Johann David Heinichen, Composer - Michael Alexander Willens, Conductor, MainArtist - Mirko Ludwig, Artist, MainArtist - Die Kölner Akademie, Orchestra, MainArtist - Elena Harsányi, Artist, MainArtist

(C) 2022 CPO (P) 2022 CPO

6
O qual dura penar!
Elvira Bill
00:01:10

Johann David Heinichen, Composer - Michael Alexander Willens, Conductor, MainArtist - Elvira Bill, Artist, MainArtist - Die Kölner Akademie, Orchestra, MainArtist

(C) 2022 CPO (P) 2022 CPO

7
Genti, genti
Elvira Bill
00:03:09

Johann David Heinichen, Composer - Michael Alexander Willens, Conductor, MainArtist - Elvira Bill, Artist, MainArtist - Die Kölner Akademie, Orchestra, MainArtist

(C) 2022 CPO (P) 2022 CPO

8
Addolorata ed adorate Madre
Mirko Ludwig
00:02:26

Johann David Heinichen, Composer - Michael Alexander Willens, Conductor, MainArtist - Mirko Ludwig, Artist, MainArtist - Die Kölner Akademie, Orchestra, MainArtist

(C) 2022 CPO (P) 2022 CPO

9
Madre, non isdegnar
Mirko Ludwig
00:04:45

Johann David Heinichen, Composer - Michael Alexander Willens, Conductor, MainArtist - Mirko Ludwig, Artist, MainArtist - Die Kölner Akademie, Orchestra, MainArtist

(C) 2022 CPO (P) 2022 CPO

10
Madre in Amor
Elvira Bill
00:01:22

Johann David Heinichen, Composer - Michael Alexander Willens, Conductor, MainArtist - Elvira Bill, Artist, MainArtist - Mirko Ludwig, Artist, MainArtist - Die Kölner Akademie, Orchestra, MainArtist

(C) 2022 CPO (P) 2022 CPO

11
Lato, mani, piè forati
Elvira Bill
00:04:07

Johann David Heinichen, Composer - Michael Alexander Willens, Conductor, MainArtist - Elvira Bill, Artist, MainArtist - Die Kölner Akademie, Orchestra, MainArtist

(C) 2022 CPO (P) 2022 CPO

12
O ciel?
Elena Harsányi
00:01:45

Johann David Heinichen, Composer - Michael Alexander Willens, Conductor, MainArtist - Die Kölner Akademie, Orchestra, MainArtist - Elena Harsányi, Artist, MainArtist

(C) 2022 CPO (P) 2022 CPO

13
Croce mal nata
Elena Harsányi
00:01:50

Johann David Heinichen, Composer - Michael Alexander Willens, Conductor, MainArtist - Mirko Ludwig, Artist, MainArtist - Die Kölner Akademie, Orchestra, MainArtist - Elena Harsányi, Artist, MainArtist

(C) 2022 CPO (P) 2022 CPO

14
Qual rigore di padre!
Elena Harsányi
00:00:34

Johann David Heinichen, Composer - Michael Alexander Willens, Conductor, MainArtist - Elvira Bill, Artist, MainArtist - Mirko Ludwig, Artist, MainArtist - Die Kölner Akademie, Orchestra, MainArtist - Elena Harsányi, Artist, MainArtist

(C) 2022 CPO (P) 2022 CPO

15
Miseri ch'habbiam fatto?
Andreas Wolf
00:01:09

Johann David Heinichen, Composer - Michael Alexander Willens, Conductor, MainArtist - Andreas Wolf, Artist, MainArtist - Die Kölner Akademie, Orchestra, MainArtist

(C) 2022 CPO (P) 2022 CPO

16
Mia Sion, che facesti?
Andreas Wolf
00:02:41

Johann David Heinichen, Composer - Michael Alexander Willens, Conductor, MainArtist - Andreas Wolf, Artist, MainArtist - Die Kölner Akademie, Orchestra, MainArtist

(C) 2022 CPO (P) 2022 CPO

17
Piani popolo mio
Andreas Wolf
00:01:13

Johann David Heinichen, Composer - Michael Alexander Willens, Conductor, MainArtist - Andreas Wolf, Artist, MainArtist - Die Kölner Akademie, Orchestra, MainArtist

(C) 2022 CPO (P) 2022 CPO

18
Alla croce alme redente
Elena Harsányi
00:02:41

Johann David Heinichen, Composer - Michael Alexander Willens, Conductor, MainArtist - Andreas Wolf, Artist, MainArtist - Elvira Bill, Artist, MainArtist - Mirko Ludwig, Artist, MainArtist - Die Kölner Akademie, Orchestra, MainArtist - Elena Harsányi, Artist, MainArtist

(C) 2022 CPO (P) 2022 CPO

L'aride tempie ignude, S. 30 (Johann David Heinichen)

19
Sinfonia
Die Kölner Akademie
00:03:07

Johann David Heinichen, Composer - Michael Alexander Willens, Conductor, MainArtist - Die Kölner Akademie, Orchestra, MainArtist

