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Richard Tognetti|Grieg: holberg suite - string quartet in g minor - 2 elegiac melodies - erotikk

Grieg: holberg suite - string quartet in g minor - 2 elegiac melodies - erotikk

Richard Tognetti

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Richard Tognetti's all-Grieg album with the Australian Chamber Orchestra focuses on music for string orchestra, including two arrangements that are premiered here. The familiar Holberg Suite is the main attraction, and listeners who are charmed by this evergreen are likely to take a chance on Tognetti's handiwork in his expanded versions of the String Quartet in G minor and the piano gem, Erotik. In a sense, the string quartet lends itself to a large-ensemble treatment more readily than a keyboard piece could, and the choices Tognetti made are idiomatic to the string orchestra, if not necessarily to the string quartet genre. The thickness of the string sections may be disconcerting to any who know the quartet, though to Tognetti's credit, he has retained some repartée for solo instruments, or allowed them to play passages in a concertante style, so the arrangement has sufficient connections with the original and ample contrasts and dramatic interchanges to sustain interest. Erotik, on the other hand, is a lush but simple setting for solo violin and string orchestra that stays in the lyrical vein for its short duration, and like the two Elegiac Melodies, has a subdued character that is in contrast to the volatility of the quartet. Tognetti's violin solos are tailored to his sweet tone and generous bowing, and the orchestra seems wholly in tune with his passionate ideas and interpretations. The super audio reproduction is quite clear and vivid, and BIS has taken great pains to avoid the gray, undifferentiated sound so common to string orchestra recordings.

© TiVo

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Grieg: holberg suite - string quartet in g minor - 2 elegiac melodies - erotikk

Richard Tognetti

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String Quartet in G Minor, Op. 27 (Edvard Grieg)

1
I. Un poco andante - Allegro molto ed agitato (Arr. R. Tognetti for string orchestra)
Australian Chamber Orchestra
00:11:52

Australian Chamber Orchestra, Orchestra, MainArtist - Edvard Grieg, Composer - Richard Tognetti, Conductor, Arranger, MainArtist

2012 BIS 2012 (P) BIS

2
II. Romanze. Andantino - Allegro agitato (Arr. R. Tognetti for string orchestra)
Australian Chamber Orchestra
00:06:07

Australian Chamber Orchestra, Orchestra, MainArtist - Edvard Grieg, Composer - Richard Tognetti, Conductor, Arranger, MainArtist

2012 BIS 2012 (P) BIS

3
III. Intermezzo. Allegro molto marcato - Allegro agitato (Arr. R. Tognetti for string orchestra)
Australian Chamber Orchestra
00:06:21

Australian Chamber Orchestra, Orchestra, MainArtist - Edvard Grieg, Composer - Richard Tognetti, Conductor, Arranger, MainArtist

2012 BIS 2012 (P) BIS

4
IV. Finale. Lento - Presto al saltarello (Arr. R. Tognetti for string orchestra)
Australian Chamber Orchestra
00:07:54

Australian Chamber Orchestra, Orchestra, MainArtist - Edvard Grieg, Composer - Richard Tognetti, Conductor, Arranger, MainArtist

2012 BIS 2012 (P) BIS

2 Elegiac Melodies, Op. 34 (Edvard Grieg)

5
No. 1, Hjertesar (the Wounded Heart)
Australian Chamber Orchestra
00:03:24

Australian Chamber Orchestra, Orchestra, MainArtist - Edvard Grieg, Composer - Richard Tognetti, Conductor, MainArtist

2012 BIS 2012 (P) BIS

6
No. 2, Varen (Last Spring)
Australian Chamber Orchestra
00:04:43

Australian Chamber Orchestra, Orchestra, MainArtist - Edvard Grieg, Composer - Richard Tognetti, Conductor, MainArtist

2012 BIS 2012 (P) BIS

Lyric Pieces, Book 3, Op. 43, No. 5. Erotic (Edvard Grieg)

7
Lyric Pieces, Book 3, Op. 43: No. 5, Erotic (Arr. R. Tognetti for violin and string orchestra)
Richard Tognetti
00:03:34

Australian Chamber Orchestra, Orchestra, MainArtist - Edvard Grieg, Composer - Richard Tognetti, Arranger, MainArtist, AssociatedPerformer

2012 BIS 2012 (P) BIS

Holberg Suite, Op. 40 (Edvard Grieg)

8
I. Prelude (Version for Strings)
Australian Chamber Orchestra
00:02:43

Australian Chamber Orchestra, Orchestra, MainArtist - Edvard Grieg, Composer - Richard Tognetti, Conductor, MainArtist

2012 BIS 2012 (P) BIS

9
II. Sarabande (Version for Strings)
Australian Chamber Orchestra
00:03:40

Australian Chamber Orchestra, Orchestra, MainArtist - Edvard Grieg, Composer - Richard Tognetti, Conductor, MainArtist

2012 BIS 2012 (P) BIS

10
III. Gavotte (Version for Strings)
Australian Chamber Orchestra
00:03:15

Australian Chamber Orchestra, Orchestra, MainArtist - Edvard Grieg, Composer - Richard Tognetti, Conductor, MainArtist

2012 BIS 2012 (P) BIS

11
IV. Air (Version for Strings)
Australian Chamber Orchestra
00:05:33

Australian Chamber Orchestra, Orchestra, MainArtist - Edvard Grieg, Composer - Richard Tognetti, Conductor, MainArtist

2012 BIS 2012 (P) BIS

12
V. Rigaudon (Version for Strings)
Australian Chamber Orchestra
00:04:16

Australian Chamber Orchestra, Orchestra, MainArtist - Edvard Grieg, Composer - Richard Tognetti, Conductor, MainArtist

2012 BIS 2012 (P) BIS

Resenha do Álbum

Richard Tognetti's all-Grieg album with the Australian Chamber Orchestra focuses on music for string orchestra, including two arrangements that are premiered here. The familiar Holberg Suite is the main attraction, and listeners who are charmed by this evergreen are likely to take a chance on Tognetti's handiwork in his expanded versions of the String Quartet in G minor and the piano gem, Erotik. In a sense, the string quartet lends itself to a large-ensemble treatment more readily than a keyboard piece could, and the choices Tognetti made are idiomatic to the string orchestra, if not necessarily to the string quartet genre. The thickness of the string sections may be disconcerting to any who know the quartet, though to Tognetti's credit, he has retained some repartée for solo instruments, or allowed them to play passages in a concertante style, so the arrangement has sufficient connections with the original and ample contrasts and dramatic interchanges to sustain interest. Erotik, on the other hand, is a lush but simple setting for solo violin and string orchestra that stays in the lyrical vein for its short duration, and like the two Elegiac Melodies, has a subdued character that is in contrast to the volatility of the quartet. Tognetti's violin solos are tailored to his sweet tone and generous bowing, and the orchestra seems wholly in tune with his passionate ideas and interpretations. The super audio reproduction is quite clear and vivid, and BIS has taken great pains to avoid the gray, undifferentiated sound so common to string orchestra recordings.

© TiVo

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