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Olivier Pascalin|Félicien César David : Le Désert

Félicien César David : Le Désert

Choir of St. Edwig' s Cathedral Berlin - Radio-Symphonie-Orchester Berlin - Guido Maria Guida

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Idioma disponível: inglês

Hector Berlioz hailed Félicien David as a genius after the premiere of Le Désert in Paris in 1844, but history has not borne out that judgment. Remembered as a minor French Romantic and an early exponent of "Orientalism," David was one of the first European composers to take serious interest in the music of the Middle East, and regularly incorporate elements of it into his work. The "symphonic ode" Le Désert, scored for speaker, tenor, men's chorus, and orchestra, is not a genre that has flourished, and to modern ears the score seems like a strange mix of eccentricity and conventionality. For instance, the harmonically static opening is most likely the longest stretch of a single unaltered triad before Wagner used the same device, to considerably greater effect, in the Prelude to Das Rheingold. The use of a meuzzin's song, too, was a landmark for Western music, and there are many moments of melodic exoticism that foreshadow its prevalence later in the century. In many sections, though, the writing is pedestrian and unexceptional -- it sometimes sounds like very minor Gounod, but with less ingratiating melodies -- competent, entirely pleasant, but not very memorable. The quality of the live performance captured here is merely adequate; it sounds more like an amateur than professional effort, particularly in the orchestra's intonation and tone quality. Chor der St-Hedwigs-Kathedrale Berlin, however, turns in a solid and dramatic performance. The sound is mediocre, with a somewhat tinny quality. At the same time, the chorus and orchestra seem muffled and fuzzy, and there is a lot of coughing during the quiet sections.
© TiVo

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Félicien César David : Le Désert

Olivier Pascalin

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Le Désert (Félicien David)

1
Part I: Entry into the desert: A l'aspect du desert l'infini se revele
00:03:57

Rundfunk-Sinfonieorchester Berlin, Orchestra - Bruno Lazzaretti, Artist - Guido Maria Guida, Conductor - Felicien David, Composer - Chor der St. Hedwigs-Kathedrale, Choir - Olivier Pascalin, Artist, MainArtist

(C) 2009 CapriccioNR (P) 2009 CapriccioNR

2
Part I: Song of the Desert - Glorification of Allah: Allah, Allah! a toj je rends hommage
00:07:27

Rundfunk-Sinfonieorchester Berlin, Orchestra - Bruno Lazzaretti, Artist - Guido Maria Guida, Conductor - Felicien David, Composer - Chor der St. Hedwigs-Kathedrale, Choir - Olivier Pascalin, Artist, MainArtist

(C) 2009 CapriccioNR (P) 2009 CapriccioNR

3
Part I: Appearance of the Caravan: Quel est ce point dans l'espace
00:00:32

Rundfunk-Sinfonieorchester Berlin, Orchestra - Bruno Lazzaretti, Artist - Guido Maria Guida, Conductor - Felicien David, Composer - Chor der St. Hedwigs-Kathedrale, Choir - Olivier Pascalin, Artist, MainArtist

(C) 2009 CapriccioNR (P) 2009 CapriccioNR

4
Part I: Progress of the Caravan: Allons! Trottons, cheminons, chantons
00:04:38

Rundfunk-Sinfonieorchester Berlin, Orchestra - Bruno Lazzaretti, Artist - Guido Maria Guida, Conductor - Felicien David, Composer - Chor der St. Hedwigs-Kathedrale, Choir - Olivier Pascalin, Artist, MainArtist

(C) 2009 CapriccioNR (P) 2009 CapriccioNR

5
Part I: Storm in the Desert: L'air morne, immobile, se plombe
00:03:46

Rundfunk-Sinfonieorchester Berlin, Orchestra - Bruno Lazzaretti, Artist - Guido Maria Guida, Conductor - Felicien David, Composer - Chor der St. Hedwigs-Kathedrale, Choir - Olivier Pascalin, Artist, MainArtist

(C) 2009 CapriccioNR (P) 2009 CapriccioNR

6
Part I: Calm returns and the Caravan Resumes in Progress: Ici, la vie est un rude combat
00:02:10

Rundfunk-Sinfonieorchester Berlin, Orchestra - Bruno Lazzaretti, Artist - Guido Maria Guida, Conductor - Felicien David, Composer - Chor der St. Hedwigs-Kathedrale, Choir - Olivier Pascalin, Artist, MainArtist

(C) 2009 CapriccioNR (P) 2009 CapriccioNR

7
Part II: The Star of Venus: Comme un voile de fiancee
00:00:33

Rundfunk-Sinfonieorchester Berlin, Orchestra - Bruno Lazzaretti, Artist - Guido Maria Guida, Conductor - Felicien David, Composer - Chor der St. Hedwigs-Kathedrale, Choir - Olivier Pascalin, Artist, MainArtist

(C) 2009 CapriccioNR (P) 2009 CapriccioNR

8
Part II: Hymn to the Night: O nuit, o belle nuit!
00:07:12

Rundfunk-Sinfonieorchester Berlin, Orchestra - Bruno Lazzaretti, Artist - Guido Maria Guida, Conductor - Felicien David, Composer - Chor der St. Hedwigs-Kathedrale, Choir - Olivier Pascalin, Artist, MainArtist