(C) 2022 CPO (P) 2022 CPO

20
L'aride tempie ignude
Andreas Wolf
00:01:07

Johann David Heinichen, Composer - Michael Alexander Willens, Conductor, MainArtist - Andreas Wolf, Artist, MainArtist - Die Kölner Akademie, Orchestra, MainArtist

(C) 2022 CPO (P) 2022 CPO

21
Di mia vittoria su questa tomba
Andreas Wolf
00:04:23

Johann David Heinichen, Composer - Michael Alexander Willens, Conductor, MainArtist - Andreas Wolf, Artist, MainArtist - Die Kölner Akademie, Orchestra, MainArtist

(C) 2022 CPO (P) 2022 CPO

22
Non dir superbo Gloria dell'armi tue d'un dio la morte
Elvira Bill
00:00:51

Johann David Heinichen, Composer - Michael Alexander Willens, Conductor, MainArtist - Elvira Bill, Artist, MainArtist - Die Kölner Akademie, Orchestra, MainArtist

(C) 2022 CPO (P) 2022 CPO

23
Di Giesù tenere viscere
Elvira Bill
00:05:23

Johann David Heinichen, Composer - Michael Alexander Willens, Conductor, MainArtist - Elvira Bill, Artist, MainArtist - Die Kölner Akademie, Orchestra, MainArtist

(C) 2022 CPO (P) 2022 CPO

24
E non ti sfacci cuor dispietato
Mirko Ludwig
00:04:37

Johann David Heinichen, Composer - Michael Alexander Willens, Conductor, MainArtist - Mirko Ludwig, Artist, MainArtist - Die Kölner Akademie, Orchestra, MainArtist

(C) 2022 CPO (P) 2022 CPO

25
Marmi, ch'estino il sommo ben chiudete
Mirko Ludwig
00:01:31

Johann David Heinichen, Composer - Michael Alexander Willens, Conductor, MainArtist - Mirko Ludwig, Artist, MainArtist - Die Kölner Akademie, Orchestra, MainArtist

(C) 2022 CPO (P) 2022 CPO

26
Lagrime avventurose
Elvira Bill
00:00:40

Johann David Heinichen, Composer - Michael Alexander Willens, Conductor, MainArtist - Elvira Bill, Artist, MainArtist - Die Kölner Akademie, Orchestra, MainArtist

(C) 2022 CPO (P) 2022 CPO

27
Qual pianta
Elena Harsányi
00:05:44

Johann David Heinichen, Composer - Michael Alexander Willens, Conductor, MainArtist - Die Kölner Akademie, Orchestra, MainArtist - Elena Harsányi, Artist, MainArtist

(C) 2022 CPO (P) 2022 CPO

28
Erger ti ardisci al favellar di spene
Elena Harsányi
00:01:53

Johann David Heinichen, Composer - Michael Alexander Willens, Conductor, MainArtist - Die Kölner Akademie, Orchestra, MainArtist - Elena Harsányi, Artist, MainArtist

(C) 2022 CPO (P) 2022 CPO

29
Per accendere altrui del vivo zelo
Elvira Bill
00:00:53

Johann David Heinichen, Composer - Michael Alexander Willens, Conductor, MainArtist - Elvira Bill, Artist, MainArtist - Mirko Ludwig, Artist, MainArtist - Die Kölner Akademie, Orchestra, MainArtist

(C) 2022 CPO (P) 2022 CPO

30
Quel core sincere sol giunge
Elena Harsányi
00:06:03

Johann David Heinichen, Composer - Michael Alexander Willens, Conductor, MainArtist - Elvira Bill, Artist, MainArtist - Mirko Ludwig, Artist, MainArtist - Die Kölner Akademie, Orchestra, MainArtist - Elena Harsányi, Artist, MainArtist

(C) 2022 CPO (P) 2022 CPO

Resenha do Álbum

The Passion Music Johann David Heinichen wrote for the Dresden court is a document of cultural and confessional openness of the Saxon residence, and his two Italian oratorios heard here are surrogates of large-scale Passion music.

Come? S'imbruna il ciel - composed in 1728 - is the latest of the "sepolcri", his other Passion L'aride tempie ignude the first of the "sepolcri" to survive from Heinichen in Dresden. Both texts are by Stefano Pallavicino, who had been active at the Dresden court since 1719.

In the first-mentioned Passion, the meditation on the Passion event recurs to the experience of the earthquake that, according to biblical accounts, occurred immediately after the death of Jesus. The description of the violent natural events gives Mary the Mother of God, John (Jesus' favorite disciple), and Mary Magdalene an opportunity to reflect on their relationship to the Crucified. Different aspects of affection and love are thematized.

The meditation on the Passion event in the second-named Passion is designed as an allegorical play of death (Morte) and hope (Speranza), divine love (Amor divino) and penance (Poenitenza), and follows an easily comprehensible dramaturgy. The affinity to opera seria is evident in both passions not only in the arrangement of the pieces. The keys, gestures and instrumentation also correspond to the models familiar from baroque musical theater. Full of affect! © CPO

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