(C) 2009 CapriccioNR (P) 2009 CapriccioNR

9
Part II: Arabian Fantasy
00:01:24

Rundfunk-Sinfonieorchester Berlin, Orchestra - Bruno Lazzaretti, Artist - Guido Maria Guida, Conductor - Felicien David, Composer - Chor der St. Hedwigs-Kathedrale, Choir - Olivier Pascalin, Artist, MainArtist

(C) 2009 CapriccioNR (P) 2009 CapriccioNR

10
Part II: Dance of the Almees
00:02:03

Rundfunk-Sinfonieorchester Berlin, Orchestra - Bruno Lazzaretti, Artist - Guido Maria Guida, Conductor - Felicien David, Composer - Chor der St. Hedwigs-Kathedrale, Choir - Olivier Pascalin, Artist, MainArtist

(C) 2009 CapriccioNR (P) 2009 CapriccioNR

11
Part II: Liberty in the Desert: Restez dans vos tombeaux de pierre
00:01:36

Rundfunk-Sinfonieorchester Berlin, Orchestra - Bruno Lazzaretti, Artist - Guido Maria Guida, Conductor - Felicien David, Composer - Chor der St. Hedwigs-Kathedrale, Choir - Olivier Pascalin, Artist, MainArtist

(C) 2009 CapriccioNR (P) 2009 CapriccioNR

12
Part II: Reverie at Evening: Ma belle nuit, oh!
00:03:57

Rundfunk-Sinfonieorchester Berlin, Orchestra - Bruno Lazzaretti, Artist - Guido Maria Guida, Conductor - Felicien David, Composer - Chor der St. Hedwigs-Kathedrale, Choir - Olivier Pascalin, Artist, MainArtist

(C) 2009 CapriccioNR (P) 2009 CapriccioNR

13
Part III: Sunrise: Des teintes roses de l'aurore
00:02:55

Rundfunk-Sinfonieorchester Berlin, Orchestra - Bruno Lazzaretti, Artist - Guido Maria Guida, Conductor - Felicien David, Composer - Chor der St. Hedwigs-Kathedrale, Choir - Olivier Pascalin, Artist, MainArtist

(C) 2009 CapriccioNR (P) 2009 CapriccioNR

14
Part III: The Call of the Muezzin: El Salamalek, aleikoum el Salam
00:02:54

Rundfunk-Sinfonieorchester Berlin, Orchestra - Bruno Lazzaretti, Artist - Guido Maria Guida, Conductor - Felicien David, Composer - Chor der St. Hedwigs-Kathedrale, Choir - Olivier Pascalin, Artist, MainArtist

(C) 2009 CapriccioNR (P) 2009 CapriccioNR

15
Part III: The Caravan Resumes in Progress: Allons partons, compagnons
00:03:52

Rundfunk-Sinfonieorchester Berlin, Orchestra - Bruno Lazzaretti, Artist - Guido Maria Guida, Conductor - Felicien David, Composer - Chor der St. Hedwigs-Kathedrale, Choir - Olivier Pascalin, Artist, MainArtist

(C) 2009 CapriccioNR (P) 2009 CapriccioNR

16
Part III: The Caravan Disappears into the Distance : L'ambulance cite se perd dans le lointain
00:01:06

Rundfunk-Sinfonieorchester Berlin, Orchestra - Bruno Lazzaretti, Artist - Guido Maria Guida, Conductor - Felicien David, Composer - Chor der St. Hedwigs-Kathedrale, Choir - Olivier Pascalin, Artist, MainArtist

(C) 2009 CapriccioNR (P) 2009 CapriccioNR

17
Part III: Song of the Desert - Glorification of Allah: Allah, Allah! A toi je rends hommage
00:04:45

Rundfunk-Sinfonieorchester Berlin, Orchestra - Bruno Lazzaretti, Artist - Guido Maria Guida, Conductor - Felicien David, Composer - Chor der St. Hedwigs-Kathedrale, Choir - Olivier Pascalin, Artist, MainArtist

(C) 2009 CapriccioNR (P) 2009 CapriccioNR

Resenha do Álbum

Hector Berlioz hailed Félicien David as a genius after the premiere of Le Désert in Paris in 1844, but history has not borne out that judgment. Remembered as a minor French Romantic and an early exponent of "Orientalism," David was one of the first European composers to take serious interest in the music of the Middle East, and regularly incorporate elements of it into his work. The "symphonic ode" Le Désert, scored for speaker, tenor, men's chorus, and orchestra, is not a genre that has flourished, and to modern ears the score seems like a strange mix of eccentricity and conventionality. For instance, the harmonically static opening is most likely the longest stretch of a single unaltered triad before Wagner used the same device, to considerably greater effect, in the Prelude to Das Rheingold. The use of a meuzzin's song, too, was a landmark for Western music, and there are many moments of melodic exoticism that foreshadow its prevalence later in the century. In many sections, though, the writing is pedestrian and unexceptional -- it sometimes sounds like very minor Gounod, but with less ingratiating melodies -- competent, entirely pleasant, but not very memorable. The quality of the live performance captured here is merely adequate; it sounds more like an amateur than professional effort, particularly in the orchestra's intonation and tone quality. Chor der St-Hedwigs-Kathedrale Berlin, however, turns in a solid and dramatic performance. The sound is mediocre, with a somewhat tinny quality. At the same time, the chorus and orchestra seem muffled and fuzzy, and there is a lot of coughing during the quiet sections.
© TiVo

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Por Olivier Pascalin

Breezes From the Orient, Vol. 1

Olivier Pascalin

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